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Monthly Archive for October, 2013

A professional dancer from the age of eleven, Noel Coward (1899 – 1973) spent the rest of his life in “show business” as a playwright (of thirty-nine plays), composer (of over three hundred songs and sixteen musicals and operettas), film maker (of fifteen adaptations of his plays), and actor-director-producer connected with two dozen additional productions. Now, however, it is 1971, as this novel about his life opens, and he is seventy-two and dealing with an endless series of heart and lung problems, no doubt exacerbated, if not caused, by his persistent smoking. As the narrative evolves, impressionistically, Coward’s mind is seen wandering, and he frequently dozes off. He dreams of the Jazz Age and Gertrude Lawrence, and he sometimes relaxes by reading one of several children’s books by E. Nesbit which he loved as a child and still enjoys reading. He drinks too much, eats too little, refuses to see many people, and becomes annoyed if his life partner Graham Payn is not at his immediate beck and call. Often Payn is with Cole Lesley, “Coley” (formerly known as Leonard Cole), who began his association with Coward as a British valet, then became his secretary, manager, and occasional cook. At a time in which rap music is popular and raves are ubiquitous, the witty and clever lyrics for which Noel Coward was so famous, and which depend so much on word play and the rhythm of educated (British) speech, may be completely unfamiliar to readers of this book. Indeed, Noel Coward himself, once a household name, may also be an unfamiliar name to many readers of this book. Fame is fleeting, and never more obviously so than with an author/writer/composer/screenwriter like Noel Coward, who was also brilliant, articulate, and gifted beyond measure.

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