Living in the jungle of Brazil, a group of American researchers, working for a pharmaceutical company, is trying to complete their long research project on a dramatic rainforest discovery. The leader of the project is Dr. Annick Swenson, a tough and disciplined seventy-three-year-old woman who has not left Brazil for over a decade. Though the pharmaceutical company is paying all the expenses, no one can find out the status of the project–the last person sent to check on it, Anders Eckman, died shortly after his arrival at the camp. When word of Eckman’s death reaches the company, the president decides that someone must return to find out what is happening at the lab. Marina Singh, a single woman in her forties, has shared an office with Anders Eckman and knows Dr, Swenson, and she is the person to make a follow-up trip to the jungle. Patchett raises many questions about what drives those who give up virtually everything for pure science, questioning how much is done from idealism, how much from naivete, and how much for personal gain. The action speeds along on the strength of a fast-paced narrative full of suspense. Expected to be one of the big, popular sellers of summer, 2011.
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It is Christmas, and Nick Goodyew has not seen his father, Ken, in fifteen years, or Pearl, his mother, in twenty. His parents’ acrimonious life together, and their divorce, have come to typify the family’s way of dealing with issues—escape, a way of life for virtually all of them. His father, however, now believes he is going to die, and, despite the on-going rancor, typified by the Christmas phone call, he still wants to get the family together to make peace with the past. The ensuing novel is a witty and touching examination of all the members of the family as they finally examine their lives, their memories, and their relationships. Author Louise Dean, with her dark sense of humor and her breath-taking ability to suggest attitudes and psychological states through description, arouses sympathy for her characters as they search for ways to communicate and, perhaps in time, forgive each other for the past. On my list of Favorites for 2011.
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Extremely emotional and powerfully moving, the novel begins as the story of a seventy-year-old man who has returned to Mauritius with his son, specifically to visit the grave of his best friend, David Stein, who, we learn in the first ten pages, died in 1945 at the age of ten. The speaker, Raj, of Indian descent, has never been able to come to terms with the circumstances of David’s death, and has blamed himself for many years for his own part in possibly hastening David’s end. As a child, Raj was shy and lonely, especially after losing both of his brothers in a flash flood, and though he has always been close to his mother, he fears his brutal father, who beats him and his mother. When fate steps in and makes it possible for Raj to come to know a young Jewish orphan, who is interned in the camp where Raj’s father is a warden, he protects this secret relationship, willing to risk all for David, who has become his “last brother.” Author Nathacha Appanah tells the story in poetic language of great natural beauty and imagery, and her musical cadences give the novel a flow much like that of an opera.
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When Sarah Moss, a physician in Madison, Wisconsin, falls in love with a fellow student, Ibrahim Suleiman of Khobar, Saudi Arabia, she is unable to persuade him to stay in the US. Instead, he persuades her to go to Saudi Arabia, where she obtains a job at the Suleiman Hospital in Khobar to see if she can adjust to Saudi life. What follows is a comprehensive exploration of Saudi families and Saudi society, especially the society of women and their roles in the larger Saudi world, and as Sarah learns more about the world of Saudi women, she must decide whether she can live among them forever as Ib’s wife. As the culture is explored, the reader can truly imagine what it would be like to be a woman living in this family. The way that women achieve levels of freedom on their own, despite the restrictions; their urge for independence but their flexibility within their culture; traditional bridal customs and marriage preparations; and the special society that women share with each other without the presence of men are both fascinating and well integrated into the story of Sarah’s life in Saudi Arabia.
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Eliza Peabody begins writing to her neighbor Joan, not a close friend, almost immediately after Joan leaves her husband Charles and disappears, leaving behind only a series of addresses around the world where she may be contacted by her family. Eliza takes it upon herself to write to Joan repeatedly, offering unsolicited advice, observations (unintentionally insulting) about Joan’s husband and children, and comments about her own marriage and beliefs about her role as a woman, which she knows that Joan does not share. Joan never answers. As Eliza goes about her daily life, including her hilarious attendance at a local literary group meeting, the author’s ability to create clever satire and wonderful observations about love, marriage, and friendship (and incidentally, the literary world) shines with the candor of one who has little patience with pretension and a person’s lack of self-awareness. Sly humor, clever concept, delicious satire.
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