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Category Archive for 'United States'

Established in 1854 and billed as “the oldest bar in New York city,” McSorley’s, an Irish ale house, serves only dark and light ale. Owned and operated by only three families during its entire history, McSorley’s has existed continuously at the same location in the East Village since its inception, and many of its employees have been there for decades. Rafe Bartholomew, the author-son of Geoffrey “Bart” Bartholomew, appreciates the McSorley mystique which has attracted famous people from the arts. Poet e. e. cummings wrote a poem about McSorley’s, Dylan Thomas and Eugene O’Neill spent time there, Woody Guthrie sang there in the 1940s, artist John Sloan painted five scenes of McSorley’s in the years just before World War I. Abraham Lincoln stopped there in 1860 as he was campaigning for office, and an authentic WANTED poster for John Wilkes Booth from April 1865 is displayed on the wall following Lincoln’s assassination. Houdini left a pair of handcuffs there, President Franklin D. Roosevelt sent a letter from the White House, and a copy of the Pulitzer Prize-winning photograph of Babe Ruth upon his retirement from baseball appears behind the bar. A high point of the book is the strong relationship between Rafe Bartholomew and his dad, a story of love and good humor, especially during Rafe’s mother’s two difficult bouts of cancer, fifteen years apart. Despite its many episodes of humor, its quirky personalities, the loving relationship between the Bartholomew father and son, and its revelations about this old ale house, the book does have a down side. Bathroom humor and crude language spoils the mood in the first part of the book, but as the father-son relationship grows, the book takes off.

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Peter Turner, who befriended Hollywood Oscar winner Gloria Grahame in 1979, was then a twenty-seven-year-old budding actor in England, and Grahame was fifty-five, a four times married American actress who had won the Academy Award for Best Supporting Actress in 1952 for “The Bad and the Beautiful.” Their twenty-eight-year age difference became irrelevant as they came to know each other and Turner found he was able to keep Grahame on an even keel and able to inspire her to perform her acting duties. The two traveled and explored New York, a place new to Turner, a resident of Liverpool, as Grahame showed him the places to go and the things to do there. When, after two years, she suddenly ended all contact with him, refusing to explain anything or answer any of his messages by phone or mail, he was forced to go on with his life, his relationship with Grahame just a memory. As the novel opens, Turner is suddenly contacted by Grahame months later about getting together, and he soon discovers that she broke off her relationship with him and ended all contact because she was seriously ill and did not want to be a burden. Now, however, he realizes that she needs help – and quickly. A physician is recommending that she seek hospitalization, but she is adamantly opposed to it. Instead she wants to move in with his large family in Liverpool and stay with them until she feels better. Book has been reprinted to coincide with the release of a film of the same name, starring Annette Bening, Vanessa Redgrave, and Jamie Bell.

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The scale, scope, and significance of this magnificent biography by National Book Award-winner Timothy Egan are only slightly eclipsed by the immense scale, scope, and significance of the work of photographer Edward Curtis (1868 – 1952). Curtis, at age twenty-eight, took his first photograph of a Native American when he did a portrait of “Princess Angeline,” an aged woman who was the last surviving child of Chief Seattle, for whom the American city was named. By 1896, when Curtis took this photo, it was illegal for Princess Angeline and other Indians to live within the city named for her father, and Curtis was all too aware of that sad reality. Though he was married with several young children, Edward Curtis spent the next thirty-three years investigating the remaining cultures of Native Americans throughout the West, determined to record every aspect of their cultures before they vanished completely from history. Ultimately, he traveled on a mission that took him to virtually every remaining tribal area and state west of the Mississippi River. Totally devoted to his self-imposed task, he gave up virtually everything of personal value, working for no money at all, and living most of his life hopelessly in debt in order to fulfill his personal mission. As Egan presents his insights into Curtis’s personality, quirks, and even blind spots, this biography becomes a rarity – a biography closer to a classical Greek tragedy than to the more familiar saga of a man’s life.

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In a book that will delight lovers of stories and art, Lawrence Block, editor and writer, presents stories written by himself and sixteen other authors in response to seventeen paintings by American artist Edward Hopper (1882 – 1967). Most of Hopper’s paintings are quiet, with little, if any, action and few, if any, characters. The overall mood for most of Hopper’s paintings is bleak, and his characters appear to be lonely, immersed in their own thoughts, and alienated from the society. Though Hopper specializes in the play of sunlight and shadow (hence, the title of the book), he does so with dramatic effect, and most of his major paintings show isolated characters dealing with the darkness, the light being just beyond them. All of the seventeen writers who have contributed a short story to illustrate a Hopper painting clearly catch the mood of depression and withdrawal which seems to characterize so many of these paintings, and anyone familiar with the work of these writers, most of whom are mystery writers, should also know what to expect: Only two writers create stories that can be said to have even slightly “happy” endings, and one of those occurs on a deathbed. Great fun!

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Escaping the Great Famine in Ireland, Thomas McNulty, a boy in his mid-teens and the only survivor of his family, hopes for a new start in a new world. Sneaking onto a boat for Canada with other starving Irish, many of whom die on board, he discovers, upon his arrival, that “Canada was a-feared of us…We were only rats of people. Hunger takes away what you are.” Seeing no future there, he travels, eventually, to the US, working his way to Missouri, where he then meets John Cole, another orphan boy of his own age, whose great-grandmother was an Indian. They connect instantly, and “for the first time I felt like a human person.” Realizing that they have a better chance of surviving together than they would have separately, they figure out a way to keep working until they are old enough to enlist in the U.S. Army. Once in the Army, they end up in northern California, where recent settlers have been having trouble with the Yurok Indians, native to those lands. After fighting in the Indian Wars, they end up fighting in the Civil War. Sebastian Barry, a writer with almost unparalleled ability to control his characters, his story line, his style, and the peaks and valleys of the changing moods of his novel, succeeds brilliantly in this novel, already the winner of the Costa Award in the UK, and likely to be winner of several more major prizes, as well. Barry makes everything real in a novel which Kazuo Ishiguro describes as “the most fascinating line-by-line first-person narration I’ve come across in years,” and which Donal Ryan calls “a beautiful, savage, tender, searing work of art. Sentence after perfect sentence, it grips and does not let go.” #1 on my Favorites List for 2017.

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