What an astonishing book! Completed in 1973 and packed away for almost forty years, the manuscript of The Wandering Falcon found a publisher only when the world’s attention suddenly focused on the virtually unknown tribal cultures living along the bloody border between Pakistan and Afghanistan. With great sensitivity, respect, and sympathy for his characters, seventy-nine-year-old author Jamil Ahmad has created a collection of unique, often interconnected, stories about vibrant individuals from the various tribes living in and near the Federally Administered Tribal Area (FATA) of Pakistan. These nomads have followed the seasons and the needs of their animals and families for thousands of years, and they have no concept of national boundaries. The author, a powerful Pakistani official who lived and worked in the tribal lands from the early 1960s through the mid-1970s, believes that the people he came to know in the Swat Valley possessed a kind of honesty, openness, and lack of pretense which is absent from much of “civilized” society. He is the only person to have recorded details of their lives, making this an extremely important work.
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Reading this recently translated novel by Icelandic author Arnaldur Indridason feels much like reading a movie. Originally published in 1999, Operation Napoleon is a stand-alone thriller of World War II and its aftermath, not part of the author’s more character-based Erlendur series, with its dark themes and grim visions of human nature. This is not to say that this novel is not also full of violent behavior against innocent characters, but in this novel the villains are the Americans, who will stop at nothing to further America’s global interests. Operating in conjunction with the controversial US Army base in Keflavik, a secret, high tech spy agency, known as “Building 312,” in Washington, DC plans to conduct a mission on Iceland’s largest glacier without the knowledge of their usually cooperative hosts, who know nothing more than a cover story about “routine training” disseminated by US intelligence. The “heroes” of the novel are the honest Icelanders who inadvertently run afoul of American interests. The paranoid Americans in charge of the mission will stop at nothing, including cold-blooded murder, in order to accomplish their ends.
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In one of the most exciting and intellectually stimulating novels of the year, author Julian Barnes tells a two-part story that reconstructs the lives of four young British secondary school students in the 1960s as they study literature and history and argue about philosophy in an effort to solve the riddles of their universe. Through narrator Tony Webster, one of these boys, the author describes their lives up to their early twenties, then leaves them to their fates until Part II begins, forty years later. Webster, now in his sixties, twice divorced and retired, suddenly receives a bequest which suggests hitherto unsuspected revelations about one of his school friends who died young. For forty years, his memories of these school friends and the experiences they shared have informed and affected his life and his philosophy, but now he discovers that the memories may all have been constructed on lies based on incomplete information. Ultimately, the novel resolves all the complex mysteries of the plot in unexpected ways, and the author’s philosophical musings on life, sex (eros), death (thanatos), and time, their ineradicable connections to our lives, and their more transient connections to our memories are given full play as Barnes also introduces questions of individual responsibility and one’s personal history. A brilliant, challenging, and ultimately important novel of time, order, and chaos and how we survive.
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Set in Oslo in 1961, author Roy Jacobsen tells the story of Finn, a small boy of about nine, and his divorced, and later widowed, mother as they cope with life’s hard realities. Extremely close, they struggle to make ends meet, his mother always making it a point to be at home when he returns from school, and working only part-time at a shoe store. Finn’s “hard realities” become much harder when circumstances force his mother to rent out his room to a boarder. One interview with a potential boarder is so intense that she closes the door on Finn and conducts it in private, learning that the woman is not a potential boarder but her ex-husband’s second wife, the mother of Finn’s half-sister Linda. She does not share any of this information with Finn, but she is preoccupied and tense for weeks afterward. When his mother finally admits that not only does he have a half-sister named Linda but that the strange little girl will be moving in with them immediately, Finn’s world crashes, and he begins his journey toward understanding of himself, his mother, and life in general. Filled with surprises and shocks.
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Gerard Woodward has been one of England’s most iconoclastic literary authors, rejecting all the polite expectations of writing and society by creating novels that seem, on the surface, to be about real families experiencing real life but having a darker agenda. A poet with a fine eye, ear, and sense of pacing, Woodward uses these talents in unique ways to create dozens of scenes which surprise and shock and even repulse, all the while causing the reader to laugh uproariously, not from shock or embarrassment but from surprise and delight in his daring. The opening pages of this novel, which are alternately wickedly funny and darkly ironic, graphically illustrate these points. Mrs. Head, a proper London widow is preparing dinner for her daughter Tory who is living with her and working for the war effort in a gelatine factory. When a German bomb hits the butcher shop nearby, Mrs. Head explores. As she looks over the wreckage, she finds an absolutely perfect leg of pork. Quietly picking it up and wrapping it, for fear that someone will think she is looting the wreckage, she brings it home and roasts it for their first real dinner in ages, admiring the cracklings and the scent as it roasts. It is not until Tory returns home from work and asks, “Where’s Mr. Dando?” that the horror of what they are eating hits home.
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