In his best and most complex novel yet, Afrikaans-writer Deon Meyer recreates a mere thirteen hours of life in Cape Town, South Africa, hour by terrifying hour, and those thirteen hours reveal more about the city’s many criminal cultures than you may want to know. The police are only partially effective. Following scandals which plagued the police department and resulted in corruption convictions for some key officers, the National Commissioner has established a new police force, the South African Police Service (SAPS), retaining their best and most experienced officers within new departments, the duties of which are not always clear. Meyer involves his reader in the action from the opening pages, in which a young girl, still in her teens, is tearing through the city, begging for help from people she sees, as she tries to escape five or six young men who are pursuing her. And she’s the lucky one. Her companion, who was also trying to escape, was not so fast. She lies dead, her throat slit and her backpack stolen.
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Throughout these stories, the reader becomes hypnotized by the succession of Bolano’s images, by the lives he depicts (including his own in the two essays), and by the metaphysical suggestions and possible symbols of his stories, despite the fact that Bolano does not make grand pronouncements or create a formal, organized, and ultimately hopeful view of life as other authors do. There is no coherence to our lives, he seems to say: chaos rules. Although artists of all kinds try to make some sense of life, Bolano suggests that their visions may not be accurate since they have no way of knowing or conveying the whole story, the big picture, the inner secrets of life. He himself avoids such suggestions of order in life. Vibrant and imaginative, Bolano’s stories seduce the reader into and coming back to them again and again looking for answers or explanations that often remain tantalizingly out of reach.
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Lovers of Victorian Gothic mysteries will have loads of fun with this one, quite different in tone from the norm, and lovers of literary fiction will admire the author’s ability to describe and bring the period to life while also conveying important sociological and religious issues. Written by Alastair Sim, great-nephew of the famed actor of the same name, while he was still a student at the University of Glasgow, the novel takes the Victorian police procedural in new directions. Inspector Archibald Allerdyce, an emotionally damaged man who no longer believes in God, and Sergeant Hector McGillivray, even more damaged from his army experiences during the colonial rebellion in India and the Crimean War, have been ordered by the highest levels of government to solve the disappearance of William Bothwell-Scott, the Duke of Dornoch, wealthiest man in Scotland. The Duke has amassed a ten thousand-acre estate by having his thugs clear the land of long-time poor residents, also demolishing a small village near the coast which interfered with his view.
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Probably every lover of literary fiction has had a fantasy about creating or finding the ideal bookstore—one dedicated to exactly the kinds of novels we like to read and where we can spend an afternoon browsing, knowing that every book there has the potential to become one of our favorites. The main characters in this novel by Laurence Cosse have created just such a bookstore. A committee of eight writers representing different styles of novels is chosen in secret to make the selections of books for the shop, each member having a pen name so that no one, not even other committee members, knows their identities. With a choice Parisian location near the famed Odeon Theatre, The shop is mobbed from the outset, and by Christmas, the shop is a huge success. Then jealousies arise from competitors, and eventually, three attempts to murder members of the secret selection committee, described in the opening pages of the novel, involve the police. A combination of mystery, fantasy, philosophical analysis, and economic treatise on the book industry, A NOVEL BOOKSTORE raises many interesting questions within a unique story,
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In the midst of the Blitz in London in 1943, an event took place in Bethnal Green that was so extraordinary it is not understood completely even to this day. On March 3, 1943, when the air raid warning sirens went off, thousands of people headed, as usual, toward the nearest bomb shelter, the local Tube station, a one-entrance location which could accommodate up to ten thousand people within a few minutes of their arrival. Some had come here many times and knew that they could reserve cots and places to sleep for the night. Others just took their chances, hoping that the emergency would not last long and that they would be able to return to their homes soon afterward. On this night, something unique happened. One hundred seventy-three people died of asphyxia within a minute of their arrival at the station, all suffocated in the crush on the first twenty stairs of the entrance. Author Jessica Francis Kane, who found and studied the original government inquiry into the reasons for this catastrophe, draws on the facts of the real Bethnal Green case to create a fictionalized version of what went wrong.
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