“Deep in Honduras in a region called La Mosquitia, lie some of the last unexplored places on earth. Mosquitia is a vast, lawless area…of rainforests, swamps, lagoons, mountains…and the thickest jungle in the world….For centuries, [it] has been home to one of the world’s most persistent and tantalizing legends. Somewhere in this impassable wilderness, it is said, lies a “lost city” built of white stone. It is called Ciudad Blanca, the “White City,” also referred to as the “Lost City of the Monkey God.” No one knows whether this place actually exists and, if it does, whether it was built by the Mayas or some other, unknown indigenous group, but Mosquitia’s thirty-two thousand square miles, filled with rainforests, swamps, lagoons, rivers, mountains, ravines, waterfalls and roaring torrents have been virtually impassable throughout modern history, and early maps have labeled this place “Portal del Infierno,” or “Gates of Hell.” Any adventurer willing to test himself against these natural barriers would also have to be willing to deal with deadly snakes, jaguars, catclaw vines, with their hooked thorns, and hordes of insects and flies carrying unknown, possibly virulent diseases. And if someone were still determined to look for this lost city, s/he would also have to deal with equally dangerous human problems: Much of the area surrounding Mosquitia is ruled by drug cartels. In February, 2015, an expedition of researchers decides to investigate this area, fearing that the on-going clear-cutting of the land could lead to the inadvertent discovery and destruction of ancient ruins and artifacts from the “lost cities” in Mosquitia. Author Douglas Preston joina a small group of researchers headed into a part of the jungle which “had not seen human beings in living memory.” This is their story.
Category Archive for 'Book Club Suggestions'
Posted in 0-2017 Reviews, Book Club Suggestions, Coming-of-age, Historical, Ireland and Northern Ireland, Literary, Native American, Social and Political Issues, United States, US Regional on Feb 17th, 2017
Escaping the Great Famine in Ireland, Thomas McNulty, a boy in his mid-teens and the only survivor of his family, hopes for a new start in a new world. Sneaking onto a boat for Canada with other starving Irish, many of whom die on board, he discovers, upon his arrival, that “Canada was a-feared of us…We were only rats of people. Hunger takes away what you are.” Seeing no future there, he travels, eventually, to the US, working his way to Missouri, where he then meets John Cole, another orphan boy of his own age, whose great-grandmother was an Indian. They connect instantly, and “for the first time I felt like a human person.” Realizing that they have a better chance of surviving together than they would have separately, they figure out a way to keep working until they are old enough to enlist in the U.S. Army. Once in the Army, they end up in northern California, where recent settlers have been having trouble with the Yurok Indians, native to those lands. After fighting in the Indian Wars, they end up fighting in the Civil War. Sebastian Barry, a writer with almost unparalleled ability to control his characters, his story line, his style, and the peaks and valleys of the changing moods of his novel, succeeds brilliantly in this novel, already the winner of the Costa Award in the UK, and likely to be winner of several more major prizes, as well. Barry makes everything real in a novel which Kazuo Ishiguro describes as “the most fascinating line-by-line first-person narration I’ve come across in years,” and which Donal Ryan calls “a beautiful, savage, tender, searing work of art. Sentence after perfect sentence, it grips and does not let go.” #1 on my Favorites List for 2017.
You may have read many novels in which the two main characters hate each other, but how many have you read in which the main characters, two professional women, are in their eighties and next-door neighbors? Yewande Omotoso’s The Woman Next Door, will appeal to readers looking for an escape from some of the doom and gloom of contemporary life without escaping into mindlessness, a story with some realistic grit. Setting the novel in Cape Town, South Africa, Omotoso depicts an upscale enclave in which these two women, one black and one white, must deal with some big issues, some of them racial. Though apartheid is outlawed and the neighbors may pretend that the problems are solved, the feelings are not yet gone. This is not a “message novel,” however. For Omotoso, the story and its characters come first, her themes being revealed through their conflicts and the empathy she creates among her readers. Fun and often funny, with unique characters, and strong insights into the racial tensions of South Africa.
In a novel which is both emotionally intimate and broad in its scope and thematic impact, this debut novel by twenty-six-year-old Ya’a Gyasi, formerly of Ghana, truly deserves its description as an “epic.” The young recipient of NPR’s Debut Novel of the Year last year for Homegoing, the much lauded Gyasi was today awarded the National Book Critics Circle’s John Leonard Prize for Best Debut Novel of 2016, for this same novel. Opening her novel in the mid-1700s, Gyasi recreates the tumult of what is now Ghana as the Fante tribes from the coastal area and the Asante (Ashanti) tribes from inland constantly battle each other for power, a task complicated by the fact that the British have occupied the coastal areas so that they can manage the lucrative shipping of slaves to America. Anyone captured by an enemy soldier, of either tribe, is destined to be sold to the British for export. The opening chapters introduce the first of eight generations as reflected in the lives of two families: the descendants of the beautiful Effia, born in Fanteland, and the descendants of Esi, her half-sister, an Asante royal whom she does not know. While Effia strikes the fancy of James Collins, governor of the colony, who marries her and brings her to the Cape Coast Castle where he lives and works, Esi is shipped to America, living out the sad history of slavery and its aftermath. Gyasi incorporates elements common to great, majestic novels within this highly compressed epic of black lives and struggles. Folk stories, legends which evolve about some characters, the fears created by dreams and vague family memories, and the persistent drive to be successful while lacking a true understanding of themselves and their past make this novel “speak” to a modern audience, regardless of race or color.
One of tcover coelho spyhe legends of World War I, Mata Hari has been, for over a hundred years, a symbol of mystery, excitement, and danger. Her exotic life and her eventual fate – an early morning execution by a firing squad of French soldiers on October 15, 1917 – has always felt somehow “deserved” by a woman who so craved attention that she publicly flouted every norm of society in order to develop a reputation as an erotic dancer and lover, and who was finally declared a spy by the French government. Fearless in her private life and pragmatic enough to realize, as she was approaching age forty, that she was not as supple – or as slim – as she once had been, she eventually accepted a six month contract to perform in Berlin in 1916, seeing this change of location as an opportunity for new rewards and wider opportunities. The big question raised by this novel is whether her various liaisons in Germany and France provided her with opportunities to share real secrets or whether she was merely a scapegoat, conveying the society gossip of the day, as she has claimed. When she left Germany precipitously in an attempt to return to Paris in 1917, the French declared her a German spy trying to re-enter. Whether this is true has never been fully answered, though this author has some suggestions.