Cuba in 1992, the setting of this novel, is a “Special Period,” according to Fidel Castro. The Soviet Union, which has supported the island for years, has collapsed, and the country is starving. Gasoline is scarce, there are constant blackouts, meat and cheese have disappeared, and people have given up smoking so that they can go on eating. When they are lucky enough to find coffee, they dry and reuse the grounds four or five times. Still, there are principled young people like Dr. Manolo Rodriguez who believe in the Revolution and dedicate their lives to helping the poor. Though he has been offered a job which would pay him more money and provide him with some “perks,” he prefers to stay at the clinic he has set up for the poor in the basement of the building where he lives in a one-room attic apartment. Though the novel is gritty, it is no political screed. Arellano has chosen instead to provide a thoughtful look at a dark period, emphasizing the resilience of the Cuban people and their hopes for a better future.
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It is 1897, and a motley group of British functionaries is running a concessionary station, only marginally successful, in Ukassa Falls in the Congo Free State, trading and exploring, mapping new areas of the country for further exploration, and using natives to strip minerals from quarries. Individually, however, their primary mission is protecting themselves and their jobs, while keeping an eye on a more lucrative Belgian enterprise across the river and on the slave-trader Hammad, who fancies himself the potential emperor of a future, native-run country. When gunfire signals the arrival of an unexpected visitor, Capt. James Frasier hopes it means the return to British jurisdiction of his friend, Nicholas Frere, who, missing for 51 days in the wilderness, is now in Belgian custody, awaiting trial for killing a native child.
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“As soon as there’s a bomb, an earthquake…or a riot, I call the travel agent,” Tahir Shah says, explaining his thirst for adventure. In this account he searches for King Solomon’s legendary gold mines, armed with books and research he acquired in preparation for his trip and a “treasure map” he purchased in Jerusalem. King Solomon had built a lavishly appointed temple there three thousand years ago, using gold which the Queen of Sheba had brought from Ophir. No one knows from what direction she came or where the legendary Ophir actually was, however, with different researchers claiming that it was in Zimbabwe, South Africa, or even Haiti or Peru. Tahir Shah is determined to find out.
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In prose which is dense, dramatic, and saturated with images of violence of all kinds, Vargas Llosa reconstructs the final, tumultuous years of Rafael Trujillo’s despotism in the Dominican Republic.
Using three points of view to give breadth to the portrait of the country in 1961, the author cycles the chapters through three distinct viewpoints: that of Urania Cabral, a contemporary 49-year-old woman who has returned to the Dominican Republic for the first time in 35 years, and who shares her reminiscences of her life there in 1961, when her father was President of the Senate; that of Trujillo himself as he reflects on his declining health, his 31 years in power, and his relationships with subordinates, the church, and the U.S.; and that of four conspirators waiting to ambush and assassinate “The Goat,” as they individually recall the events which have driven them to take this final step.
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Zsuzsa Bank, in her debut novel, accomplishes a remarkable feat. She writes a novel with virtually no plot at all, yet she makes us care about her characters and their lives. It is 1956 in Hungary, a time of enormous social upheaval. Living conditions are poor, workers are discontented, journalists are upset at their restrictions, and the governing Communist party is doing nothing to ameliorate the situation. When a rebellion, involving many students and young people breaks out and fighting begins, better-armed Soviet troops enter and start shooting. Over 250,000 people leave everything behind to seek new lives in other countries as refugees. One who leaves without any warning or goodbye is Katalin Velencei, wife of Kalman Velencei, and mother of young Kata, about eight, and Isti, about six, all of whom, abandoned, remain behind. The stories of their lives, so rooted in the mundane, take on particular poignancy as they come to represent the lives of legions of other ordinary people who, through the accident of war or rebellion, find their lives uprooted, their families torn, their homes vanishing, and all sense of “normalcy” evaporated. Ultimately, Bank’s recreation of the reality of two young children (and by extension the Hungarian people) achieves a universal significance which, for many readers, may transcend plot.
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