Winner of an extraordinary number of literary prizes in Tasmania, Australia, and England, including the London Observer’s Book of the Year Award, WANTING by Tasmanian author Richard Flanagan emphasizes, by its ambiguous title, two of the most contradictory characteristics of Queen Victoria’s reign—the “wanting,” or desire, to conquer other lands and bring “civilization” to them, and the “want,” or lack, of empathy and respect for the people and cultures which they deliberately destroy in the process. The same contradictory characteristics are also reflected in the personal relationships of the socially prominent men and women of the era, some of whom we meet here. As the action moves back and forth between Van Dieman’s Land (now Tasmania) and London and from 1839 through the 1840s and 1850s, Flanagan gives depth to the bleak picture of colonial life, creating an emotionally wrenching portrait of Mathinna, orphaned child of aborigine King Romeo, as she is wrested from her countrymen, exiled on Flinders Island, and brought into the home of the ambitious Lady Jane Franklin. Determined to prove that this savage can be civilized, Lady Jane forces the child to imitate a proper British young lady in her education, dress, and demeanor, allowing her no connections to her past but providing nothing of value in its place. Outstanding and memorable novel.
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Author Philip Hensher is nothing if not controversial, and a quick look at the ratings for his novels on Amazon in the UK will show the typical love-him-or-hate-him distribution of star ratings for his books. Though Hensher was named in 2003 as one of Granta’s Twenty Best British Novelists, and his previous novel, The Northern Clemency (2008) was nominated for the Man Booker Prize, many readers have never forgiven him for what may be one of the most infamously nasty book reviews ever written. Having never read a Hensher novel before, and having heard little about him, living as I do “across the pond,” I approached this novel with some sense of uncertainty, hoping that the brilliance of the author’s own work would nullify the opprobrium directed toward him by his resentful critics. I need not have worried. This book, though not without its excesses, is a significant and utterly compelling work of social criticism, a classic example of the best of the best of social satire. The disappearance of a young child on an errand shocks the community of Hanmouth, where the “elite” have never before had to deal with the expansion of the town limits to include people not “their kind,” with their unexpected problems like this one, and many resent the time and effort the town has expended to find China, a “council child.” Great dialogue, vivid description, well developed characterizations, and brilliant satire.
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When she died in July, 2010, Beryl Bainbridge, Dame Commander of the British Empire, had been working for the preceding six months on this novel, The Girl in the Polka Dot Dress. Nearly completed at the time of her death, this novel is her twentieth, including five which were nominated for the Booker Prize and two (Injury Time in 1977 and Every Man for Himself in 1996) which won Whitbread Awards. Set in late May and early June, 1968, the novel opens with Harold Grasse, known as Washington Harold, greeting Rose, whom he regards as “Wheeler’s woman,” at the airport in Baltimore. Rose has come to the United States to try to reconnect with a “Dr. Wheeler,” who played an important role in helping her to deal with her miserable childhood, and he has paid for her trip. The mysterious Dr. Wheeler is working on the campaign of Robert F. Kennedy for President, and he is traveling the country, so Harold Grasse is in charge of trying to get them together. Unbeknownst to Rose or some of the other characters, all of whom also seem to know Wheeler, Harold also has his own reasons for wanting to find Wheeler and to exact his revenge for Wheeler’s atrocious behavior. A wonderful finale to Bainbridge’s great writing career.
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It is no overstatement to compare Swedish author Steve Sem-Sandberg’s epic novel about the people in the Lodz ghetto during World War II to Tolstoy’s War and Peace, published almost one hundred fifty years earlier. The real life dramas which the book illustrates, the memorable characters, the carefully developed themes which Sem-Sandburg treats in new ways, and the magnitude of the horrors easily make this book the equal of Tolstoy’s epic. The nature of the subject matter, of course, precludes any hint of romanticism here, but Sem-Sandburg is so good at varying scenes involving a series of fully human, repeating characters, that I cannot imagine any reader not becoming fully engaged with them, even though their stories have been created from piles of archival records, lists, and photographs and obviously have no happy endings. Beautifully written to memorialize the people of the ghetto, rather than the horrors of the Holocaust itself, this book is an awe-inspiring literary achievement.
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The structure of a folk song, as author Monika Fagerholm describes it here, explains the overall structure of this novel, with many repetitions through time and space, through past and present, and through new generations and old. Points of view constantly change among the many characters as the chronology moves between 1969 and 2012 and back. Bits of information are provided about one character in one section at one moment in time, contradicted in another section, and denied completely in yet another. Different characters go to the same places at different times and perform the same actions, but the results may be described differently, and may actually be different, depending on who is telling the story. If this sounds complex, it is. Finnish author Monika Fagerholm challenges the very nature of story telling in this novel, which has, at its heart, a series of dark mysteries which echo through more than one generation.
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