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Category Archive for 'Literary'

I have never thought of Louise Erdrich as a particularly humorous author, but the opening chapter of this novel, “Time In Time Out,” had me chuckling nonstop at the wry humor and irony for all thirty pages. Tookie, the narrator, wastes no time introducing herself, explaining in the opening sentence that “While in prison, I received a dictionary. It was sent to me with a note. This is the book I would take to a deserted island,” a book she had received from a former teacher. Tookie, released from prison in her thirties, “still parties, drinking and drugging like I [am] seventeen,” and she admits that she does not yet know who she is. Finding a job becomes difficult until she talks with “Louise,” who runs a bookstore in MInneapolis, Birch Bark Books, which becomes a setting and includes “Louise.” Since author Louise Erdrich herself also owns a bookstore called Birch Bark Books, the identifications are real. Characters come to life as history takes place, with Covid playing a strong role in the action, as does the death of George Floyd. A book which focuses on books, readers, and authors, this will appeal to a wide range of readers.

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I am not usually a fan of futuristic novels, but I loved this book! Welsh author Cynan Jones writes with such great care for his readers that this experimental novel of the future feels totally human. Other readers who do not usually like or read this genre may also be thrilled by this work for its exciting and often new ideas, and the author’s ability to share his own attitudes without being ponderous. The novel takes place sometime in the future, as the future of the world and society is threatened by environmental disasters. Water is being supplied to towns and cities by a Water Train, moving through towns at 200 MPH, and a new project will bring a large piece of Arctic iceberg to their community in Europe. Many unusual characters broaden the scope and create interest because of the real feelings they share regarding the themes without being ponderous or polemical, and most, if not all, readers will clearly understand the points Jones is making, even when his style and narrative pattern vary widely from the norm.

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The death of fourteen-year-old Emmett Till by lynching in Money, Mississippi, in 1955, serves as the starting point for a broad look at racial crime, the people who participate in it, their families, and the society in which they live and perpetuate their own version of “justice.” Author Percival Everett treats Till’s murder and those which follow with the seriousness they deserve, but he also keeps a light, often absurd touch, preventing the reader from becoming so overwhelmed by issues that s/he becomes inured to the individual horrors. Characters have unexpected names (Pinch Wheyface and Pick L. Dill, for example), and ignorance and profanity play a big role here as the murderers of Emmett, all from the same family, themselves become the victims of vengeance by unknown people. Roles get reversed, black investigators take precedence over local white police, and as lynchings spread throughout the country, they ultimately become an issue involving an unnamed former President. Unique and unforgettable in its presentation, format, and messaging.

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HARLEM SHUFFLE by Colson Whitehead is a gem of novel, one certain to win both literary prizes and enthusiastic plaudits from its readers. A crime novel which remains both entertaining and filled with warmth toward many of the characters, even those who do not follow the straight and narrow, it shows life as it is and emphasizes the variety of ways that people deal with their difficulties successfully, even when threats and fear become part of the equation. Despite his marginal set of ethics and a neighborhood in which murder is common, Carney as main character remains intriguing and sympathetic in most of his actions. And though he may never be considered a “hero” on a grand scale, he is a hero to many people for his accomplishments and his pragmatic vision of the community’s future possibilities. His innate goodness, even in the most trying times, somehow shines through, often with a touch of humor.

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With this “mystery novel,” Argentinian author Claudia Piñeiro writes a far more character-based novel than what I have seen in her previous novels. Here the character of Elena, a particularly iconoclastic and independent thinker in her sixties, becomes the key to solving the “mystery” of daughter Rita’s death and revealing the hidden lives of Elena and Rita, including many of the issues which led to the constant arguments between this mother and daughter. Limited somewhat by a debilitating illness, Elena marshals all her energy to pursue what she considers the incorrect cause of death – suicide, rather than murder – and she will stop at nothing as she begins her own investigation, ignoring the conclusions of the police and the church, and challenging both priests and police officers. At the same time, as she does her own investigation, she brings up a long-ago peripheral case in which she and Rita were on opposite sides of the question of abortion as it related to one of their acquaintances.

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