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Category Archive for 'Nordic Noir'

In this newest installment in the Harry Hole series of Nordin noir novels, the eleventh in the series, Norwegian author Jo Nesbo continues the career of Harry Hole, including most of the characters who have filled his previous novels with life, conflict, and even romance. Three years have passed since the last novel, Police, took place, during which Harry has been working as a lecturer at the Police College, a job in which he has inspired young officers without having to stare into the gunsights of criminals on a daily basis. He is getting his life back after being almost killed in the last novel, and he is now happy and sober, married to his long-time love, with his stepson Oleg studying to become a full-fledged member of the police corps. The novel opens quickly with the murder of a female lawyer who has specialized in rape cases. She has been viciously bitten in the throat, though Nesbo is quick to say that the enemy in this book is not a vampire but a vampirist, someone who drinks blood but is not a supernatural character. As the Oslo Police begin to investigate, readers may want to keep a character list of repeating characters as there are about forty characters who appear in this carefully crafted and complex novel, and their relationships may have changed. Many surprises bring together all the threads of this complex novel in a grand conclusion, and they do so in a way which makes sense, deductively, not just by accident. Eventually, the reader believes that there has been a happy ending for the first time ever in a Harry Hole novel, until the Epilogue sets up a new complication, paving the way for yet another suspenseful and addictive story in yet another volume.

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In his first Detective Erlendur novel to be published in English since 2012, Icelandic author Arnaldur Indridason provides a “prequel” to the entire series, now numbering six novels, and flashes back to establish some of Erlandur’s background, personality, and past history at a time when Erlendur is still in his twenties. In Reykjavik Nights Erlendur has just started working for the Reykjavik police, on the night shift, with two young law students who are working part-time for the summer, and he himself is considering whether to take classes at nearby Hamrahlid College which offers adult education classes. Most of his night-time duties consist of breaking up fights, arresting drunks, attending to the victims of automobile accidents, and reporting more serious events – sudden deaths and disappearances – some of which intrigue Erlendur enough that he follows up, unofficially, on his own. Though he does not consider himself “nocturnal,” he does not object to the night duty, having become “reconciled to the city, when its streets were finally quiet with no sound but the wind and the low chugging of the engine” of the van. A loner who has never established strong connections with his peers, and who seems to have no family, Erlendur makes few commitments, a characteristic which becomes even more dramatic in the novels of his later life in which he is almost pathologically solitary, reflecting his grim vision of reality and even grimmer vision of mankind. As is always the case with Indridason’s novels, he keeps the style clear and sometimes terse, but in this novel, he makes Erlendur more human. By isolating Erlendur from the family he eventually has in the later novels, it is possible to see Erlendur as a person who cares about others when he does not have the family distractions which complicate his life twenty years later.

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In this second of his “new style” of novels, Norwegian author Jo Nesbo creates a character frantic to escape the Oslo hitmen sent to kill him. Traveling eighteen hundred kilometers in seventy hours of non-stop racing, the character, Ulf, finally reaches the Finnmark Plateau to the far north of Norway. Located well above the Arctic Circle, near the North Pole, Finnmark appears to be the perfect hiding place for Ulf, also known as Jon Hansen. Its enormous land area – larger than the country of Denmark – has only seventy-five-thousand residents – a good place to hide – and with three months of midnight sun, it is not a place where an enemy can sneak up easily in the dark. Like Olav in Blood on Snow, Nesbo’s previous novel, Ulf has become involved with the organized crime ring run by “the Fisherman” in Oslo, and also like Olav, he appears to have a good heart beneath his hard exterior – a young man sucked into being “fixer” for a big-time criminal by circumstances over which he believes he had no control. His fifteen years of schooling, including two years of university, never prepared him for the kind of absolute choice he had to make when, in desperate need of a large sum of money, he connected with the Fisherman as the only way to save a life. Now, on the run because he did not fulfill a contract killing, Ulf has arrived in tiny Kasund, near Kautokeino, home to fishermen, reindeer herders, and the aboriginal Sami culture.

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WINNER of the 2015 Petrona Award for Best Scandinavian Crime Novel of 2015. Icelandic author Yrsa Sigurdardottir’s prize-winning noir thriller features several murders, all of which take place aboard a large yacht which has been traveling from Portugal to its base in Reykjavik during a gale. This “locked boat” mystery, similar to the “locked room” mysteries pioneered by Edgar Allen Poe and Wilkie Collins, involves characters “locked” in a place from which they cannot escape, and when a murder takes place, both the victim and the killer are among the characters known to each other and to the reader. The author provides hints and clues throughout as the murders take place, encouraging the reader to become emotionally involved in the search for the killer, as possible motivations for murder are discovered for virtually all the characters. Sigurdardottir takes this a step further, keeping her murderer and her suspects on the “locked boat,” while adding an investigator on shore, after the fact – Thora Gudmundsdottir, a lawyer/sleuth who has been hired at the behest of a devastated family.

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Eighty million copies of the three novels in Stieg Larsson’s Millenium series have been sold since they were released in Sweden and then translated into almost every language in the world. Most readers who began this series – The Girl with the Dragon Tattoo (2005), The Girl Who Played with Fire (2006), and The Girl Who Kicked the Hornet’s Nest (2007) – became instant fans of its main characters, Lisbeth Salander and Mikael Blomqvist, and went on to read all of the books. Chosen by the heirs of Stieg Larsson’s estate to be the author of this new Millenium novel, David Lagercrantz is a Swedish journalist who is also a successful novelist, and it may be for these story-telling skills, especially, that he was selected to write the sequel to The Girl Who Played with Fire, Larsson’s last novel. For Lagercrantz, the task of succeeding as the author of a new Millenium novel must have been intimidating, if not terrifying, with everyone who has ever read these novels looking for mistakes, changes, and signs that main characters may not be so intriguing in this novel, or that the plots may not be as full of suspense and wild excitement, or that Lagercrantz might not be up to the task as Larsson’s successor. Time to stop wondering. Here Lagercrantz’s skills as a fiction writer add to the novel, and while it may not have the raw energy – and sometimes sadistic violence – of Stieg Larsson’s novels, it is more polished, with a fine sense of plotting which allows the author to draw in the reader and draw out the excitement.

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