Posted in Egypt, Historical, Literary on Jan 15th, 2011
Written in 1974 and newly translated by Roger Allen, the novel takes place in the mid-1960s and focuses on the Karnak Café regulars as they respond to some key moments in contemporary Egyptian history. For the young people, “history began with the 1952 Revolution,” in which the army, led by a young officer named Gamal Abdel Nasser, overthrew King Farouk, abolished the pro-British monarchy, and established a republic, inspiring other Middle Eastern and north African countries in an Arab sovereignty movement. In 1954, Nasser became President of Egypt. Hopes were high then and continue to be high for the young at the café in the early 1960s, despite the acknowledged (and continuing) problems with civil rights, poverty, and the abuses of the police. The three young people and their fates become the focus of the narrator when the young people inexplicably disappear for several months. Mafouz recreates in a mere one hundred pages the historical record of a country yearning to be free at the same time that he depicts the movements against individual freedom which are at their peak. (On the Favorites List for 2008)
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Posted in Historical, Literary, Turkey on Jan 15th, 2011
The rich story-telling tradition of the Middle East enlivens Turkish author Orhan Pamuk’s novel about the residents of Kars, a town in the remote northeast corner of Turkey, as Kerim Alakusoglu, known as Ka, returns after many years to investigate a spate of suicides by young women forbidden to wear headscarves in school. Though Kars, which comes from the Turkish word for “snow,” was once a crossroads for trading between Turkey, Soviet Georgia, Armenia, and Iran, all of which are within a few miles of the town, it is now “the poorest and most overlooked corner of Turkey.” All the conflicting political and religious tensions of the country are seen here, its residents representing a melting pot of historical influences—socialism and communism, atheism, political secularism, ethnic nationalism (especially the Kurds), and the most rapidly growing movement, Islamist fundamentalism. Many-leveled, beautifully wrought, and complex in its themes, this is a novel which thoughtful western readers will want to explore, a haunting novel rich with insights which should not be ignored.
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What began as a mentoring relationship between established novelist V. S. Naipaul and Paul Theroux, a young writer working on his first novel, went on to endure as a “friendship” for thirty years as both writers traveled the world but remained in touch. They met when Theroux was a young ex-Peace Corp worker teaching in Uganda at the university in Makerere in 1966, and Naipaul, nine years his senior, became “writer-in-residence” there, though Naipaul hated teaching and mocked the writing of his students and the Makerere faculty. He did, however, recognize Theroux’s talent, and he did help and encourage him to get his novel published. Theroux, in turn, was an astute reader of Naipaul’s work, and both benefited from the relationship, at least at first. A crusty, critical, and often cruel man, full of contradictions, Naipaul was a difficult “friend,” and when he decided that he did not like someone, there was no turning back, no forgiveness for human failings. Theroux managed to navigate that minefield of hostility for thirty years. Despite the pettiness and frequent mean-spiritedness of Naipaul, it is also a portrait of Theroux, who published this book as his own enduring form of payback.
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Posted in Cape Breton, Literary, Scotland on Jan 15th, 2011
Alexander MacDonald, the narrator of this warm and ennobling family saga, comments to his brother that “Talking about history is not like living it…Some people have more choice than others.” And there, in a nutshell, is the essence of this tender generational novel. The MacDonalds are, in many ways, an “ordinary” family on Cape Breton, but author Alistair MacLeod creates a history for them so alive that the reader experiences it, too, feeling their sorrow and joy, admiring their pluck and independence, and celebrating their loyalty and bravery as they make the hard choices their lives require. They become heroes to us not because they have performed unusual feats but because they have achieved nobility within the collective memory of their own family. The book pulses with heart, an unforgettable novel by a writer who is so precise in his structure and word choice that in his entire career he has produced only this one novel and fourteen short stories published in two extraordinary collections. (At the top of my All-Time Favorites List.)
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The Spanish Civil War (1936 – 1939) and the subsequent dictatorship of General Francisco Franco form the underpinning of this hypnotic novel, which is simultaneously a love story, a story about political and personal aspirations, and a story about writing and the creative process. In a narrative that swirls through time and place, often turning in upon itself and revisiting earlier events from different points of view, life during the tumultuous Civil War unfolds and is carried forward for more than thirty years of Franco’s harsh dictatorship. The style is hypnotic, catching up the reader in the mood and weaving a spell, despite the fact that this unusual novel never moves in a straightforward chronological sequence and so lacks the usual beginning, middle, and end, except as the reader constructs it for him/herself. It is not unusual for some sentences to be one hundred fifty words long and for paragraphs to go on for pages, yet the narrative speeds along on the strength of the spell it weaves and the intensity of the mood it creates. A novel that will appeal to readers willing to succumb to its mood and not worry about the long sentences, lack of direct action, and swirling chronology, A Manuscript of Ashes is an intriguing early novel by an author who is one of Spain’s most honored contemporary authors.
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