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Category Archive for 'US Regional'

Jamel Brinkley, author of this extraordinary debut collection of stories, is much more than “a lucky man” in having this collection published by Graywolf, one of the most respected literary publishing houses in the country.  Brinkley’s literary talents and his insights into people – all kinds of people of various backgrounds and ages – kept me spellbound for the entire time I spent reading and rereading these stories.  I am not young, black, male, or the resident of a city, as these characters are.  I have not experienced (or do not remember) most of the kinds of events which Brinkley’s characters experience as normal – growing up in a broken home, having few resources for dealing with the turmoil of the teen years, struggling with responsibilities which would be challenging even for an adult, and living a life in which “betrayal on the cellular level” is complicated by surprising naivete regarding love and sex, expectations and reality, and issues of identity and reputation.  Still, as the young male characters of the nine stories here live their lives as well as they can, given their ages and limitations, they achieve a kind of universality which cannot help but touch the heart of the reader as s/he connects with these characters on a deeply personal level.

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In this fascinating, involving, often hypnotizing novel, Spanish author Antonio Munoz Molina creates a compelling story from several points of view and several different time periods, revolving around the life of James Earl Ray and his eventual murder of Martin Luther King in Memphis on April 4, 1968. Munoz Molina gives Ray’s story a different slant from purely journalistic accounts, concentrating on his life, his past, and his thoughts, and culminating in his two escapes – the first time in 1967, a year before the assassination, when he escapes from a Missouri prison and moves throughout the US and Canada for months, eventually living in Mexico. Leaving Mexico in November, 1967, he returns to the US, supports the Presidential campaign of George Wallace, has some facial reconstruction surgery, and considers emigrating to Rhodesia (now Zimbabwe), then under the rule of a white minority. Eventually, he gravitates to Memphis, where he commits the murder of Dr. King and escapes, first to Canada, then to London, Lisbon, and back to London, where he is apprehended. Though Munoz Molina often details the thoughts of James Earl Ray, he uses an unusual third person point of view, combining his journalistic skills regarding events and places with the fictionalized inner personality and emotions of Ray as he lives and travels, providing a kind of literary energy which goes beyond the limits of narrative reporting.

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Set in the Greenwich Village enclave of the Macdougal-Sullivan Historic District, Salman Rushdie’s latest novel is pure Rushdie, while also being pure New York. His young narrator, Rene Unterlinden, the son of Belgian academics, has lived in this district all his short life while working to become a filmmaker. The spacious house beside him, owned for over twenty years by a mystery man who has never been seen on the property, has been in the care of professionals – despite its highly desirable address. On the day of President Obama’s inauguration, an “uncrowned seventy-something king from a foreign country and his three sons take over their castle.” Rene confesses that when looking at this man, he “thought of Dr. Frankenstein’s monster,” but before long, Rene begins thinking that this man might, at last, be the unique film subject he has been searching for. Within a few pages. the reader learns that the new residents are from Mumbai and that they have survived a terrorist attack which took place there in November, 2008. About a month after that, the family escaped to their “safe” address in New York City, having planned for this for many years. Rushdie is obviously having the time of his life as he creates and develops these characters, and he certainly enjoys the opportunity to set his story in New York in the heady days immediately after the Obama election. With his immense intelligence, his wild, non-stop imagination, and his ability to see current events as the basis of satiric commentary, he includes music, films, novels, folk tales, and classical references to expand his scope.

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This magnificent, accessible, humane, and thoughtful book by Alice McDermott concerns itself with the highest levels of universality for all people, not specifically the Catholic doctrine which sometimes permeates her novels. Following three generations of a single family, the novel opens with a handsome, thirty-two-year-old man named Jim, who sends his wife out to buy food one afternoon, then seals up the flat, turns on the gas, and kills himself in a fiery explosion. His pregnant wife is left devastated. She goes on to work in the laundry of the convent of sisters who have helped her, as the novel goes back and forth in time. Throughout the novel, as the past and present are revealed, the action keeps the reader totally engaged, but it also keeps the reader thinking, pondering decisions and outcomes and the position of the church in evaluating right and wrong. Here she treats the grand subjects of life and death, innocence and guilt, voluntary good works rather than unavoidable obligations, the rewards, if any, which come from leading a “good” life, the penances one self-imposes for actions which feel like crimes, and the decisions one sometimes makes with the most honorable of intentions, even though they may violate the boundaries most of us consider sacred.

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On the morning of August 4, 1892, Abby Gray Borden and her husband, Andrew Jackson Borden were found dead in their home in Fall River, Massachusetts, both brutally butchered with an axe or hatchet. Borden was a highly successful merchant, maker of caskets, and owner and developer of commercial property, a wealthy man who nevertheless lived a frugal life and kept his daughters and his wife totally dependent on him. His body was found reclining on the living room sofa by his younger daughter Lizzie, aged thirty-two, and the body of his wife Abby was found shortly afterward. She, too, was hacked to death and was found lying beside her bed upstairs. The only people in the house at the time were Lizzie and Bridget, the maid, who was up in her room resting after having been assigned the task of washing the outside of the downstairs windows in the August heat, though she was still recuperating from a violent stomach upset. Lizzie claimed that someone must have broken into the house to kill her father. As Australian author Sarah Schmidt recreates this famous murder and its aftermath, she delves into all the psychological complications surrounding the individual characters, gradually providing other imaginative possibilities regarding the murder. An iintriguing structure and four points of view, including that of Lizzie, make this novel both inventive and memorable.

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