Hilary Mantel has never “written the same book twice,” a writer of literary fiction who is so versatile and original that she defies genre. Though this novel is a thorough and detailed look at the British court and its players from 1529 – 1535, it is so different from the traditional “historical novel” in its themes, massive scope, detailed character development, careful research, and lack of romance that it becomes its own genre, closer to fictionalized biography than to the blood and thunder bodice-rippers that sometimes characterize “historical fiction.” This novel is realistic, with no compromises of actual history for the sake of story, but it succeeds in being lively, often humorous, filled with exciting scenes, and peopled with fascinating characters from Henry VIII to Sir Thomas More and Thomas Cromwell. In an unusual twist, Mantel turns history as it has been depicted in other literature of this period on its head. Sir Thomas More, the saintly subject of A Man For All Seasons, is shown here to be rigid and hard; Thomas Cromwell, often depicted as the evil scourge of More, is, instead, something of a hero here.
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Aware that nearly all the history books about Indonesia begin with the discovery of the sea routes from Europe to Asia, thereby reflecting a western slant, a young teaching assistant in Jakarta in 1964 reflects the growing desire among Indonesians for a history of “their own.” Indonesia had been a Dutch colony for three and a half centuries, and had been occupied by the Japanese for much of World War II. Though long-time leader Dewi Sukarno declared the country’s independence–and became President–after the defeat of the Japanese, the Dutch remained a dominating presence in the country’s economy, to their own benefit far more than the Indonesians’. By 1964, when this novel opens, resentment against westerners is peaking. The Dutch are being arrested without warning and forcibly “repatriated,” the Chinese and Russians are exerting significant influence, Communism has become so popular that the president and the army fear a coup, and violence has become a way of life. “The police can kill anyone nowadays,” a teacher remarks, “and we just say, ‘Hey, there’s a dead body,’ without really knowing, or caring, who it was.”
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Don’t plan to see this film and then go out for a lively night on the town. You will be so spent after the one hundred forty-one minutes of this gut-wrenching film that when the lights come on at the end, you’ll need a minute to figure out where you are, and then additional downtime to process all you’ve seen. Days later, you’ll still be thinking about this slice of life–and Edith Piaf.
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In this brutally satiric little novella, the “downstairs” servants of the aristocratic Klopstocks, living in Switzerland, have their lives all planned out for the immediate future. They will not be spending another day with the Klopstocks—at least not a day in which the Klopstocks are alive, and they are breathless with anticipation. Lister, who manages the household, knows that both the Baron and the Baroness will be meeting in the library that evening with Victor Passerat, “Mister Fairlocks,” someone with whom the Baroness is passionately in love but who is himself passionately in love with the Baron. Posting a “Not to Disturb” sign on the door, the triangle of lovers meets, determined to settle their issues, but these can be settled only one way—with gunshots. “The eternal triangle has come full circle,” one servant observes.
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Lowboy is the powerful and moving story of a paranoid schizophrenic teenager who, hospitalized for almost two years, goes off his meds and escapes back to New York City’s subways in an effort to spread his “message” and prevent global warming from destroying life as we have known it. Ali Lateef, a New York City detective whose area of expertise is “Special Category Missing,” is hoping that Will’s mother, “Miss Heller,” sometimes known as Violet, can provide enough information to allow him to find Will in the seven or eight hours before his lack of medication pushes him into violence, but she, too, has her problems. Highly praised for both his imagination and his careful structuring, John Wray is one of the most exciting young novelists in the country today. (On my Favorites List for 2009)
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