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Category Archive for 'Ireland and Northern Ireland'

For the past ten years, award-winning Irish author John Banville has been writing crime novels under the pen name of Benjamin Black, in addition to his literary fiction under his own name. Seven of these novels feature an alcoholic pathologist in 1950s Dublin named Quirke. Quirke has had a sad life from his earliest years, having spent time in an orphanage before he was unofficially adopted by Judge Garret Griffin, and brought into his household to live with his adoptive brother Malachi Griffin, who also became a physician in later life. In his mid-forties when he appears in Christine Falls, the first novel in the series, Quirke has never come to terms with who he is because he does not know who he is. Now many years later, his past is still largely a mystery to him. As this novel opens, Quirke, the chief of the pathology lab of , has been on a leave of absence from the Hospital of the Holy Family, receiving treatment for his alcohol addiction and related emotional problems. When an accident occurs and the pathologist performing the autopsy has questions, he comes to Quirke for help, and Quirke leaves his house for the first time in over two months to meet Hackett, his friend in the police. Though it is easy to speed through these introductory pages in an effort to get to the plot, it is the information which Quirke learns about himself and his condition which deserves the most attention, especially at the beginning. Many revelations throughout this book, and many questions from the past answered.

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NOTE: The second of the “Quirke series” by Benjamin Black (the pen name for renowned author John Banville), The Silver Swan (2008) follows Christine Falls (2007). At present (January, 2017) there are seven Quirke novels in this series, which is set in the 1950s. Quirke’s complex personal story unfolds very slowly in the background during these seven novels, some of it especially important to understanding him, though it is referenced, but not usually explained, in subsequent novels. I am therefore reposting these early reviews because they introduce key information in Quirke’s life, important to know in later novels, including Even the Dead, published on Jan. 3, 2017 and to be reviewed here this week.

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NOTE: This novel, published in 2007, is the first of a series of mystery novels written by award-winning author John Banville, under the pen name of Benjamin Black, and set in the 1950s. Because seven of the novels in the current series all feature the same main character, Quirke, whose life gradually opens to the reader during the series, I am re-posting this early review from 2007 and, to come, a review of The Silver Swan from 2008, which help to explain the complex background of Quirke as we see him in his new novel, Even the Dead, just released and soon to be reviewed here.

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Anne Enright’s intimate and often humorous look at an Irish family with roots in an unnamed County Clare village near Limerick may reflect the values and attitudes of one family in that part of Ireland, but Enright is by no means parochial. The Madigan family dynamics, which operate beneath their polite veneer, betray long-time resentments, continuing hostilities, and difficulties in communication shared by other families, not just in Ireland, but almost anywhere else in the world. Enright’s skillful rendering of the Madigan family members as they interact with each other and within the new worlds they choose to inhabit – away from their mother and their home village – reflects deep feelings, and will feel familiar to many, if not most, readers because of their universality. Rosaleen Madigan, the widowed matriarch of the family has always been a powerful figure within her family, managing all aspects of family life and the household where she has lived with her husband and children for her entire marriage. Now she is alone and lonely, and she will not “go gently into that dark night.” She has a plan. The novel, which resembles a series of interconnected short stories, focuses on individuals who are all trying to fill voids in their lives. The novel is less “Irish” than many other such novels, as the universal themes carry this character-based novel far beyond place. In other ways, however, the atmosphere and the setting are consummately Irish, its descriptions of the village, the heritage of the family and its churchly connections over the years, the traditions, and the focus on the land and the sea.

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#1 on my list of Favorites for 2015! Powerful, climactic moments, both physical and emotional, pervade these stories, which are dramatic and thought-provoking in their emphasis on the various ways of looking at traumatic incidents while recognizing that there are always unknowns that creep into the reality of such events. The title novella is a classic, and three additional stories of varying lengths add to this unforgettable collection about points of view and the impossibility of ever knowing for sure what the essence of reality really is and why its interpretation differs among people who have participated in the same events but come to different conclusions. The stories come alive through McCann’s matchless ability to describe places and recreate lives through dialogue.

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