With sales of over half a million copies in Europe, this clever novel, newly released in the United States, may make Muriel Barbery as much of a literary phenomenon here as she is there, despite the novel’s unusual philosophical focus. The first narrator, Renee Michel, is a fifty-four-year-old woman who has been working for twenty-seven years as concierge of a small Parisian apartment building. Describing herself as a “proletarian autodidact,” she explains that she grew up poor and had to quit school at age twelve to work in the fields, but throughout her life she has been studying philosophy secretly. Alternating with Renee’s thoughts about her life and the books she has been reading, are the musings of Paloma Josse, the twelve-year-old daughter of wealthy and overly busy parents. Like Renee, Paloma pretends to be just average, carefully constructing her own façade so that she can fit in at school. She has decided that on her thirteenth birthday, she will take the only path open to her: she will commit suicide, burning down her house at the same time. The arrival of a new tenant changes all their lives.
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A paean to the bravery and spirit of Joan of Arc, this novel by Mark Twain is also his most scholarly, having taken twelve years to write. Clearly fascinated by Joan’s “voices” and her sense of mission, Twain delves into her religious passion and her belief that God has chosen her to free France from England and restore the Dauphin to the throne. Often focusing on the arguments and trials in which Joan participates throughout her life, Twain shows her childhood attempt to “save the fairies,” her struggle to become general of France, and ultimately, her defense against heresy and sorcery. Through these, Twain attempts to reconcile her spiritual commitment with the tumultuous temporal world in which she is engaged. Twain creates a fast-paced story about this tumultuous period, creating a series of repeating characters who anchor Joan’s story from the time of childhood until her death. (To see the full review, click on the title.)
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In descriptions so richly imagined that he sometimes has to invent new words, Boris Vian brings to life the strange world discovered by a wandering traveler, Timortis, a psychiatrist who wants to “psychiatrize.” Timortis has been born an adult and has no memories of his own. An “empty vessel,” he believes that if he can learn everything there is to know about someone, he can bring about a transference of identity and make his own life more complete. He is wandering in search of people who will bare their souls and all their memories. Vian’s satire and offbeat humor continue unabated throughout the novel. A horse is crucified for his sexual depravity, women take off their clothes so they can be “psychoanalyzed,” Angel builds a boat and tells Timortis that it is “not a Maytree Ark,” and Noel, Joel, and Alfa Romeo grow quickly, looking for blue slugs so they can learn to fly. Additional bizarre episodes abound, leaving the reader to ponder the meaning of the non-stop action, at the same time that s/he is whisked along by the speed of Vian’s prose to new and still more surprising events. (To see the full review, click on the title.)
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