Thirty-one years have passed since author Cristina Garcia’s first trip to Germany, and she has just returned to Berlin for the first time since then. Because she is fascinated by some of the people she meets there, she creates a “Visitor” as a stand-in for herself acting as the third person narrator of this book – not telling the stories of these people, so much as introducing them and then allowing each of the thirty-five characters she features the freedom to tell their own individual stories. As she “listens” to these stories, she and the reader share the same vantage point – and the stories come to life in unique ways, some of them so unusual that most readers will become spellbound, wondering why they never thought to ask the questions about postwar life in Germany that these characters are answering without being asked. Though the individual stories are unique, brilliant in their execution, and enlightening for the reader – even readers who have read dozens of books about postwar Germany and the generation after that – Cristina Garcia performs magic by opening up even more new threads and suggesting dozens of issues which most of us have not yet even thought to explore. On the top of my Favorites List for the year so far.
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Posted in 3-2018 Reviews, Book Club Suggestions, Historical, Literary, Mystery, Thriller, Noir, Psychological study, Social and Political Issues, United States on Feb 8th, 2018
Sharing his feelings with the reader, Dickson Steele becomes the linchpin of this psychological noir mystery by Dorothy B. Hughes, and within the first two pages, the reader discovers that Dix’s thoughts and behavior are vastly different from what the rest of us would consider “normal.” By the third page, he is following an attractive young woman walking along the road and planning what he will say to her when he catches up to her. Only a series of cars passing prevents him from crossing the street to meet up with her, and he decides to let her go, turning instead into a local bar. Author Hughes, with her efficient pacing and streamlined prose, does not make the reader wait long for the action to develop. On the fourth page, at the bar, Dix overhears another patron nearby mention a man named “Brub,” the name of one of Dix’s friends from the air corps whom he has not seen for two years. A quick call from Dix to Brub at his house in Santa Monica Canyon, and the old friends decide to get together that night at Brub’s house. There Dix meets Brub’s wife Sylvia and also learns that Brub, having graduated from Berkeley, has now started work at a new job – as a detective for the Los Angeles Police Department. What develops is a noir murder novel in which author Hughes develops these ideas throughout the remainder of this two-hundred page novel, bringing her characters to life and the action to a peak. In the process she will also bring Los Angeles and its suburbs to life as people try to get back to the kinds of lives they had before the war.
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In her startling, futuristic title story, debut author Lesley Nneka Arimah wakes up her reader and signifies that this is no “ordinary” collection. The stories in this book make so many creative leaps into new worlds that in many ways the author actually defies the limits of her genre. Born in the UK, Arimah grew up in Nigeria, following her father in his work abroad and acquiring such varied experiences of life that she has escaped the cultural limitations which so often root a writer’s work firmly in one place. The multicultural Arimah finds, appreciates, and focuses on the elements which make people from different places and times react differently to seemingly similar sets of circumstances, creating stories which are full of surprises and unexpected twists. Within these stories, however, she also recognizes the seemingly universal problems and habits which can often limit and determine a character’s personal outcomes. As she explores life from many points of view, her own vision, often dark, creates in the reader the urge to re-read, re-explore, and re-imagine both her work and the settings in which her characters live, to come to know them better and, perhaps, understand what makes many of her conclusions so surprising. An original and brilliant first collection.
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Despite its cartoon caricature of Supreme Court Justice Ruth Bader Ginsburg working the resistance tubes on the cover of this book, The RBG Workout is no joke – Justice Ginsburg has been working with Bryant Johnson, her personal trainer and author of this book, for almost twenty years, and she credits him for much of her bodily recovery and her dramatically increased strength after two bouts of cancer during that time. She works out with Johnson for an hour, twice a week, has increased her bone density in the process, and, according to Johnson, “she’s graduated from doing push-ups against a wall to push-ups on her knees, to full-on standard push-ups the way I learned them in basic training for the Army. In fact, she’s gotten so strong that we’ve recently added ‘planks’ to her routine.” Johnson’s success has become so widely known and the public has become so interested in his program that Justice Ginsburg not only agreed to his writing this book about his regimen for her but also wrote the Foreword for this book.
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Times are tough in 1950s Ireland, and the yields are poor, but everyone’s happy at least once a year when the traditional wrendance takes place. Donal Hallapy is a bodhran player, an expert in the ancient drums of his Celtic forebears, a musician in great demand at wrendances – all-night singing and dancing hooleys which can be traced back to pagan times. This paganism, the secret nature of the celebrations, the drinking that takes place, and the fact that the church has no control over them has made them anathema to “the clan of the round collar,” in the person of Canon Tett, an ultraconservative determined to bring them all to bay. A lively portrait of a now-vanished world.
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