In The Only Story, British author Julian Barnes returns to examine, once again, some of his most encompassing themes. As in his Booker Prize-winning The Sense of an Ending, he writes a “character novel,” in which a main character examines his experiences with love, loss, memory, and time to try to ascertain a grander truth about life, something not affected by immediate emotions, the sentimental memories of the good times, or the tendency to see what one wants to see in the past. Here Barnes examines the intensity of a first love and its effects on main character Paul Roberts’s entire life, emphasizing that no matter what the outcome of such a love is – happy, sad, long-lasting, or brief – that its effects on a life are, in fact, ineradicable. This engrossing and expansive study of two very different characters, creates empathy for Paul as he deals with love’s complexities at the same time that the reader recognizes that Paul Roberts is not alone.
Read Full Post »
In a novel widely regarded as the high point of his work to date, Australian author Tim Winton expands his view of the world and his ability to create fascinating, even symbolic, characters, placing them in circumstances in which they must take actions for which they may not be prepared. Set in the remote wilds of western Australia, where life is often raw and behavior sometimes lacks the constraints which “civilization,” by definition, requires, Winton creates two characters on their own, each one abused, and both trying to escape the events which have marked them for life. Jaxie Clackton, a seventeen-year-old whose family life has been significant primarily for his beatings, has lived through the lingering death of his mother. His father, a man who seemingly obeys no laws and feels no sense of love for anyone, takes his own frustrations out on Jaxie, beating him mercilessly, sometimes for no apparent reason. When he finds his father dead in an accident, Jaxie takes off into the outback, determined to walk almost two hundred miles to see the one person who had been kind to him in recent years. On the way he meets a former priest living alone in a hut, a man who also is rejected by his society but helps Jaxie for many days.
Read Full Post »
Everyone is familiar with the novels of Sir Arthur Conan Doyle featuring Sherlock Holmes and Mr. Watson. In this book, however, Conan Doyle does not appear as an author inventing a story, however clever and astute those novels may be. Here, in a beautifully presented and carefully developed study of a murder case from 1908, Conan Doyle becomes a participant in the real life events. Like Sherlock Holmes, Conan Doyle must carefully examine all aspects of a confusing case, the motivations behind the actions of all the people involved in it, and the end results, even when those differ from what he believes they should have been. Conan Doyle becomes human here, a man involved in trying to help an immigrant he believes has been used as a pawn by the police and public officials, one who has been the victim of false testimony by “witnesses,” and one who will eventually serve eighteen years of a life sentence before he is released from Peterhead Prison where he has spent his life at hard labor, mining granite. Conan Doyle was largely responsible for his release.
Read Full Post »
Tommy Orange, a Native American author, describes the contemporary culture of the Urban Indian, one who does not live on a reservation or in the countryside, but in the middle of cities, in this case, Oakland, California. Orange is especially interested showing the need for a unifying Indian culture and the fact that urban areas are totally different from any previous centers of Native American culture. Using twelve characters moving back and forth across three generations, he tells the interconnected stories of these people, the tragedies, the horrors of their lives, their frequent reliance on drugs and alcohol, and their difficulties continuing a culture which may not adapt well to twenty-first century urban life. All these characters come together in the final section, “Powwow,” which emphasizes their various relationships, some of them quite innocent, others not, as a dramatic and powerful ending unfolds.
Read Full Post »
Keiko Furukura has been working at her local Smile Mart convenience store for half her life, for the eighteen years since she finished school, and she is completely comfortable in her job and in her ability to manage her life. Though she works only part-time because she says she is “not strong,” she knows where everything belongs in the store, how to restock shelves and supplies, how to update displays, and how to avoid conflict with her co-workers and customers. She likes her job, they like her, she never gets angry, and she is as happy as she can be in her role – one which that she regards as “not suitable for men.” It is the other women in her life who eventually begin to question her role at the store and her future there. She is, after all, a woman in her mid-thirties, approaching the age at which she may soon be “unable” to marry and have children, goals her family and friends have already achieved for themselves and which they hold for her for the future. The introduction of a man to her life at the convenience store changes the trajectory of Keiko’s life – but not in the ways the reader expects, a man who believes that society has not changed since the Stone Age. With humor and irony, author Sayaka Murata develops the complications which seem to placate Keiko’s family and friends while complicating Keiko’s own life.
Read Full Post »
