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Category Archive for '08-2022 Reviews'

“In the early morning hours of March 18, 1990, two thieves gained entry to the Gardner Museum and stole 13 works of art by Rembrandt, Vermeer, Manet, Degas, and other artists. The works including Rembrandt’s Christ in the Storm on the Sea of Galilee, his only known seascape, and Vermeer’s The Concert, are worth more than $500 million. The Gardner heist remains [to this day] the biggest unsolved art theft in history.” Though more than thirty years have passed since this crime, no one has forgotten it. As recently as the winter of 2022, new clues were being assessed, and hopes of finding the missing artworks have not waned. Written by the staff of the Gardner Museum, and others highly familiar with the robbery, the emphasis is on the artworks themselves, with photographs of the missing artworks as the focus. The museum is offering a reward of $10 million for information leading to the discovery of the stolen works.

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I have enjoyed several of Kevin Barry’s novels, along with Dark Lies the Island,  an earlier collection of his short stories. Nothing I have read in the past, however, compares to the dark thrills and surprises packed into this latest collection of stories. The west of Ireland, described by the locals themselves as a “cause of death” in and of itself, is the setting for the stories here, all concerned with romantic themes including love, identity, insecurity, and sometimes resignation. Both heartfelt and ironic, even comic, at times, Barry’s stories create a lively picture of the characters even when those characters are sometimes broken by their own uncertainties. Though some find a measure of happiness, even temporarily, most never find the “ever after,” at least not without recognizing the need for change. ”

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May God Forgive, Alan Parks’s fifth novel in his Tartan noir series featuring Glasgow detective Harry McCoy, has three grisly deaths for McCoy to look into in the first fifty pages, and twenty characters are also involved. McCoy who has just been released from a month’s stay in hospital for a bleeding ulcer, caused by his drinking, smoking, and hard living. As he investigates these and other crimes going forward, the characters increase, the complex involvements of various gangs create issues, and McCoy spends more time investigating on his own than he does as a representative of the police. Making the novel more personal, father-son relationships become an issue, including for McCoy. The action ultimately features a character list of about 40 characters, competing criminal gangs, and some vivid details of violence, torture, mutilation, and maiming, making this novel a stomach-churning experience in which characters driven by their own senses of “justice” have more sway on all levels than the local police.

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Author Alexander MacLeod has won literary prizes for his short stories, and the reaction to this collection, with two shortlisted nominations for the Giller and Commonwealth Book Prizes, suggest more prizes will be coming. His stories feel, at first, as if the characters are ordinary people leading ordinary lives, but the author is so creative and so in control of every aspect of these stories, that he is always able to take them in new directions, full of surprises and irony. His work is filled with unique and heart-breaking insights, presented with empathy, as his characters realize their limitations and recognize a pathway forward, a pathway often unexpected, based on the characters’ decisions and recognitions as shown within these seemingly simple but powerful and often unusual stories.

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This unusual novel focusing on a talking frog and his help for a tormented man allows author Carolina De Robertis to explore philosophical ideas of governance and individual responsibility. Here author Carolina De Robertis describes the difficult inner world of a member of Uruguay’s Marxist Tupamaros during his fourteen year imprisonment in a hole deep underground during the 1970s and 1980s. This is a man who has been wounded six times during various escape attempts from confinement, who fears for his own mental health during his torture and imprisonment, but who is ultimately elected Uruguay’s President from 2010 – 2015. Author Carolina de Robertis’s intense and involving story, based loosely on the traumatic life and career of the real President, José Mujica, during that period, focuses on the man’s involvement in the political changes in the early twenty-first century. Though it is filled with the horrors of revolutionary warfare and its personal effects on the participants, the resulting fictionalized biography is often very funny, filled with ironies.

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