When the monsoon rains wash a whole village of massacred babies, men, and women down the swollen river and past a small, peaceful community on India’s border with the newly created Pakistani state, the residents of the village are aghast. When whole trains of newly slaughtered Sikhs and Hindus, not a passenger still alive, start arriving in their village from Muslim Pakistan, they hastily cremate and bury the remains, then retire to the temple in shock. When their own Muslim friends from the village are forcibly evacuated to Pakistan on ten minutes’ notice, the villagers know that the fabric of their lives is changed forever. With the immediacy of an on-the-spot observer to these events of 1947 and the passion of a sensitive writer impelled to tell a story, Singh mourns the seemingly permanent loss of compassion and tolerance which accompanied the separation of the Indian subcontinent into Hindu/Sikh India and Muslim Pakistan. (To read the full review, click on the title of this excerpt.)
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Written in 1937, when the Depression was still affecting all aspects of the farming community, this powerful novel depicts the lives of migrant workers–grim, pessimistic, and offering little hope for an improved future. Focusing on two characters who arrive in the Salinas Valley during peak season, Steinbeck creates touching scenes between Lenny, a big, severely limited worker who does not know his own strength, and George, a whippet-thin man who serves as Lenny’s constant companion and protector. Both Lenny and George have dreams of one day living on their own farm, where Lenny, who loves the feeling of soft things–even dead mice–wants to take care of rabbits. George hopes one day to benefit from his own hard work on his own farm and to create an environment where Lenny can be safe from his own impulses. As Steinbeck brings the characters on the ranch to life, he shows how every person there has dreams of a different life but few opportunities to change the lives they already have. (To read the full review, click on the title on this excerpt.)
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In an unnamed country (similar to Norway) during World War II, a German sympathizer lures local men and the town’s twelve soldiers into the forest long enough for the Germans to take the town. They occupy the home of the mayor as a sign of their power and commandeer the local coal mine. Mayor Orden has never before been a brave or very forceful man, but he is not a fool, and while he tries to keep order in the town, as the Germans demand, he refuses to use the power of his office to betray the ideals of his people. Soon the locals begin to sabotage everything the Germans can use to prolong the war. Simple, direct, concise, and humane, this may be the most effective piece of mass propaganda ever written.
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Written in 1897, Bram Stoker’s Dracula is a classic of British fiction, fascinating for its subject matter and still the subject of films a hundred years later. Count Dracula, the epitome of evil, is exotic enough to keep even the most jaded reader of his exploits interested in their outcome, and grounded enough in the reality of evil to make even doubters wonder whether evil can be transmitted from one person to another against one’s will.
The novel begins with the arrival of Jonathan Harker, a lawyer representing a London real estate agency, at the Transylvanian castle of Count Dracula to clinch the deal by which the count will move to a British estate. Details about Harker’s arrival by coach, his greeting at the castle, which has no doors except the front door, his reception by the count (who has hair on the palms of his hands), and his instructions regarding where he may go or not go within the castle set the tone and establish the mysterious background of the count and a sense of dread regarding the outcome for Harker.
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Posted in Classic Novel, Japan, Literary on Jan 10th, 2011
Written in 1929, Some Prefer Nettles is as relevant and fresh today as it was more than seventy years ago. Illuminating the conflict between the old, traditional ways of Japan and western, “modern” influences, obvious in Tokyo even in the 1920’s, this story of an unsuccessful marriage could be contemporary, except in the details. The social unacceptability of divorce in Japanese culture and the resulting tensions felt by three generations of a Japanese family allow the western reader to enter an emotional world, a world of conflict rarely shared with outsiders and almost never understood. Kaname and his wife Misako “do not excite each other,” but they are stuck, perhaps permanently, in their loveless marriage. If Misako leaves Kaname, she will have to return to her father’s home, a social outcast, without her son, who will stay with his father. Kaname will also suffer–he has failed as a husband. Considering himself “modern,” Kaname has allowed Misako to take a lover, while he finds satisfaction in geisha houses and with prostitutes.
(To see the full review, click on the title of this excerpt)
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