This sensitive and memorable depiction of the establishment of Soviet Socialist Republics by Bolshevik revolutionaries in 1939, with its bloodshed and violence, is filled with trenchant observations of real people behaving realistically during times of real crisis. In clear, unadorned prose, author Theodore Odrach depicts the lives of rural peasants with sensitivity and an awareness both of their independence and of their shared values, contrasting them with the mindless, bureaucratic officials who enjoy wielding power over human beings which have become mere ciphers to them. A sense of dark humor and irony, which may be the only thing that makes survival possible, distinguishes this novel from other novels of this period, and no reader will doubt that this book is written by a someone who has seen the atrocities unfold, experienced the injustices, empathized with his fellow citizens, and felt compelled to tell the world about the abuses. Odrach sets his story in Hlaby, in the Pinsk Marshes, an enormous marshland which extends into Poland, Belarus, and the Ukraine, a place which is so remote that it cannot be reached except in the winter when the marsh is frozen. When the Bolsheviks arrive in 1939, they announce that henceforth this village will be part of the Belarus Soviet Socialist Republic.
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Set in 1963 in Wisla, the rural Polish town where author Jerzy Pilch himself grew up, A THOUSAND PEACEFUL CITIES a satirical, fictional retelling of life in Poland in the years preceding the Student Revolt of 1968, disguising the autobiographical memories it contains. In 1963, the Communist party is in power, and the country is under Soviet influence but not control. At the outset of the novel, the reader immediately discovers that Jerzyk’s father and his father’s friend, Mr. Traba, an alcoholic former clergyman, plan to kill First Secretary Wladysaw Gomulka in Warsaw. They had, at first, thought of killing Mao Tse-tung to make a statement but decided it was impractical: “Better a sparrow in the hand than Mao Tse-tung on the roof.” What follows is a wild ride through rural Poland in 1963, novel that is, by turns, hilarious, thoughtful, filled with metaphysical and dialectical argument, and embellished with lyrical details from the natural world. This is satire used for its most noble purposes.
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From the opening pages of this kaleidoscopic debut novel, Canadian author Jaspreet Singh works his magic, setting the opening scene on a train from Delhi to Srinagar, in Kashmir. A born story-teller, gifted with the ability to describe the sights, sounds, and smells of his many Indian settings, Singh also creates, at the same time, lively characters and interconnected plot lines which span two generations. Anyone who has read other novels concerned with the partition of India and the perennial conflicts between mostly Hindu India and Muslim Pakistan over the fate of Kashmir knows how complex and emotionally fraught these conflicts are, but Singh explores the conflict through the eyes of Kirpal (Kip) Singh, a chef who once worked for Lt. Gen. Ashwini Kumar, formerly chief of the Northern Command in Kashmir. With his limited focus, Kip is able to convey all the tensions and conflicts of the area without getting bogged down in the logistical technicalities. His vision is personal, and because he is an honorable person, he becomes the conscience of the novel.
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In this extraordinary debut novel, author Lucia Orth uses the five years she worked for a non-profit organization in Manila to provide information, background, sensitive description, and color, however dark, about life in Manila for all levels of society. With an eye for the “unbelievable” and an ear for the absurd, she recreates Manila society in the early 1980s, the last years of the reign of Ferdinand and Imelda Marcos. Focusing on Trace Caldwell and his wife Rue, Americans working for US National Security interests in the Philippines during the Reagan years, the author takes a microscope, one with no “politically correct lens,” to examine US policy regarding this third world country. (On my Favorites List for 2010)
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Posted in 9b-2010 Reviews, Exploration, Panama on Jan 20th, 2011
Jenny Dunfree gets her first hint of some of the difficulties she will face during an ornithological research project in the San Blas Islands, off the coast of Panama, when the ticket agent at the airport refuses to sell her a one-way ticket. Insisting that she does not want to return the following day, Jenny is unable to convince anyone at the airport that she will stay on Sugatupu for an extended period of time. Her duties, funded by a foundation, are to study a nest of harpy eagles, a rare species, and keep notes on their behavior, their feeding habits, and any eaglets which may appear. Author Louise Young, herself an ecologist who began working in the San Blas islands in 1996, had intended this book to be a National Geographic-style travel piece in which she used the voice of an “armchair anthropologist,” but she says she eventually found that a fictionalized anthropological framework worked better. “Fiction became my tool to muscle stick-figure stereotypes into the array of personalities that inhabit all human communities,” she says.
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