Posted in Classic Novel, England, Literary on Jan 10th, 2011
“The end of a novel, like the end of a children’s dinner-party, must be made up of sweetmeats and sugar-plums,” Trollope says, and he does, indeed, fill the ending of this delightful social satire with all the “sweetmeats” any reader could desire. Between the introduction and conclusion are so many moments of wry humor, genuine thoughtfulness, and satisfying come-uppances that the extra sweetness at the end is actually a bonus. In this second of the Chronicles of Barsetshire, published in 1857, Trollope continues the story of Mr. Septimus Harding, the gentle and unambitious clergyman who, in The Warden (1855), resigned his appointment as warden of Hiram’s Hospital for the poor and became the vicar of a small church, living frugally above a chemist’s shop. His daughter Eleanor, who married reformer John Bolt at the end of The Warden, is now a widow with a small son–and considerable inheritance. Ecclesiastical controversies, many of them linked to the desire for power within the small world of the church hierarchy, still exist in Barchester, and the arrival of Mr. Slope, as chaplain to Bishop Proudie, signals fireworks. Slope, one of Trollope’s most unforgettable characters, is one of the slimiest, most sycophantic, and manipulative clergyman ever to appear in English literature. (To read the full review, click on the title of this excerpt)
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The fourth of the Chronicles of Barsetshire, Framley Parsonage (1861) is a gentle novel filled with memorable characters, including many characters from The Warden, Barchester Towers, and Doctor Thorne (Barsetshire Novels). Mark Robarts, a young vicar with a devoted wife, has a comfortable situation at Framley Parsonage on the estate of the indomitable Lady Lufton. Her son, now Lord Lufton, had been a friend of Mark Robarts at school, and it was their friendship which resulted in Mark’s position. Mark, though conscientious in his duties and grateful for his situation, is ambitious, however, anxious to expand his horizons beyond Framley. Lady Lufton, who rules with an iron hand, is appalled when Mark decides to spend a weekend with a “fast” crowd, one which he believes can advance his career. Young and naïve, he becomes the dupe of an aristocratic “con-man,” an MP named Nathaniel Sowerby, who persuades him to help him out of a financial jam by signing a note for five hundred pounds (more than half Robarts’s yearly salary), allowing Sowerby to draw funds on Robarts’s name. (To read the full review, click on the title of this excerpt.)
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For many years, the kindly and unambitious Rev. Septimus Harding has been warden of Hiram’s Hospital, a residence for poor men who have nowhere else to go, a place where they may live comfortably, get a small stipend from the estate of Mr. Hiram, and live out their lives in peace. The warden of Hiram’s Hospital has also been living at peace, until John Bold, a young reformer, questions why Mr. Harding, as warden, gets eight hundred pounds a year for accepting the title of warden, which does not require him to do much else. In this first of the Barsetshire Chronicles, published in 1855, Trollope establishes the gently satiric tone and mood which pervade the series. Here he focuses on the church, its clergymen, and their roles in society, showing Rev. Harding to be a man of honor and trust (though a bit too comfortable and unimaginative to ask the hard questions) and contrasting him with Archdeacon Grantly, his son-in-law, who enjoys the power and perks of his position and feels that the world owes him whatever what he can get from it. (To see the full review, click on the title.)
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Often considered Trollope’s greatest novel, this satire of British life, written in 1875, leaves no aspect of society unexamined. Through his large cast of characters, who represent many levels of society, Trollope examines the hypocrisies of class, at the same time that he often develops sympathy for these characters who are sometimes caught in crises not of their own making. Filling the novel with realistic details and providing vivid pictures of the various settings in which the characters find themselves, Trollope also creates a series of exceptionally vibrant characters who give life to this long and sometimes cynical portrait of those who move the country. Lady Carbury, her innocent daughter Henrietta (Hetta), and her attractive but irresponsible son Felix are the family around which much of the action rotates. They are always in need of money and Lady Carbury writes pap novels to support the family (and Felix’s drinking and gambling). In contrast to the Carburys, and just as important to the plot, are the Melmottes. Augustus Melmotte, who has come from Vienna under a cloud of financial suspicions, has acquired a huge estate for himself, his foreign wife, and his marriageable daughter. (To see the full review, click on the title.)
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A paean to the bravery and spirit of Joan of Arc, this novel by Mark Twain is also his most scholarly, having taken twelve years to write. Clearly fascinated by Joan’s “voices” and her sense of mission, Twain delves into her religious passion and her belief that God has chosen her to free France from England and restore the Dauphin to the throne. Often focusing on the arguments and trials in which Joan participates throughout her life, Twain shows her childhood attempt to “save the fairies,” her struggle to become general of France, and ultimately, her defense against heresy and sorcery. Through these, Twain attempts to reconcile her spiritual commitment with the tumultuous temporal world in which she is engaged. Twain creates a fast-paced story about this tumultuous period, creating a series of repeating characters who anchor Joan’s story from the time of childhood until her death. (To see the full review, click on the title.)
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