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Category Archive for 'Eth – F'

While I cannot speak to the experiences of others, I found SCHRÖDINGER’S DOG to be one of the best and most insightful debut novels I have read in years. Reading it in two sittings, I was completely engaged both emotionally and intellectually, and I still cannot stop thinking about it, coming to new realizations each time I reflect on its themes of perception, reality, time, and death and their interrelationships. Except for the novel’s title, in which a dog is substituted for “Schrödinger’s cat,” a “thought experiment devised by Austrian physicist Erwin Schrödinger in 1935, the physics principles that make this story so hypnotic and its conclusion so satisfyingly elusive are hidden within, just as Schrödinger’s cat or dog, hidden within its box, is both alive and dead. Although may seem like an odd and highly esoteric principle around which to mold such a sensitive and emotion-filled novel about a man and his dying son, debut novelist Martin Dumont uses it as the unobtrusive crux of his story and part of its dramatic conclusion. In doing so, he achieves a kind of originality I myself have never before encountered in literary fiction.

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In a novel about the French intellectual elite who live confidently and proudly at the very margins of society in the early twentieth century, author Rupert Thomson explores the lives and loves of two women who live on their own terms at the very margin of social acceptance. Avant-garde in their personal beliefs throughout their lives, they become close friends when they first meet in 1909 when Lucie Schwob is fourteen and Suzanne Malherbe is seventeen. Suzanne and Lucie are actually aided in the development of their relationship when Lucie’s father and her institutionalized mother divorce, and he marries Suzanne’s widowed mother. Now stepsisters, the two can to be together all the time, without causing gossip. Traveling frequently between Nantes, Paris, and the island of Jersey, off the coast of France, for summer vacations, they explore their new lives “as sisters.” As they grow up, they become part of the avant-garde artists and philosophers in Paris, eventually being forced to leave for the Channel Islands as World War II breaks out. Following their story from 1920 to 1970, Rupert Thomson creates a fascinating story of two very unusual women.

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Poet-author Serge Pey grew up among the Republican partisans and anarchists who participated in the Spanish Civil War and were brutally defeated by Generalissimo Francisco Franco’s army in 1939. His family, like those of many other defeated fighters, escaped to France in the aftermath of the war, but were confined to internment camps within France as soon as they were captured. Author Pey, born in 1950, has obviously grown up knowing his family’s stories during the Spanish Civil War and in the internment camps in France, and his own values and beliefs in freedom have been molded by the culture within them. Here in this collection of often interconnected stories, he provides glimpses of a unique and powerful culture, the product of the lives lived by his family and their friends during and immediately after the Spanish Civil War. Filled with dramatic events, symbols, and hidden messages, this book is more than literary fiction. It is true literature, a collection of writings which inspire thoughtful reflection on life itself and share the ideas of its characters and author, a work which many readers will enjoy reading again and again and again.

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“I let myself be guided…by what I write. I create a setting, characters, and themes, then watch them interact. I become a secretary, jotting down what happens in the strange laboratory that is a work of fiction. It’s a bit of role reversal. I become a witness to this world I’ve made, I listen in with an ear for what I’d call the music, I pay attention to echoes, repetitions, the whole system of internal harmonics that I didn’t deliberately put in to begin with, but which I notice in hindsight and then decide whether to not to bring them into sharper relief…”—author Celia Houdart, in Interview introducing the novel.

In this experimental novel by French author Celia Houdart, the action mimics, to some extent, a crime novel, though in keeping with the above quotation, the style of the narrative is unique. Some characters who appear to be power players here turn out to be almost irrelevant, while others prove to be significant players. Ultimately, the MacGuffiins are identified and vanish quietly, and the reader, too, begins to enjoy the new understandings which appear almost without warning, establishing this novel as not only unique but carefully crafted in its literary style. Author Celia Houdart takes some big chances with her approach to this novel, which grows on the reader as s/he spends more time with the author and her perspective.

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Author Rosa Liksom grew up in a Lapland village of eight houses, and she sets much of the action of this novel in Lapland as she creates, through flashbacks, the life story of an unnamed woman, now elderly, who is looking back on her life and her experiences in Finland during that tumultuous time during and after World War II. The old woman as a young girl loved scouting and summer camp, which taught her how to be hard-working to the point of self-sacrifice and helped prepare her for her future role as a mother of soldiers. The complex political conditions in Finland, as they affect the action which follows, are briefly established in the early pages here, then later developed in greater detail. Between 1939 and 1945, Finland faces three wars, which influence the novel’s narrative. Her relationship with “the Colonel,” thirty years older than she, becomes the impetus for the rest of the novel.

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