In an unnamed country (similar to Norway) during World War II, a German sympathizer lures local men and the town’s twelve soldiers into the forest long enough for the Germans to take the town. They occupy the home of the mayor as a sign of their power and commandeer the local coal mine. Mayor Orden has never before been a brave or very forceful man, but he is not a fool, and while he tries to keep order in the town, as the Germans demand, he refuses to use the power of his office to betray the ideals of his people. Soon the locals begin to sabotage everything the Germans can use to prolong the war. Simple, direct, concise, and humane, this may be the most effective piece of mass propaganda ever written.
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When John Steinbeck obeys a life-long urge to drive from coast to coast in 1960, he little anticipates the variety of the “American experience.” Beginning in Maine and traveling along the northern states through Wisconsin, the Badlands, Montana, and all places in between, to Washington and Oregon, Steinbeck then decides to visit his childhood community of Salinas, in northern California. After meeting with friends there, though many have died, he then drives southward through the length of California and then eastward through the southwest desert to Texas, Louisiana, and eventually up to Virginia before returning to New York. Carrying the reader along with him as he reconstructs this journey for publication in 1962, Steinbeck observes people and human nature, being careful not to draw conclusions about an entire area based on the individuals he meets along the way. Often it is their reactions to Charley, his aging blue poodle, which stimulate their conversations and allow Steinbeck glimpses of their thinking and ways of life. (To see the full review, click on the title of this excerpt.)
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Written in 1897, Bram Stoker’s Dracula is a classic of British fiction, fascinating for its subject matter and still the subject of films a hundred years later. Count Dracula, the epitome of evil, is exotic enough to keep even the most jaded reader of his exploits interested in their outcome, and grounded enough in the reality of evil to make even doubters wonder whether evil can be transmitted from one person to another against one’s will.
The novel begins with the arrival of Jonathan Harker, a lawyer representing a London real estate agency, at the Transylvanian castle of Count Dracula to clinch the deal by which the count will move to a British estate. Details about Harker’s arrival by coach, his greeting at the castle, which has no doors except the front door, his reception by the count (who has hair on the palms of his hands), and his instructions regarding where he may go or not go within the castle set the tone and establish the mysterious background of the count and a sense of dread regarding the outcome for Harker.
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Posted in Classic Novel, Japan, Literary on Jan 10th, 2011
Written in 1929, Some Prefer Nettles is as relevant and fresh today as it was more than seventy years ago. Illuminating the conflict between the old, traditional ways of Japan and western, “modern” influences, obvious in Tokyo even in the 1920’s, this story of an unsuccessful marriage could be contemporary, except in the details. The social unacceptability of divorce in Japanese culture and the resulting tensions felt by three generations of a Japanese family allow the western reader to enter an emotional world, a world of conflict rarely shared with outsiders and almost never understood. Kaname and his wife Misako “do not excite each other,” but they are stuck, perhaps permanently, in their loveless marriage. If Misako leaves Kaname, she will have to return to her father’s home, a social outcast, without her son, who will stay with his father. Kaname will also suffer–he has failed as a husband. Considering himself “modern,” Kaname has allowed Misako to take a lover, while he finds satisfaction in geisha houses and with prostitutes.
(To see the full review, click on the title of this excerpt)
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Posted in Classic Novel, England, Literary on Jan 10th, 2011
“The end of a novel, like the end of a children’s dinner-party, must be made up of sweetmeats and sugar-plums,” Trollope says, and he does, indeed, fill the ending of this delightful social satire with all the “sweetmeats” any reader could desire. Between the introduction and conclusion are so many moments of wry humor, genuine thoughtfulness, and satisfying come-uppances that the extra sweetness at the end is actually a bonus. In this second of the Chronicles of Barsetshire, published in 1857, Trollope continues the story of Mr. Septimus Harding, the gentle and unambitious clergyman who, in The Warden (1855), resigned his appointment as warden of Hiram’s Hospital for the poor and became the vicar of a small church, living frugally above a chemist’s shop. His daughter Eleanor, who married reformer John Bolt at the end of The Warden, is now a widow with a small son–and considerable inheritance. Ecclesiastical controversies, many of them linked to the desire for power within the small world of the church hierarchy, still exist in Barchester, and the arrival of Mr. Slope, as chaplain to Bishop Proudie, signals fireworks. Slope, one of Trollope’s most unforgettable characters, is one of the slimiest, most sycophantic, and manipulative clergyman ever to appear in English literature. (To read the full review, click on the title of this excerpt)
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