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Category Archive for 'Ic – Iv'

Author of eleven novels for adults, several collections of short stories, many novels for children, and numerous screenplays, including the BAFTA Award-winning screenplay for the film of The Commitments, Irish author Roddy Doyle writes what is arguably his most serious novel, the ironically titled Smile. His characteristic light touch and his humor, even during times of financial difficulties for his working-class Dublin characters, are almost totally missing from this novel, a first-person story of Victor Forde, a man who once wrote radio and newspaper stories about entertainment but gradually found himself unable to write anymore. Like his other novels, this one maintains a conversational tone, but here Victor is talking to himself most of the time, as he tries to figure out how he came to be in the circumstances in which he now finds himself – separated from his wife, living in a flat new to him, not far from where he grew up, essentially unemployed and lacking the ability to see his writing projects through to completion. Slowly, Victor’s story begins to develop, and some answers to questions about his life begin to appear. It is at this point in which Doyle reveals some of his genius at characterization through effective dialogue. The surprise at the end comes abruptly – and even awkwardly – with no obvious preparation for the reader – and while others may be able to accept it wholeheartedly, there is an aura of trickery – for me at least – as the author resolves all the aspects of the novel very suddenly.

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Set in an upscale apartment building on the outskirts of Tel Aviv, Three Floors Up might well have been called “Three Stories Up,” as each of the three floors in this building features a resident who has a story to tell in novella form. Dramatic and intensely personal, these stories by author Eshkol Nevo have few overlaps among them, but as the author focuses on how each person manages his/her life within an Israeli society which is still growing and evolving, the reader becomes involved in the action, especially the psychological action, in ways quite different from most other fiction. The first story, taking place on the first floor, focuses on Arnon, an aggressive, self-serving head of the household, a designer of successful restaurants, husband of Ayelet, and father of two young daughters, Ofri and Yaeli. His short temper and need to be in charge eventually leads to a family disaster. The second story, taking place on the second floor, involves Hani, who is writing to an old friend, Netta, now living in the US. Hani fears she is about to have another breakdown, like the one she had eighteen years ago, and she is begging for help. The last and best developed story, tells the story of Devora Edelman, a widow and retired judge who writes messages to her deceased husband telling him the local news, including an experience she has had with Hani from the second floor, and some new information about the residents on the first floor. When she meets a new friend and goes out into the desert with him, she begins to open up about her son, with whom she has had no contact for three years. Eventually, she begins to take charge of her life and her participation in political demonstrations. A dramatic and enlightening depiction of life in present day Israel.

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Marcus Conway, a sensitive Irish man in his early fifties, hears the Angelus bell, a call to prayer, upon returning to his house in the Mayo village of Louisburgh, where his family has lived for unnumbered generations. He is “pale and breathless” – confused, even – and notes that “There is something strange about all this, some twitchy energy in the ether which has affected me from the moment those bells began to toll, something flitting through me, a giddiness drawing me.” As Marcus muses about his life and family, and his village “blistered with shrines and grottoes and prayer houses and hermitages,” he sees the whole of County Mayo as a “bordered realm of penance and atonement. Author Mike McCormack, winner of the Best Irish Novel of the Year Award for this novel, recreates the life and the memories, of Marcus Conway as one complete sentence, a brilliant way to recreate the shifting thoughts of a man’s memories, and it really works here, drawing in the reader instead of putting him off with its lack of periods. I found it easy to follow after the first few pages, and I became so involved in Marcus Conway’s life and comments about chaos vs. order in his and the world’s universe that I actually forgot that this was only one sentence.

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In what may be the best debut novel I have ever read, Irish author Karl Geary creates fully developed characters, a variety of moods, an atmosphere of intense caring, and the sad and often unavoidable events that all people face as they make the sometimes naïve decisions that ultimately allow them to grow into adulthood. His main character, Sonny Knolls, a Dublin boy in his mid-teens, comes from a large family, with a father addicted to gambling, a mother who has so many sons and so little money that she does not know how to deal with it all, and five older brothers who sometimes feel that they can celebrate their own sense of independence by exercising control over Sonny’s life. Sonny, working part-time as a butcher’s apprentice and part-time doing house repairs with his father, would like the opportunity to become a painter – a painter of pictures, not the house painter that his insensitive school teacher has assumed – if only he had a choice. His work for Vera, a wealthy woman on Montpelier Parade, introduces him to many aspects of life that he has never seen before, and his attraction to Sharon Burke, a long-time friend, provide him with some lessons in making connections. Vulnerable at home, at school, and in all his relationships, Sonny tries to learn on his own, but his innocence and his lack of certainty about who he is and what he can do, leave him vulnerable on many counts. This book goes way beyond the ordinary and into the realm of the truly memorable.

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Just when you might think Maurizio de Giovanni’s Neapolitan mystery series cannot get much better, he outdoes himself, building on everything he has been doing in the past seven novels in this series and creating this one, further developing the most delightful aspects of his characters and their relationships to date, and adding to them in complex ways which I suspect every fan will celebrate. In this novel, author Maurizio de Giovanni retains all the characters and relationships which fans of the series already delight in, and his sense of humor is more obvious here than it is in several of his previous novels. Though the nature of the murder in question (that of a loan shark), its victim and killer, and the motivations for it are well developed, many readers will become more interested in the psychological and social interactions of the characters than in the mystery itself, a situation common in de Giovanni’s work. De Giovanni, consummately aware of the need to provide background information to new readers, dedicates a page or two to each of the major players, and In the course of the novel, several favorite characters also make the equivalent of “guest appearances,” including Dr. Modo, the irreverent coroner who will say anything, the transvestite prostitute Bambinella, who often serves as an informant, and Don Pierino, the tiny priest from I Will Have Vengeance, the first novel in the series, who becomes a counselor both for Enrica’s father and for Commissario Ricciardi. Great fun.

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