In 1967, an unnamed writer begins writing a long letter to an unknown recipient in Italy, a letter he knows will take weeks, if not months to conclude. The writer’s references to the Six Day War and to the fact that “here most of the people have no past and no one is surprised” quickly establish the letter writer’s home as Israel, but there are no clues about the person being addressed. Writing from Tel Aviv, the narrator reconstructs that time in his life “before Israel,” when he lived in Rome and where his parents owned the Albergo della Magnolia, an elegant hotel. The speaker, whom we learn is Dino Carpi, has been only a “twice a year Jew,” on Yom Kippur and Passover, and he ignores the then-unimportant cultural differences to pursue his love of Sonia, a Gentile. The love of Sonia and Dino is increasingly tested by political forces, and their families begin to exert ever more pressure on their relationship.
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Author and rock journalist Peter Murphy certainly doesn’t do anything by halves, and this novel and the author’s own promotion of it are about as over-the-top as it is possible to get. Murphy has produced a publicity video based on the book (see Notes below), using a gargoyle, the sound of crows (a motif in the book), and the powerful, raspy voice of Blind Willie Johnson, singing “John the Revelator,” a song the R & B singer recorded in 1930. Murphy calls his blog “The Blog of Revelations,” and his MySpace page is “John the Revelator,” filled with information about the book and its reviews. He has been actively campaigning to have his book win the “Not-the-Booker” Prize from the Guardian UK, where it is #6 on the longlist of forty-six books, and he is doing book-signings and interviews everywhere. He is obviously having a ball! The book, an “Irish gothic” novel with dark, religious overtones, is set in rural southeast Ireland, where the author himself grew up.
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When I picked up this book, written by a popular Iranian author, my only expectation was that it would be an interesting view of life in Iran today, and, in particular, the life of a writer trying to avoid the “thought police.” What I never expected was that the book would be so funny! Witty, cleverly constructed, satiric, and full of the absurdities that always underlie great satire, Censoring an Iranian Love Story is a unique metafiction that draws in the reader, sits him down in the company of an immensely talented and very charming author, and completely enthralls him. The author, having reached the “threshold of fifty,” tells us at the outset that he intends to write a love story, one that is “a gateway to light. A story that, although it does not have a happy ending like romantic Hollywood movies, still has an ending that will not make my reader afraid of falling in love. And, of course, a story that cannot be political.” Most importantly, he says, “I want to publish my love story in my homeland.” (High on my Favorites List for 2009)
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In this intriguing police procedural, Irish author Gene Kerrigan keeps the action crisp and fast-paced, with plenty of complications to keep the reader busy. What makes this novel different from so many of this genre is that he is also outstanding at creating characters with whom the reader develops empathy—especially Garda Chief Inspector Harry Synnott. Synnott is likeable and basically good-hearted, but he is busy, and he is easily distracted by events in which he is directly involved. He fails his ex-wife and son, even as he is trying to help poor junkie Dixie Peyton. Eventually he fails everyone he tries to “help.” His final recognition of his failings comes dramatically and brutally, and the reader is left to ponder whether he will be able to deal with his self-realization. Outstanding “Irish noir.”
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When an unnamed speaker is contacted by a gravedigger and his “depraved friend” to write a biography of the recently deceased philsopher Abd al-Rahman, “the existentialist of Baghdad,” he is told that the biography will be financed by a wealthy merchant and that they have documents to give him for his research. Though the writer knows that these people are scoundrels, he is so destitute that he agrees to accept the job. Part II, “The Writing Journey,” consists of biographical snippets by the writer/biographer, though the presentation of information is not chronological. Flashing back to the life of Abd al-Rahman in the 1960s, the story unfolds, a challenging story in which the philosophy of Sartre becomes irrevocably intertwined with the pleasure-seeking desires of the well-off Abd-al-Rahman, who is always seeking the goal of “nausea” through wine, women, and self-indulgence. Iraqi author Ali Bader, now living in Jordan, has written a novel which is fascinating for the glimpses it offers of the cultural life of Baghdad in the 1960s, even though some aspects of this life are satirized for their pretentions.
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