How long has it been since you have read a novel with a thematic line so unusual and so well explicated that reading the book changed your way of seeing the world? This novel was one such experience for me. Metaphysical, historical, and utterly different from anything I have ever read, Giles Foden’s Turbulence kept me (neither a mathematician nor a student of physics) turning the pages, no matter how theoretical and dense the novel sometimes became with its science. Fascinating personal stories are interwoven with the scientific plot, giving the novel immediacy, even for a devout non-scientist. Set in London and Scotland from January through June, 1944, the novel is a study of weather forecasting and all the factors which must be considered in making long-range predictions, especially as the allies consider the D-Day invasion.
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When the story opens, Arvid’s mother has just discovered that she has a recurrence of cancer, and she has decided to take the ferry from Norway back to her “home,” on Jutland. Arvid has had a testy relationship with his mother over the years and has not talked with her in a while, trying to avoid telling her that he and his wife are getting a divorce, but when he gets a message that his mother has left home, he, too, takes the ferry to Jutland. During this time, he is inundated with memories, which come at random from different times in his life—his decision to become a communist, then leave college and join the “proletariat” working in the factories (like his parents); his memories of vacationing in Jutland as a child; the loss of the brother who came just after him in birth order. Throughout, however, he returns to stories of his mother, who, when he decided to leave college and give up his chance to escape the kind of life she and her husband had been living, smacked him, hard, across the face. Ultimately, Arvid becomes a character so real that even the author has said, “I recognize myself in him…”
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Zambra is a unique writer, one who belies the stereotype of a writer as someone who becomes impassioned by an idea, then hies off to his quiet garret to write furiously, developing, refining, and then ultimately promoting it. Zambra, like his alterego Julian, also an author, ties himself to the most mundane aspects of everyday life, which he then describes succinctly and, at times, lovingly. There are no spectacular scenes, no dramatic displays of emotion, and no real plot here, just the story of Julian, a university professor who teaches all week, entertains his stepdaughter with a continuous story of the private lives of trees, and on Sundays works on his novel, a long project which was once three hundred pages but which he, calling himself a “self-policeman,” has whittled down to a mere forty-seven pages. His novel is about a young man tending a bonsai tree, similar to the one given to him by his friends, and which he has neglected to the point that it may die. Filled with warmth and a sly sense of humor about writing, about life in Chile, and about his main character Julian, who is often ineffective, Zambra creates a wonderful irony—it is almost impossible to remember that the main character is Julian and not Alejandro Zambra.
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Posted in 9b-2010 Reviews, Book Club Suggestions, England, Humor, Satire, Absurdity, Literary, Mystery, Thriller, Noir, Psychological study on Jan 22nd, 2011
Author Jenn Ashworth takes the concept of irony to new heights in this psychological novel which rivals Patrick McCabe’s The Butcher Boy in its intensity, and it is in her irony that this novel achieves something that McCabe’s novel does not—it is pathetically funny at the same time that it is terrifyingly slow in its revelations of Annie’s past life. In the first six pages, Neil, Annie’s new next door neighbor, asks her if “the family,” especially her little girl, have arrived yet. Annie asserts that he must be confused–that it is only her and her cat, no husband, no daughter. Every remark and every action from this point on capitalizes on the reader’s understanding of real life as the author shows it being played out in conversations among the neighbors and other residents of the community, while Annie twists and manipulates what she sees and hears so that her reality will be what she wants it to be. Ashworth manages to depict a main character with a perverted sense of self and gross ignorance of the conventions of social intercourse while, at the same time satirizing the very suburban society which Annie wishes to be part of—a major achievement pulled off with panache and darkly humorous flair.
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Author Carmine Abate grew up in Carfizzi, a small Arberesh village in the toe of Italy, and he returns to that area again* in this novel with a warm and embracing story of a young man’s growing up and his search for his place in the world. Marco has a different life from that of boys in other parts of Italy. Like his father, he may be destined to leave his home in Hora, one day, to spend long periods of time in the mines and fields of France earning enough money to support a family in Italy. Filled with everyday details which bring the community of Hora and the difficult maturation of this young boy to life, The Homecoming Party is a coming-of-age novel, a small morality tale, a domestic drama, and a paean to the beauty which still exists in the hills of southern Italy. By emphasizing the characters’ natural, uncomplicated reactions to important events, and keeping those reactions consistent with the ages of the characters, he allows readers from other parts of the world to participate in a family whose culture is very different from their own.
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