With a poet’s sensitivity to words and images, and a ballad-singer’s awareness of cadences and narrative tension, Michael Crummey creates a rich novel of Newfoundland from the nineteenth century through World War I. Deftly combining the brutal realities of subsistence fishermen and farmers with the mythic tales that give hope to their lives, he traces the lives of two families through six generations in Paradise Deep and the Gut, rural areas worlds away from life in St. John’s. With its huge scope in time and its limited scope in location, the novel straddles the line between the epic and the comic epic, honoring the characters’ resilience as they struggle to survive during times of extreme privation (and six months of nearly paralyzing winter), while also celebrating the stories and long-held myths which give interest and even hope to their lives. The individual stories of the two main families over six generations here are complex, and two helpful genealogies at the beginning of the book may become well-worn as the reader tries to keep the characters all straight. The novel should appeal to those who enjoy historical family sagas.
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It’s always fun to reread a novel that was a favorite fifteen years ago and discover that it’s just as much fun the second time around. Winner of both the Pulitzer Prize and the National Book Award in 1994, The Shipping News is set primarily in Newfoundland, the ancestral home of Quoyle, a widower from New York, and his aunt, Agnis Hamm, who return to Newfoundland with Quoyle’s two young daughters to try to create new lives. Quoyle, with minimal experience as a newspaper man in New York, gets a job at the local newspaper, the Gammy Bird, at Killick Claw, recording the weekly shipping news, doing features on visiting ships, and covering local car wrecks. Life in Killick Claw is often bleak, and its population must deal with violent storms, winters lasting six months, few connections to the outside world, and sudden death at sea, all of which Proulx describes in vivid and moving passages. But survival in this world also inspires kinship among its residents and a kind of dark-humored resignation which is even more vividly depicted.
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However good Kate Atkinson’s three previous Jackson Brodie novels have been, they were just the warm-up for this one. Though they are often called “mysteries” because the main character, Jackson Brodie, is a private investigator, Atkinson’s novels are far more character-driven than the norm, and more literary in execution–intriguing on several levels simultaneously. In the course of the three previous novels (Case Histories, One Good Turn, and When Will There Be Good News), Jackson Brodie has become a broader character, and in this one, his inner life is at least as important as the plot with which it intersects. The novel is complex, with a few threads left open at the end, suggesting avenues for further exploration in succeeding Atkinson novels, but Brodie becomes an even more interesting and sympathetic character, one whom the reader of the three previous Jackson Brodie novels will begin to understand even more fully. Though some of Atkinson’s novels have had threads of dark humor in them, this one is played “straight,” its serious story line obviously not a joking matter.
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Posted in 9a-2011 Reviews, England, Humor, Satire, Absurdity, Mystery, Thriller, Noir, Psychological study, Scotland on Mar 26th, 2011
Not a traditional mystery, Kate Atkinson’s third Jackson Brodie novel grows instead out of the terrible traumas that children and young people must endure when people they love die violently. So marked are they by their sudden tragedies, that they never really escape their pasts, and spend the rest of their lives wondering “when will there be good news.” Five separate plot lines evolve and begin to overlap here, and in each of these plots the main characters are all needy people hiding an inner loneliness from which they would like to escape. In the first plot, Joanna Mason Hunter is a physician living in Edinburgh, the happily married mother of a one-year-old, a woman who appears to have it all, but thirty years ago, she escaped a slashing attack which murdered her mother, sister, and baby brother. Though she seems to have put her past to rest, the murderer of her family is about to be released from jail. Jackson appears on the scene when he is nearly killed in a train crash on the way to Edinburgh. The narrative speeds along, ironies abound, and mistaken identities create some bizarre and sometimes darkly humorous scenes.
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In a book that is pure unadulterated fun, Kate Atkinson creates her second Jackson Brodie mystery (2006), featuring a series of bizarre characters, all involved with murder–either planning it, committing it, or trying to avoid it. Many seemingly unrelated characters, involved in several seemingly unrelated plot lines, make their appearance in the first fifty pages. In the main plot line, an Edinburgh automobile accident leaves “Paul Bradley,” a mysterious man and innocent victim, at the mercy of a crazed, baseball bat-wielding Honda driver. A witness, Martin Canning, the timid writer of Nina Riley mystery stories, reacts instinctively to the impending carnage, hurling his laptop at the Honda driver and saving “Paul Bradley” from certain death. A second set of characters revolves around Graham Hatter, the wealthy developer of Hatter Homes, who is in trouble for bribery, money laundering, and fraud in the building of cheap tract houses. Jackson Brodie, former cop and private investigator, in Edinburgh for a drama festival in which his girlfriend is involved, introduces a third plot line when he discovers a woman’s body on the rocks beside the ocean.
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