The Moresbys are about to get “all the way into life” in ways they have never expected. Having left the United States for an adventure in Morocco, main character Porter Moresby is careful to describe himself as a traveler, not a tourist. “The difference is partly one of time, he [explains]. Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler, belonging no more to one place than another, moves slowly, over periods of years, from one part of the earth to another.” This is the Moresbys’ first trip across the Atlantic since 1939, since all of Europe and much of Africa has been consumed for ten years with World War II and its aftereffects. In 1949, when they decide to do some traveling, North Africa is one of the few places to which they can obtain boat passage. In this unusual and thoughtful debut novel, Bowles takes crass Americans out of their normal post-war environment, allowing the reader to see them in a more universal context. This is not a love story, by any means, despite Bernardo Bertolucci’s attempt to make it one in his 1990 film adaptation with Debra Winger and John Malkovich. Instead, the two main characters are so limited, both in their relationships with their peers and in relationships with the wider, outside world that neither is fully capable of feeling real emotion for anyone other than self. Their trip is a disaster. One of Modern’s Library’s 100 Best Novels of All Time.
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Deola Bello, a thirty-nine-year-old Nigerian expatriate who has been living in London since the 1980s, is now working for LINK, a non-profit charity which funds projects in Third World countries. She is about to travel “home” to Lagos on business for a week to report on two projects in Lagos, and her brief return will coincide with the fifth anniversary of her father’s death. The family memorial service will draw large numbers of family and friends. With the focus on the small, the specific, and the individual, as these details relate to the general state of middle-class life in Lagos, the author shows how these characters compare and contrast with those Deola sees in London, who are also described in the same kind of detail as they try to communicate with each other and the outside world. In paying such close attention to “Who are we, really?” this book feels quite different from other books set in Nigeria. Atta is far less interested in using a story to illustrate universal themes or endemic problems than she is in looking at her characters’ lives through a magnifying glass, describing what she sees (without editing all the plebeian details) and allowing the reader to share the point of view of Deola, the character who is making the observations.
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The Bat, Norwegian author Jo Nesbo’s earliest of his nine Harry Hole mysteries, is intriguing for many reasons, not least for the growth it shows in Nesbo’s narrative and stylistic talents. Harry has been sent to Australia to help the murder investigation of a young women from Australia who was working at a local bar when she was killed. An attractive blonde, she had been fending off advances from her strange bartender; avoiding her even stranger landlord and his vicious “Tasmanian Devil” of a dog; and spending her nights with a man known to have many connections to the drug world. As the police investigate, it becomes clear that they may be looking for a serial killer obsessed with blonde women. Harry’s partner here is an Aborigine who had been a boxer, and Nesbo reveals much about Aborigine culture, their myths and legends, beliefs, and value system. Though the author is describing a fascinating culture, these digressions, unfortunately, do not advance the action and feel added on to the story. The novel occasionally resembles a travelogue, with each trip to a new part of Sydney or outside it described in vivid detail, though Nesbo does provide enough blood and thunder to keep readers reading, even as they may wonder where the sometimes rambling plot is going. Worth reading if you are already familiar with the series.
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Firmly connected to the cold, often bleak landscapes they inhabit, Per Petterson’s characters are never frivolous, however impulsive and even violent their actions might be. Often shackled by circumstances over which they have little control, they respond in the only ways they can, sometimes self-destructively. Their parents can sometimes offer little guidance, even by way of example, and growing up becomes a question of actions followed either by reward or, more likely, by punishment. In the ironically entitled It’s Fine By Me, an early Petterson novel from 1992, Audun Sletten shares his life from his teen years to age twenty, always honest in his feelings, sometimes to his own detriment, and always sensitive to his personal standards of behavior which the rest of the world does not always understand or share. Beautifully developed and filled with details which ring true, not just in terms of the time and setting, but in terms of psychological honesty, It’s Fine By Me feels almost autobiographical in its ability to convey real feelings by real people. The moving conclusion to this novel shows Ardun’s growth – often with the help of those who care about him – and readers who see themselves (at least in some aspect) within the character of Ardun will celebrate his coming of age – all the while knowing that Ardun is a work in progress and that he’ll never be able to take life or his own responses to threats for granted.
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Setting this unusual, aesthetically intriguing, and often exciting novel in Malaya/Malaysia, author Tan Twan Eng* provides insights into the Japanese Occupation of Malaya from 1941 – 1945, while recreating the horrors endured by the local population. At the same time, he also illustrates the highly formal aesthetic principles which underlie Japanese gardens, ukiyo-e prints, and the practice of horimono (literally “carving”), which is part of the long tradition of irezumi, Japanese tattooing. Amazing as it may sound, Tan succeeds in accomplishing an elegant blend of these seemingly incompatible subjects and themes while also appealing to the reader with characters who face personal tragedies and strive, somehow, to endure. Through hints and small details mentioned throughout the novel, Tan creates interest in Yun Ling’s history, and the eventual discovery of how she becomes the sole survivor of her work camp in the mountains is one of the most dramatic sections of the novel.
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