Roma Tearne, who grew up in Sri Lanka, crafts a powerful novel, combining the horrifying violence and brutality of brainwashed boy soldiers and opportunistic power seekers with the sometimes lyrical portrayal of nature and the enduring power of love. Now a painter and film-maker in London, as well as a gifted writer, Tearne makes the fraught atmosphere come alive through almost tactile sense impressions, adding depth to this portrait of Sri Lanka, even as she uses the mosquito symbol to show that beauty, when it can be found, always comes with a price.
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Heaven’s Edge is unique–it is not a romance, not a war chronicle, not a religious allegory, not a plea for ecological responsibility, and not science fiction, though it contains elements of all these genres. Marc, a young college graduate from London, has returned to an unnamed island, much like the author’s island of Sri Lanka, on a mission to connect with his father’s memory. Mind-numbing violence, brutally perpetrated by the military to remove any question of free thought and independent activity in the population, is the only constant in the lives of the characters, as Gunesekera explores our need to remain connected to our pasts and the ways in which our futures are outgrowths of our pasts. The graphically described violence further sets into sharp relief themes of personal identity, the desire for beauty, and the need to protect and preserve the natural world.
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Posted in Exploration, Historical, Kenya, Sudan on Jan 15th, 2011
Setting his massive, almost 700-page novel in Sudan and neighboring Kenya, Philip Caputo details the extraordinary efforts of non-government organizations (NGOs) from around the world to bring aid into “no-go” zones, those zones declared so dangerous that the UN will not enter. Many of these agencies ferry aid through the use of bush pilots and small airlines from Kenya, which fly into Sudan and land on hidden, usually make-shift, landing strips, often dodging small-arms fire and enemy aircraft when they try to return home. The Muslim government of Sudan, located to the north in Khartoum, has long been at war with the oil-rich, largely Christian south, and atrocities occur on a regular basis—the abduction of children for children’s armies, the rape and enslavement of women, the maiming and mutilation of the healthy, the cutting off of food and water, and the theft of medical supplies to prevent disease. Lacking weapons and ammunition, the rebel Sudanese People’s Liberation Army (SPLA) is no match for the heavily supplied army from Khartoum.The action is generated by characters who fly for Knight Air out of Kenya—Fitzhugh Martin, a mixed race Kenyan; Douglas Braithwaite, an American entrepreneur and pilot; and Wesley Dare, a Texas mercenary—along with their lovers, an Anglo-Kenyan philanthropist and a female Canadian pilot.
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Posted in Cape Breton, Literary, Scotland on Jan 15th, 2011
Alexander MacDonald, the narrator of this warm and ennobling family saga, comments to his brother that “Talking about history is not like living it…Some people have more choice than others.” And there, in a nutshell, is the essence of this tender generational novel. The MacDonalds are, in many ways, an “ordinary” family on Cape Breton, but author Alistair MacLeod creates a history for them so alive that the reader experiences it, too, feeling their sorrow and joy, admiring their pluck and independence, and celebrating their loyalty and bravery as they make the hard choices their lives require. They become heroes to us not because they have performed unusual feats but because they have achieved nobility within the collective memory of their own family. The book pulses with heart, an unforgettable novel by a writer who is so precise in his structure and word choice that in his entire career he has produced only this one novel and fourteen short stories published in two extraordinary collections. (At the top of my All-Time Favorites List.)
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The Spanish Civil War (1936 – 1939) and the subsequent dictatorship of General Francisco Franco form the underpinning of this hypnotic novel, which is simultaneously a love story, a story about political and personal aspirations, and a story about writing and the creative process. In a narrative that swirls through time and place, often turning in upon itself and revisiting earlier events from different points of view, life during the tumultuous Civil War unfolds and is carried forward for more than thirty years of Franco’s harsh dictatorship. The style is hypnotic, catching up the reader in the mood and weaving a spell, despite the fact that this unusual novel never moves in a straightforward chronological sequence and so lacks the usual beginning, middle, and end, except as the reader constructs it for him/herself. It is not unusual for some sentences to be one hundred fifty words long and for paragraphs to go on for pages, yet the narrative speeds along on the strength of the spell it weaves and the intensity of the mood it creates. A novel that will appeal to readers willing to succumb to its mood and not worry about the long sentences, lack of direct action, and swirling chronology, A Manuscript of Ashes is an intriguing early novel by an author who is one of Spain’s most honored contemporary authors.
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