Resembling both McEwan’s Atonement and Frayn’s Spies in its plot, this 1953 novel, recently reprinted, tells of a pre-adolescent’s naive meddling in the love lives of elders, with disastrous results. Set in the summer of 1900, when the hopes and dreams for the century were as yet untarnished by two world wars and subsequent horrors, this novel is quietly elegant in style, its emotional upheavals restrained, and its 12-year-old main character, Leo Colston, so earnest, hopeful, and curious about life that the reader cannot help but be moved by his innocence. Leo’s summer visit to a friend at Brandham Hall introduces him to the landed gentry, the privileges they have assumed, and the strict social behaviors which guide their everyday lives. Bored and wanting to be helpful when his friend falls ill, Leo agrees to be a messenger carrying letters between Marian, his host’s sister, and Ted Burgess, her secret love, a farmer living nearby. (To see the full review, click on the title at the top of this excerpt.)
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Devastated by the surrender of his country just five days after the Nazi invasion, twenty-three-year-old Erik Hazelhoff, decides to resist. A university student in Leyden, Hazelhoff, joined by friends, makes several attempts to get to England so they can fight the Germans, before finally succeeding. Connecting with Francois van ‘t Sant, Private Secretary to Queen Wilhelmina, who is in exile in England, Hazelhoff and three friends agree to help start “Contact Holland,” an Underground communications network between Holland and England. Ferrying spies across the North Sea into Holland proves more difficult than they have imagined, and with winter weather, high seas, and no communications network in place in Holland, their good intentions do not produce the desired results. In this autobiographical account, Erik Hazelhoff conveys in dramatic detail the many attempts to establish Underground connections through Scheveningen, and in equally dramatic detail the political scheming between Dutch bureaucrats living in London, who simply want to continue the government’s legal existence, and Van ‘t Sant and the Queen, who want real results. (To see the full review, click on the title at the top of this excerpt.)
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So daring and exotic are Erik Hazelhoff’s adventures and so strange are some of the coincidences, that if this were fiction, a reader might be excused for finding it “unrealistic.” Yet this is the story of a real Dutch citizen who has believed all his life in challenging fate, forging ahead, doing what he had to do, and not looking back. Unwilling to accept “impossibilities,” he has constantly challenged the status quo, often in wildly heroic actions. Seemingly fearless, he learned from his earliest childhood in Dutch Java that Fear dwelt in a Black Cave, but “you must defy him, and a pebble in your mouth will protect you.” Hazelhoff has spent his entire life with a pebble in his mouth, boldly marching past Black Caves which have swallowed lesser men.
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One of Henry James’s earliest novellas, Daisy Miller (1878) follows the activities of a wealthy, and brashly confident, young American woman as she audaciously challenges European society in Vevey, Switzerland, and in Rome, having fun, doing what pleases her, and leaving staid European society gasping in her wake. Daisy Miller, whose father is in the US and whose mother is her ineffectual “chaperone,” is a free spirit in a society bound by unstated but rigid “rules,” determined to do whatever she wants, whenever she wants, with whomever she chooses. Frederick Winterbourne, an expatriate who has spent most of his life in Geneva, is attracted to Daisy, but his bonds with his stuffy aunt, Mrs. Cosgrove, and her friend, Mrs. Walker, both of whom govern ex-patriot society in Europe, leave him ill-equipped to deal with Daisy’s flouting of society’s conventions. When she is obviously attracted to Mr. Giovanelli, a singer/musician of no social standing, and when she is seen with him publicly in places that a “nice” girl would not grace at night, her reputation is threatened, and anyone associated with her is tainted. (To see the full review, click on the title at the top of this excerpt.)
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The cruelties of life, both deliberate and accidental, play out with delicious irony in this very dark precursor to the modern noir novel. An elderly brother and his three aging sisters, all physically and emotionally maimed, are required, under the terms of their mother’s will, to share the rapidly deteriorating family estate, Durraghglass, near Cork, Ireland. Each of the Swift family members, firmly controlled by “Mummie” and her memory, leads an almost totally isolated, secret-filled life, unable to share feelings or care for anyone else. Their already precarious lives are tested with the unexpected arrival of Leda, a formerly glamorous, half-Jewish cousin from Austria, whom they all thought “perished in some cold, unnamed camp, most likely. Who wants sordid details?” Irony builds upon irony as Leda’s actions and remarks, often misunderstood, succeed in turning one sibling against another.
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