If there is truly a separate genre known as a “Jewish novel,” then this novel would have to be its crowning achievement. An expansive and wide-ranging novel about the many facets of being Jewish (or “Finklerish,” as Treslove sees it), The Finkler Question examines the lives of three friends: Julian Treslove, a now forty-nine-year-old Gentile, has always been fascinated by all things Jewish. A romantic who has never been able to maintain a relationship, Julian has been abandoned by all of the women he’s known in the past, including the two who bore his sons. Sam Finkler, Julian’s former classmate, writes wildly popular (and popularized) editions of philosophical ideas “for all occasions.” Libor Sevcik, almost ninety, their former teacher, who eventually became a commentator on the entertainment business, has just lost his devoted wife of over fifty years, and his former students have been trying to see him more often because he feels so lost. As the three interact and share their lives with each other (and the reader), often hilariously, the author takes the unusual approach of showing how these actions reflect both their interdependencies and their religion–or lack of it.
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Earth and Ashes, a small novella, packs more feeling and more power into its few pages than most other books do in hundreds of pages, and few, if any, readers will emerge from it unscathed. Author Atiq Rahimi, an Afghan national now living in France, has recreated the Afghanistan he remembers when it was occupied by the Russians (1979 – 1989). He was seventeen at the time, and life has not improved much for the populace since then. Only the enemies have changed, and they now include many factions from within. Without preamble or any lengthy setting of the scene, the author introduces a main character who is faced with a family crisis from which he may never recover, then tells that story in plain, direct, and straightforward language which gains impact from its very simplicity. Earth and Ashes resembles some of the very best short stories by Steinbeck, Hemingway, and Andre DuBus, all of whom compress, compress, and then compress some more the images and details with which the reader comes to a full understanding of the author’s purpose.
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Newly translated into English, The Blindness of the Heart, a debut novel by Julia Franck, spans the period between the two world wars in which Germany took part, focusing on the effects of these wars on seemingly ordinary German citizens who were somehow detached from full knowledge of the causes for which they were required to fight. In the dramatic Prologue, which takes place in 1945, a young boy and his mother arrive at a train station from which there is a chance that they might escape the post-war horrors. For the boy, however, the horrors are just beginning. His mother abandons him at the station, without any warning, leaving behind his suitcase and instructions to whoever discovers him on where he should be delivered.
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The Spanish Civil War (1936 – 1939), with its terrible effects on residents of the Basque country, was a complex and brutal war in which soldiers, sometimes neighbors, often found themselves fighting for different sides. Author Manuel de Lope, who grew up in Burgos, not far from the Basque Country, obviously knows the landscape and the culture well, describing the overwhelming beauty of the land and mountains with an obvious love of nature, and the characters in his story with understanding and affection. Not a traditional war story, the author focuses instead on three characters who, though affected by the war in terrible ways, are peripheral to that bloody action—Maria Antonia Etxarri, the daughter of a former innkeeper from a nearby town; Dr. Felix Castro, a young, crippled doctor; and Isabel Cruces Herraiz, the bride (and soon widow) of a young officer, all living in the village of Hondarribia. Miguel Goitia, a young law student studying for his exams, arrives at Las Cruces sixty-five years after the Civil War, and stays in the inn which was once the home of his grandmother, Isabel Herraiz, becoming the catalyst for the novel.
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Those who are already familiar with the five earlier novels in this Icelandic mystery series featuring Erlendur Sveinsson know that Erlendur is a dark, gloomy, introspective, but caring man who does not share much about his life. As the series has developed, however, so has the main character, Erlendur. It is almost as if he has become less shy—as if he has decided to reveal himself to his readers in ways that were not possible in the first novel, Jar City. The hanging death of a young woman at a remote vacation cottage on Lake Thingvellir piques the curiosity of Erlendur when it is discovered that the victim, Maria, is from the Reykjavic area, a married history scholar who has had difficulties coping with the death of her mother two years earlier. Though local police have declared the death a suicide, a good friend suggests to Erlendur that she does not believe the woman, Maria, killed herself.
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