Fans of the Sherlock Holmes series may be as surprised as I was by the complete change of style that this novel represents for its author. Gone are the formulaic and formal language, the stilted dialogue, and the gamesmanship between author and reader that characterize the Holmes novels, however delightful and successful those may be as mysteries. Instead, we see Doyle letting his imagination run free in a sci-fi romp that is both fun and funny, and often thoughtful. Written in 1912, during an eight-year hiatus from his Sherlock Holmes novels, and six years after his last “historical novel,” The Lost World is the first of five works involving temperamental Professor Edward Challenger, a scientist investigating evolution and related subjects. Challenger is a scientific outcast, vilified for his most recent paper, in which he claimed to have seen dinosaurs and other pre-historic creatures in a remote area of South America, but which he refuses to locate on a map.
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Written originally as the outline for the screenplay of the famous 1949 film of the same name, Greene sets the story in Vienna just after World War II, employing the sectors established by the conquering British, Americans, French, and Russians to provide tension, mystery, and an almost palpable aura of menace as residents and visitors alike must deal with four different governments, four sets of officials, and four collections of laws as they move throughout the city. With massive bomb damage, the city is still emerging from devastation. Black markets, selling everything from food to penicillin, abound. Rollo Martins, the author of cowboy novels written under the name of Buck Dexter, arrives in Vienna to visit an old school friend, Harry Lime, only to find that he has arrived on the day of Lime’s funeral. Investigating Lime’s death, Martins learns that a neighbor saw the traffic accident that killed Lime and observed three men carrying Lime’s body from the scene. Only two of those men have been identified–the third man has vanished. (To read the full review, click on the title of this excerpt.)
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This is a masterpiece to be savored, celebrated, and shared. Straddling the nineteenth and twentieth centuries, The Radetzky March uniquely combines the color, pomp, pageantry, and military maneuvering of the last days of the Austro-Hungarian Empire with the more modern political and psychological insights of the twentieth century, giving this short book a panoramic geographical and historical scope with fully rounded characters you can truly feel for. Following the fortunes of three generations of the Trotta family, the novel opens with the story of the grandfather, whose battlefield actions in the mid-nineteenth century save the life of the man who becomes Emperor Franz Josef. He is well rewarded by the emperor, and his son and grandson remain connected with the leaders of the country and benefit from this relationship. Atmospheric effects are so rich and details are so carefully selected that you can hear the clopping of hooves, rattling of carriage wheels, clang of sabers, and percussion of rifles. Parallels between the actions of man and actions of Nature, along with seasonal cycles, bird imagery, and farm activity, permeate the book, grounding it and connecting the author’s view of empire to the reality of the land.
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Posted in Afghanistan, Coming-of-age on Jan 10th, 2011
A successful novelist now living in Fremont, California, Amir receives a phone call from his father’s former business partner, Rahim Khan, now in Pakistan. Rahim had stayed behind in Afghanistan when Amir and his father escaped to America in 1981, and he is now dying. An intimate part of the family, Rahim has long been aware of a childhood betrayal committed by Amir, one which had catastrophic consequences for others and which has tormented Amir for his entire life. “There is a way to be good again,” Rahim Shah tells him, and Amir immediately sets off for Pakistan to see him for the last time. In flashbacks, Hosseini recreates the day-to-day existence of Amir and his father, a highly successful merchant in Kabul in the 1970’s, creating a warm and emotionally involving story of childhood and its traumas and stressing the importance of family in times of trouble, as he follows the lives of Amir and his father until Amir is in his late thirties. Despite some narrative clumsiness, however, the novel is a moving, dramatic, personal, and compelling read, fascinating in its setting and in its development of the father-son relationship. I was totally engaged by its characters–and by its considerable charm. (Just click on the title to see full review.)
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In his longest novel, written in 1970, Nobel Prize-winning Australian author Patrick White examines the question of an artist’s creativity, where it comes from, whether it can be controlled, and what obligations, if any, accompany it. As he traces the life of Hurtle Duffield from the age of four until his death as an elderly (and successful) avant-garde artist, we see Duffield always as somehow different from his peers. The son of a laundress and a bottle collector, Hurtle is from birth inspired, painting large images on walls as a toddler, but he recognizes at an early age that “people look down at their plates if you said something was ‘beautiful.'” To provide him with opportunities which will allow his genius to flourish, his parents sell him, when he is four years old, to the wealthy family for which his mother works. (Just click on the title to see full review.)
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