Sly and subtle, this comic novel by one of England’s most under-recognized novelists depicts the life of its main character so poignantly that readers will find themselves as close to tears as they may be to chuckles. Mildred Lathbury, at thirty-one, already regards herself as a spinster, a woman who has completely repressed her inner self so that she can lead an “excellent” life. Working for the Society for the Care for Aged Gentlewomen during the day, she also helps Fr. Julian Malory and his sister Winifred at the rectory and in church during her spare time. Except for these activities and a few outings with similarly “excellent” single women, she has no social life, except for her once-a-year dinner date with a male friend. Set in 1952, the novel follows the life of Mildred as it suddenly becomes a bit more “exciting,” at least by Mildred’s standards. A married couple, the Napiers, move into the house where she lives, and she makes an effort to get to know them. Rockingham Lathbury (Rocky) has been an officer (and playboy) in Italy during the war; his wife Helena is an anthropologist who has been working on a project in Africa with a male anthropologist, Everard Bone. It quickly becomes clear that the marriage is having problems, and Mildred gets drawn in. (To see the full review, click on the title of this excerpt.)
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Mary Renault’s great Greek novel early Greek history/mythology begins when Theseus, the mythical founder of Athens is a young man in Troizen, a well-bred youth who has never known his father’s identity. When, with the help of the gods, he succeeds in lifting a stone to reclaim his father’s sword, Theseus discovers that he is the son of Aigeus, King of Athens. On his way to Athens to meet him, Theseus arrives in Eleusis, where after wrestling the king in a fight to the death, he finds himself, unexpectedly, the King of Eleusis. Later, in Athens, when fourteen young men and women are chosen by lot to become bull-dancers in Crete, fulfilling a tribute demanded by the King of Crete, Theseus listens to his god and joins the group, never knowing if he will survive to return to his father. Renault tells the story of Theseus as if Theseus were a real person, not a mythical character, using history, archaeology, and a deep understanding of the cultures of the period to place Theseus in a realistic context. Her descriptions of the lifting of the stone, the wrestling match in Eleusis, Theseus’s arrival at the palace in Athens, and especially his experiences in becoming a bull dancer bring the period vibrantly to life in ways consistent with the historical record. (To see the entire review, click on the title of this excerpt.)
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This is a masterpiece to be savored, celebrated, and shared. Straddling the nineteenth and twentieth centuries, The Radetzky March uniquely combines the color, pomp, pageantry, and military maneuvering of the last days of the Austro-Hungarian Empire with the more modern political and psychological insights of the twentieth century, giving this short book a panoramic geographical and historical scope with fully rounded characters you can truly feel for. Following the fortunes of three generations of the Trotta family, the novel opens with the story of the grandfather, whose battlefield actions in the mid-nineteenth century save the life of the man who becomes Emperor Franz Josef. He is well rewarded by the emperor, and his son and grandson remain connected with the leaders of the country and benefit from this relationship. Atmospheric effects are so rich and details are so carefully selected that you can hear the clopping of hooves, rattling of carriage wheels, clang of sabers, and percussion of rifles. Parallels between the actions of man and actions of Nature, along with seasonal cycles, bird imagery, and farm activity, permeate the book, grounding it and connecting the author’s view of empire to the reality of the land.
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When the monsoon rains wash a whole village of massacred babies, men, and women down the swollen river and past a small, peaceful community on India’s border with the newly created Pakistani state, the residents of the village are aghast. When whole trains of newly slaughtered Sikhs and Hindus, not a passenger still alive, start arriving in their village from Muslim Pakistan, they hastily cremate and bury the remains, then retire to the temple in shock. When their own Muslim friends from the village are forcibly evacuated to Pakistan on ten minutes’ notice, the villagers know that the fabric of their lives is changed forever. With the immediacy of an on-the-spot observer to these events of 1947 and the passion of a sensitive writer impelled to tell a story, Singh mourns the seemingly permanent loss of compassion and tolerance which accompanied the separation of the Indian subcontinent into Hindu/Sikh India and Muslim Pakistan. (To read the full review, click on the title of this excerpt.)
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Written in 1937, when the Depression was still affecting all aspects of the farming community, this powerful novel depicts the lives of migrant workers–grim, pessimistic, and offering little hope for an improved future. Focusing on two characters who arrive in the Salinas Valley during peak season, Steinbeck creates touching scenes between Lenny, a big, severely limited worker who does not know his own strength, and George, a whippet-thin man who serves as Lenny’s constant companion and protector. Both Lenny and George have dreams of one day living on their own farm, where Lenny, who loves the feeling of soft things–even dead mice–wants to take care of rabbits. George hopes one day to benefit from his own hard work on his own farm and to create an environment where Lenny can be safe from his own impulses. As Steinbeck brings the characters on the ranch to life, he shows how every person there has dreams of a different life but few opportunities to change the lives they already have. (To read the full review, click on the title on this excerpt.)
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