A finalist in 1994 for both the Booker Prize and the Whitbread Award, Paradise hides major themes and ideas within the seemingly simple story of Yusuf, a twelve-year-old boy in rural East Africa whose father sells him to a trader to settle a debt. East Africa is in turmoil–on the verge of World War I and the fighting which eventually develops between the Germans in Tanzania and the British in Kenya. Cities are growing, populations are moving, merchants are trading and selling, and colonialists from many countries are vying for influence. A novel which begins as a beautifully realized coming-of-age story develops into a story of high adventure, social and political realism, and eventually love.
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Illustrating, to some extent, the effects of colonialism, along with desertions and displacements in the characters’ lives in this three-part novel covering more than fifty years in Zanzibar/Tanzania, Gurnah concentrates primarily on stories of family, courtship, and relationships–ordinary people living their daily lives. Though the novel feels like three separate novellas, rather than a continuous whole, Gurnah’s style is smooth and descriptive, conjuring the moods and images of different times and fascinating places.
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The book begins as a leisurely portrait of two lonely immigrants to England from Zanzibar, one of them a distinguished young professor and the other a 65-year-old asylum seeker who has just arrived, pretending he understands no English. As the points of view shift back and forth between the two men in succeeding sections of the novel, we come to know each man well–his life, his aspirations in Zanzibar, his extended family, the family’s business connections there, and ultimately, the how and why of each man’s emigration to England. Coming from two different generations, each man has a different view of his former country, the older man having spent most of his life there, escaping to England when all other hope is gone, and the younger having left as a young student, but still longing for the connections he left behind. This is passionate book of clear vision, a book which recognizes harsh truths and still remains compassionate.
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Three young college graduates are looking for Eden in the 1990s, someplace the rest of the world has not discovered, where they can live apart from corrupt “civilization” and enjoy the more “meaningful” aspects of a simple life, independent of the rest of the world. Surviving a long sea swim, conquering the cliffs on an uncharted island, and, more importantly, recognizing a dope farm and avoiding the bloodthirsty gunmen who patrol it, the three eventually make their way onto “The Beach,” the utopian society Daffy has told Richard about, and in which he was a founding member. As they settle in and learn the ropes, the three newcomers experience the mystical, sometimes drug-induced peacefulness they’ve always dreamed of. As in Lord of the Flies and other utopian dreams, the magic lasts only until the first big crisis, and on the beach, several crises occur simultaneously.
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The Leopard, an assassin who figures in a number of Silva novels, becomes a major player in this third Gabriel Allon novel, about the passive involvement of the Vatican in the Holocaust and its subsequent denial of all responsibility. Basing the novel on research by scholars like Susan Zuccotti (whom Silva credits in his acknowledgments) into the secret connections between factions within the Catholic Church and the Third Reich, Silva creates a chilling and utterly compelling story about the reasons that the Vatican might have feared the Jews were a threat to its own power and wanted to prevent the ultimate establishment of an Israeli homeland.
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