Swiss author Peter Stamm has accomplished a remarkable feat. He has written a fascinating story in which marriage is less the result of true love than it is of logic, the resulting union resembling a merger more than a deep human relationship. Passion here has more to do with self-gratification than with true feeling. And Alex, the main character, is so ego-centric that it is difficult to imagine any thoughtful, sensitive woman wanting to have anything at all to do with him. But that is part of the point. None of the three main characters here—one man and his two lovers–are emotionally mature, and none of them grow much during the almost twenty years that pass in the course of this novel. Still, by the end of the novel, the reader will have a fine picture of what true love is, however negatively the characters behave in their own lives and however much damage they may do to the other people in their lives. The negative emphasis actually accentuates the wonder of the positive for the reader. Tightly organized and unusual in its focus on characters who are insensitive and self-involved, the novel has more intellectual than emotional appeal (again, appropriate to the characters), and it is up to the reader to decide to what extent each will be able to understand and feel real love—or become fully human.
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A reporter of cricket matches who also wrote the cricket-tour book Pundits from Pakistan, Indian national Rahul Bhattacharya spent some time in Guyana covering matches in 2003 – 2004, so enjoying the country that he decided to return again later to spend an entire year meeting new people and exploring places most outsiders never come to know. The result is a unique travel book of great originality, chock full of outlandish characters, trips to places the reader will not even have imagined, and risky adventures to the interior. Not a “novel” by any stretch of that word’s definition, the book feels, overall, like a wonderfully described diary, with events unfolding more or less at random. It is a lively account of those who live on the fringes, taking big risks and chances, and surviving any way they can and at any cost. Trips to the interior for diamond-hunting, an analysis of the drug wars involving the East India vs. African gangs, and a bewitching woman with whom the author travels to Venezuela are part of the action. Those who are looking for a balanced picture of Guyana, a country of extraordinary beauty and much charm, will want to look elsewhere.
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Written in 1933, and newly translated into English, Kornel Esti is Dezso Kosztolanyi’s last book, a unique combination of wild romp, thoughtful contemplation of life’s mysteries, and dark commentary on life’s ironic twists. Dezso Kosztolanyi (1885 – 1936), a Hungarian poet, fiction writer, and journalist, creates a narrator who is also a writer, telling us from the outset that the narrator, now forty, had not seen his oldest friend Kornel Esti, also a writer, for ten years. Now, however, the narrator has decided to contact him. Born on March 29, 1885, the same day and time as both the narrator and author, Kornel Esti also looks just like the narrator and is clearly his alterego, now down on his luck. What follows is a series of eighteen episodes, which may or may not be metafictional, ranging from Kornel Esti’s first day of school, in 1891, through a symbolic tram ride at the end of the novel, a brief chapter in which the author’s entire philosophy is summed up through Esti’s late-in-life experiences on an overcrowded tram. In between are moments of high comedy, poignant drama, and shocking cruelty, all reflecting aspects of Esti’s life, either real or imagined, and all contributing to the broad panorama of human existence.
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Author Tierno Monenembo recreates the story of Aime Olivier de Sanderval, an almost forgotten Frenchman who followed a childhood dream by going to remote Africa in 1879, describing Olivier’s experiences in Guinea just before it became an unwilling colony of France. Olivier was not representing the government when he arrived in Guinea and did not believe in colonization in the traditional sense. An explorer with an almost mystical sense of destiny, he wanted to build a railroad from the beautiful hill country in the center of the country to the coast so that he could create trading posts and ultimately claim for himself the plateau of Fouta Djallon, “a land of rushing water and fruit, pure milk and wise men! The land that quenches your thirst.” The realities of tribal Guinea, with its internecine wars, its completely different cultures, and its total connection to the land intrude immediately upon his arrival, however. Naively, he tries to befriend the various groups and the leaders that he meets as he travels from the coast to central Guinea, but he has no conception of the long, historical rivalries among groups, of their experiences with previous white visitors, or of their ways of governing.
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Bernhard Schlink faces a monumental challenge in this novel in which he attempts to connect the terrorism of the Red Army Faction (represented by the Baader-Meinhof Gang in Germany in the seventies) with the earlier German national terrorism that the Nazis represented and the contemporary terrorism of Al-Qaeda. Here he investigates what makes people become terrorists and what happens to them in the aftermath of their crimes. At one point Schlink even has a character question whether Germany is the victim of a curse: “Isn’t it a curse, what’s being passed on from the [World War II] generation before Jorg [a Baader-Meinhof member who killed four people] to Jorg, and from Jorg to his son? It seems like one to me.”
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