SEEING THE WORLD THROUGH BOOKS

Mario Vargas Llosa opens this fictionalized biography of Roger Casement as Casement awaits a decision on his application for clemency from a death sentence. As he reconstructs Casement’s life as a reformer and advocate for benighted native populations being exploited by various countries and corporations, he returns again and again to Casement throughout the novel as he rethinks every aspect of his life. Casement concludes, in most cases, that he acted honorably – or tried to. An advocate for indigenous populations exploited by governments and corporations, Casement has revealed the horrors of the Congo under the rule of Leopold II, and of Amazonia at the turn of the century, when a Peruvian entrepreneur controls vast quantities of land over which he has total control. His rubber company has many London investors. Ultimately, Casement believes that the Irish who are being ruled by the British have similar problems to indigenous populations, and he acts against the British and must face the consequences.

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In her debut novel, Out of It, British Palestinian author Selma Dabbagh creates a family from Gaza which reflects all the stresses, conflicts, and competing philosophies endemic to that world, a small strip of land along the Mediterranean coast in the westernmost corner of Israel, bordering Egypt. Creating a well-differentiated Gaza family which lives their lives and join friends in numerous activities, both political and otherwise, the reader learns about life in Gaza and the various factions complicating any unified action by any Palestinian “government.” By showing the action through members of a single family with differing points of view, the author makes many issues come alive in new ways and shows how they affect family dynamics. And though the issues and the different political factions attempting to deal with them are sometimes a bit muddled for those of us who are not already familiar with all the various groups in Gaza, her focus is clearly on those issues. We come to know the characters within the limits of their points of view, and they and their fates become part of the message rather than ends in themselves. The novel is enlightening and often entertaining, descriptive and often memorable, and exciting but often horrific, with few hints that any real solution is forthcoming.

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In this autobiographical novel, author Vaddey Ratner has accomplished what every novelist hopes for—she has created a main character and family so vibrant that every reader will truly feel “replanted” and rooted in a different place – Cambodia – where they then share every aspect of these characters’ lives and hopes for the future. Telling the story is Raami, an engaging seven-year-old child of a large and loving Phnom Penh family, which also includes her nanny, cook, and beloved gardener. Together they inhabit a lush, lovely, and endlessly fascinating natural world which offers constant visual surprises and inspires the stories, tales, and poems Raami relates here. Many of these poems and stories have been written by her father, a man she adores, and they infuse her whole life with the magic and beauty of words, offering hope and inspiration even through the atrocities she eventually witnesses when the Khmer Rouge take over the country. Directed by revolutionary officers and moved from village to village at the whim of the Khmer, the family performs menial labor as they try to hide their background, dealing with starvation, disease, exhaustion, killings. It is her memory of her father’s stories which keep her sane. Beautifully written, totally involving, and eventually uplifting.

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Considering the esoteric subject matter, the hypnotic charm of this biography comes as a complete surprise. Though I had expected the book to be good, I had no idea how quickly and how thoroughly it would engage and ultimately captivate my interest. Through this sensitive author/artist, the reader shares the quest for information about five generations of his family history, delights in the discovery of his family’s art collecting prowess, and thrills at his ability to convey the charms of a collection of 264 netsukes from the early 1800s. Despite the sadness that accompanies the Anschluss in Vienna and leads to the loss of the family’s entire financial resources, the novel is far from melancholic. Ultimately, he connects with the reader, who cannot help but feel privileged to have been a part of this author’s journey of discovery.

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Daniel Silva, who was a journalist for years before he became a novelist, has always taken care to create plots that relate directly to current political and historical realities. In this novel Silva goes way beyond the facts that we all understand from the media, elucidating the complexities and the heartfelt commitments of both the Arabs and the Jews to preserving “their own” piece of the land in what is now Israel, and especially Jerusalem. Allon is restoring “The Deposition of Christ,” widely regarded as Caravaggio’s finest painting, working at night in the Vatican, when the body of a female curator in the antiquities department is found beneath the Michelangelo-designed dome of the basilica. While this is being investigated, Allon learns from Shimon Pazner at the Israeli Embassy that Hezbollah, aided by Iran, may be planning a major attack on some Israeli site in Europe. Eventually, these two plots coincide, but not before Silva has explored the complexities of the financial dealings at the Vatican; the personal alliances within the Vatican and within Rome itself; the financial and cultural interconnections between the Palestinians, Hezbollah, Iran, and the antiquities market; and the extreme actions suicide bombers are willing to commit to advance their agenda. No compromise seems possible in dealing with any of these issues as the reader becomes newly aware of the increasing tensions of the area and the unlikelihood that any solution, other than war, will be the result.

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