In her final novel, Brazilian novelist/poet Clarice Lispector (1920 – 1977) writes an eerie, almost supernatural tale of Macabea, a nineteen-year-old woman almost totally devoid of personality, opinion, thoughts, and even feelings. Her story is being told by Roderigo S.M., a writer, similarly isolated, without a long-term idea of what he wants to write, though he says, as he begins the story, that he has “glimpsed in the air the feeling of perdition on the face of a northeastern girl [Macabea].” He tells the reader that his story, whatever it will be, will be both exterior and explicit in style but will contain secrets. He will also have no pity, and he wants the story to be cold. “This isn’t just narrative, it’s above all primary life that breathes, breathes, breathes,” he states. When Macabea arrives in Rio, where she lives with several other girls, and though a terrible typist, Macabea, with few prospects in life, she never contemplates her future or thinks much about it at all. “Did she feel she was living for nothing? I’m not sure, but I don’t think so,” the narrator muses. When she falls in love, the turning point of the novel occurs, not just for Macabea but for the narrator, too.
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Living in the jungle of Brazil, a group of American researchers, working for a pharmaceutical company, is trying to complete their long research project on a dramatic rainforest discovery. The leader of the project is Dr. Annick Swenson, a tough and disciplined seventy-three-year-old woman who has not left Brazil for over a decade. Though the pharmaceutical company is paying all the expenses, no one can find out the status of the project–the last person sent to check on it, Anders Eckman, shortly after his arrival at the camp. When word of Eckman’s death reaches the company, the president decides that someone must return to find out what is happening at the lab. Marina Singh, a single woman in her forties, has shared an office with Anders Eckman and knows Dr, Swenson, and she is the person to make a follow-up trip to the jungle. Patchett raises many questions about what drives those who give up virtually everything for pure science, questioning how much is done from idealism, how much from naivete, and how much for personal gain. The action speeds along on the strength of a fast-paced narrative full of suspense. Expected to be one of the big, popular sellers of summer, 2011.
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Raised in Brazil, Japan, and the UK, Scudamore sets this novel in Sao Paulo, a city he obviously knows well, revealing his youthful enthusiasm for life, his sharp eye for injustice, and his (perhaps naive) hope for the future in a tale which follows the life of Ludo dos Santos from his childhood till about age twenty-seven. Ludo and his mother, a cook, had been plucked from Heliopolis, the largest favela (slum) in Sao Paulo, and established permanently at the weekend farm to which Zeno “Ze” Generoso, the fabulously wealthy owner of a chain of supermarkets, his British wife Rebecca, and his daughter Melissa travel on weekends. Telling Ludo’s story through flashbacks and foreshadowings of things to come in the future, Scudamore quickly establishes the atmosphere and the dramatic contrasts between the lives of the poor and those of the rich in a city with virtually no middle class. Caught between the world of the favela, which he does not remember, and the world of the rich, to which he feels he does not really belong, Ludo is unsure of his place in the world.
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The first of Brazilian author Verissimo’s novels to be translated into English, The Club of Angels is a fascinating, carefully detailed, and darkly humorous study of ten deaths, the deaths of ten gourmands following their favorite meals. The men have been friends for more than twenty years, meeting once a month for sumptuous feasts together. They represent all levels of society and have achieved differing degrees of professional success, enjoying and respecting each other because of their shared love of food and their long friendship. Playing with the reader’s perceptions from the outset, Verissimo writes with tongue firmly in cheek, the ironies piling up as the deaths continue. His observations about life and death, about men and their friendships, and about our responsibilities, if any, to each other add depth to this unusual novel. The ending, which extends the concept of “orgiastic release” to its logical conclusion, will satisfy even the most jaded reader.
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Posted in 3-2009 Reviews, Argentina, Brazil, Humor, Satire, Absurdity, Literary, Mystery, Thriller, Noir on Jan 18th, 2011
One of the most original and delightful novels of 2005, Borges and the Eternal Orangutans is simultaneously a literary detective thriller, a parody of the detective story, and an anti-detective story. Taking its title (and one of its primary images) from Elizabethan writer John Dee, who wrote that if an orangutan were given enough time, he would eventually produce all the books in the world, the novel takes place in Buenos Aires, where an international group of Edgar Allan Poe specialists gathers for a meeting of the mysterious Israfel Society.Brazilian author Luis Fernando Verissimo creates as his narrator, a 50-year-old man named Vogelstein, who has led a cloistered life, “without adventures or surprises.” He believes that he has been called to the conference by destiny–”some hidden Borges”–and the convenient death of his cat confirms this belief. When a real murder occur, the speaker and Borges team up to solve the mystery. Hilarious, clever, and very literary. (On my Favorites list for 2005)
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