Alain Mabanckou, a Congolese author who now teaches French literature at UCLA, writes an often hilarious, non-stop narrative full of life and excitement, a narrative which, at the same time, is also mordant in its depictions of life. The main character, a Congolese alcoholic named Broken Glass, is memorializing the sad stories of his fellow patrons of a bar called Credit Gone West in the beachfront city of Pointe Noire in the Republic of Congo. A teacher, until he was accused of pedophilia for drunkenly baring his buttocks to his class, Broken Glass has traveled the world through books, loving the adventures of Tarzan, Tintin, and Santiago the fisherman, while he was a child, and then going on to study and enjoy the French classics. Ultimately he tells the “civilized” literary world that “Until the day your characters start to see how the rest of us earn our nightly crust, there’ll be no such thing as literature.”
Read Full Post »
Posted in 9b-2010 Reviews, Book Club Suggestions, Classic Novel, England, Historical, Humor, Satire, Absurdity, Literary, Psychological study on Jan 21st, 2011
Described by the [London] Daily Telegraph as “a criminally neglected British author,” Patrick Hamilton wrote nine novels from the 1920s through the early 1950s, along with the famous dramas of ROPE and GASLIGHT, and though he earned the admiration of a host of famous authors, from Graham Greene and Doris Lessing to Nick Hornby, he never achieved the popular success he deserved, either in his own time or throughout the twentieth century. In this decade, however, virtually all his novels have been reprinted in both Europe and in the US, and he is finally beginning to be recognized for his astute observations about his times and for his insights into the minds of his characters. Set in 1943 at the Rosamund Tea Room, a boarding house to which some residents of London have moved to escape the Blitz in London, Hamilton lays bare the inner lives of his characters, not through interior monologues but through their behavior, their revealing conversations, and their interactions with others. (On my All-time Favorites List.)
Read Full Post »
Thirty-five years after Henry Smart became one of the heroes of the Easter Rising in Dublin in 1916, the most significant rebellion of the Irish against British rule in over a hundred years, Henry is in Hollywood, where he is an “IRA consultant” to director John Ford, a second-generation Irishman from Maine who plans to make a film about Henry’s life. The making of this film and its aftermath become a major focus of this final novel in the “The Last Round-Up” trilogy by Roddy Doyle, who had intended the trilogy to reflect Ireland’s history from its independence to the present day. This final novel covers eight decades as Henry Stark leaves Hollywood and returns to Ireland, attempting to live a normal life under Irish self-rule. Those who are unfamiliar with the preceding two novels will have a difficult time understanding who the characters are and what their backgrounds entail, and as the action moves back and forth in time, even someone familiar with the trilogy will sometimes be hard pressed to figure out what is happening.
Read Full Post »
Written by July, a Jamaican slave, The Long Song is a family history, one irrevocably tied to Amity Plantation, where July, the mulatto daughter of Kitty, a slave, and a Scottish overseer, has lived with her mother, accompanying her as she works the plantation in the 1820s. July, while still a child, eventually catches the eye of Caroline Mortimer, the widowed sister of John Howarth, owner of Amity, and she decides to train July as her maid. Wresting her without warning from Kitty, who has no legal rights to her child, Caroline renames the child “Marguerite” and sets about training her. As July grows and learns to manipulate the self-centered Caroline, Caroline herself becomes less “English,” less “civilized,” and even more autocratic, until she resembles the plantation owners themselves, regarding their workers as property, not as humans.
Read Full Post »
From the opening pages of this kaleidoscopic debut novel, Canadian author Jaspreet Singh works his magic, setting the opening scene on a train from Delhi to Srinagar, in Kashmir. A born story-teller, gifted with the ability to describe the sights, sounds, and smells of his many Indian settings, Singh also creates, at the same time, lively characters and interconnected plot lines which span two generations. Anyone who has read other novels concerned with the partition of India and the perennial conflicts between mostly Hindu India and Muslim Pakistan over the fate of Kashmir knows how complex and emotionally fraught these conflicts are, but Singh explores the conflict through the eyes of Kirpal (Kip) Singh, a chef who once worked for Lt. Gen. Ashwini Kumar, formerly chief of the Northern Command in Kashmir. With his limited focus, Kip is able to convey all the tensions and conflicts of the area without getting bogged down in the logistical technicalities. His vision is personal, and because he is an honorable person, he becomes the conscience of the novel.
Read Full Post »
