However many surprises the artwork of Felix Vallotton (1865 – 1925) may provide for the viewer, this book, a record of two art shows in 2019 and 2020, will provide even more. Five critics, including novelist Patrick McGuinness, give important general information about why Vallotton, a Swiss, may not have received the attention of artists like the impressionists and post-impressionists who were purveyors of new styles. Vallotton,. too, provides new views of the world, but his are unique, not part of a movement. In addition to his insightful, often personal, and sometimes even amusing, paintings, Vallotton revived the whole concept of the wood block print, creating dozens of commentaries on daily life from his perspective as an anarchist, used in newspapers, often in place of cartoons. One picture of one painting by Vallotton, sent to me by a friend this past year, was all it took to unleash weeks of pleasure for me through the study of Vallotton’s work. This book, filled with many pages of color photographs and block prints, will lead, I hope, to similar discoveries among others who read and view it and celebrate the new worlds it opens.
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Setting his third novel in the south of Ireland in the years between 1920 and 1982, author Billy O’Callaghan writes a semi-autobiographical account of a large, extended Irish family always struggling to stay alive, meet their responsibilities, and love their children. O’Callaghan, a master of description, both physical and emotional, creates scenes of great sadness, stressing the goodness of the people and the horrors of outside events – from the Potato Famine through a world war and a society and church in which women have little control over their lives. The strength of these women lies in their love of family, especially their children, and their willingness to do whatever is necessary to save them under horrific conditions. Their hard lives are their “normal,” one which becomes real as a result of O’Callaghan’s insightful descriptions of the conditions under which these women live and the creativity with which they approach their difficult roles as mothers and caregivers.
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A new investigation into the story of Anne Frank and her Jewish family during World War II in Amsterdam concentrates on how they were betrayed after spending twenty-six months in hiding and who may have been responsible. Author Rosemary Sullivan spent much time with the leaders of the recently completed investigation, which ultimately lasted five years and involved two dozen experts in a variety of fields, from artificial intelligence to behavioral science and archiving. Led by Director of Investigation Vince Pankoke, a former FBI investigator, the researchers searched archives in eight countries in an effort to provide the whole truth regarding the fate of Anne Frank and most of her family.
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