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Category Archive for 'Ur – Z'

Cove, a novella by Welsh author Cynan Jones, so perfectly captures the mind and heart of its main character that many readers will read it in one sitting and then go back and reread all or most of it. An experimental novel in which the narrator’s individual thoughts are set off in separate paragraphs on wide-margined pages, the narrative hovers between a sharp, detailed, almost journalistic depiction of a speaker who goes out to sea in his kayak to scatter his father’s ashes and some equally sharp, detailed pictures of what may be his hallucinations. All observations are the same to the speaker after a sudden storm and a lightning strike at sea leave him seriously injured, hungry and thirsty, and sometimes incoherent. Though he is well trained in the safety procedures which he recognizes may make the difference between his life and death at sea, he has gone out alone in his kayak, without informing the woman he loves, who is pregnant: He had hoped to spend this one last day with his father, in private. What follows is a life or death struggle with a tension rare for such a short work. Though the style is experimental and takes some chances which may take a bit of getting used to, Jones is as aware of his reader as the narrator seems to be, providing clues throughout. Powerful and unforgettable.

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The author of eight previous novels, many of which have been nominated for international prizes, Abdulrazak Gurnah, from Zanzibar, specializes in novels which reflect a sense of alienation and loss as a person living, first, under the British colonial rule of his country, then later living under Zanzibar’s revolutionary rule after a coup following independence, and finally living in Britain itself. His characters often reflect similar dislocations, growing up and living without the pride one expects for the place where they grew up or much sense of belonging elsewhere within the world order. Sometimes at a loss and uncertain what will happen next politically, they may be unsure of how to go about traversing the multitude of competing influences on their lives and on the people they love. In this novel Gurnah examines these feelings through the life of Salim, a young man whose early childhood is upended when his father inexplicably leaves his mother and the home Salim thought was happy, and moves elsewhere, while his mother begins to spend time with another man. Salim’s alienation becomes more complicated as time passes. Gradually, the contrast between the life Salim thought he was living and life as it has become emerges more clearly. His father, who used to be a clerk for the Water Authority finds work in a market stall or just sits in his room after the separation. When real life at home becomes far more complicated for Salim, he readily accepts his uncle Amir’s offer of a chance to attend school in London, the place he lives for the next seven years, one which is not home, though Zanzibar no longer is home, either. Straightforward, honest, and filled with observations about alienation and the need for belonging.

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Like so many other young men in the 1960s, Jonathan Ashe, a young man from a farm in rural Norfolk, England, has escaped his small village to travel the world and, on some level, to find out who he really is. He and his older brother, who has been left in charge of the family farm following the death of his father, have little in common, and some event from the past has alienated them. Though he has feelings for his mother, he cannot bring himself to write to her on a regular basis. Now in Viet Nam, half a world away from England, Jonathan decides to challenge himself as a photographer during the Vietnam War, anxious to expand his views of the world in an effort to understand more about life and death and survival. Jonathan’s own father died of an accidental gunshot wound when Jonathan was a young child, and the suddenness of the death and the memories he has of the aftermath have haunted Jonathan ever since. Now he as he thinks back on his childhood, he wonders how much of what we remember about a person or event is actually real and how much is what we wish for – or what we choose to remember? Can we ever learn to see traumatic experiences in new ways without lying to ourselves and others about the realities? Harding keeps her style simple and quiet, and except for one surprising coincidence, the novel resonates with honesty and truth, as Jonathan begins to find out what he needs to do to be happy, ending the novel on an upbeat note.

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Author C. B. George, a mysterious author who provides no biographical information and no photograph, tells a story of contemporary Zimbabwe, still being ruled after almost thirty-six years by dictator Robert Mugabe, now aged ninety-two. President for over thirty years, he has been a one-party ruler, famed for his appropriation of white-owned lands and their redistribution to black farmers and political allies, the disappearance and death of political enemies, the use of terror, and gross human rights abuses, all to enforce his will and to ensure the retention of his office and his wealth. Author C. B. George, who lives in the UK, according to the book jacket, presents the narratives of three couples who represent different aspects of contemporary life in Zimbabwe, primarily in the capital of Harare. The author’s sense of drama and his ability to pace the narrative to keep the reader continuously involved in the lives of his characters, while simultaneously focusing on the attempts of these people and their families to lead “normal” lives, suggests that he may have a background in television or film. An unusual vision of Zimbabwe, one of the most corrupt nations in the world.

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Though many other writers have written novels about various coups in South America, this story is unusual in that its focus is squarely on the foreign service and the role of its representatives. Not a single scene here reflects the tortures, the murders, or the disappearances which are so traumatizing, and none of the major military leaders responsible for these actions are featured here. This approach works well for people in Brazil, Uruguay, Chile (and eventually Argentina), who are well familiar with the events which have often dramatically affected their own lives, though much of the action in this book will be new to many American readers. The movement back and forth in time over the eventual course of over forty years and several countries is sometimes challenging, and the mysterious Max, a lone wolf, is not someone with whom the reader will identify. Ultimately, the author raises philosophical questions: “In the space of a generation, thousands of people…had been imprisoned, tortured, and killed in the name of priorities long since forgotten. Who would answer…[who] would face a camera to publicly lament what had happened, as Robert McNamara had with respect to the horrors caused by the Vietnam War? What had occurred four decades earlier…remained suspended in time…on a planet deprived of memory.” The author hopes to correct that.

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