Author and rock journalist Peter Murphy certainly doesn’t do anything by halves, and this novel and the author’s own promotion of it are about as over-the-top as it is possible to get. Murphy has produced a publicity video based on the book (see Notes below), using a gargoyle, the sound of crows (a motif in the book), and the powerful, raspy voice of Blind Willie Johnson, singing “John the Revelator,” a song the R & B singer recorded in 1930. Murphy calls his blog “The Blog of Revelations,” and his MySpace page is “John the Revelator,” filled with information about the book and its reviews. He has been actively campaigning to have his book win the “Not-the-Booker” Prize from the Guardian UK, where it is #6 on the longlist of forty-six books, and he is doing book-signings and interviews everywhere. He is obviously having a ball! The book, an “Irish gothic” novel with dark, religious overtones, is set in rural southeast Ireland, where the author himself grew up.
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Acclaimed Belgian author Amelie Nothomb reminisces in this novel about her life in Japan in 1989. She was twenty-one that year, a recent college graduate seeking her emotional roots, and she had just returned to Japan, where she was born and lived with her diplomat parents for the first five years of her life. To earn some money while she studies business, she posts an advertisement offering language classes in French. She is immediately hired by Rinri, a twenty-year-old college student whose French is at the beginner level, despite several years of teaching by Japanese teachers. Before long, their teacher-student relationship becomes more intimate, and Amelie is learning more about Japanese culture than she ever expected.
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Nazneen, a young bride married at sixteen to a 40-year-old man, is wrenched from the only life she has ever known in the countryside of Bangladesh and conveyed to England, where her new husband, Chanu, has a job. Taught from the day of her birth that “fighting against one’s Fate can weaken the blood,” or even be fatal, she accepts the miserably lonely existence fate has bestowed on her in a London council flat. Though there are others from Bangladesh living there, Chanu believes the other immigrants to be uneducated, illiterate, and uncultured, and he discourages any reaching out Nazneen might do to these people who are “below” them. Author Ali shows Nazneen’s world in all its earthy details. Ali’s depiction of a woman’s coming of age through the process of acculturation is striking in its level of detail. Decisions which many of us take for granted assume new meanings when they are made by Nazneen.
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Czech author Bohumil Hrabal, often at odds with the government of Czechoslovakia during the 1970s and 1980s, first published this tragicomic novel as a typescript in 1979, and later in book form in 1983. Hrabal and fellow-members of the Jazz Section of the Czech Musicians’ Union distributed it secretly for two years before many were arrested and sentenced to jail for their efforts. Hardly what modern readers would consider subversive or dangerous, the novel is a first-person account by Ditie, who begins his story as a teenage busboy at a rural hotel, progresses to waiter, and eventually to successful hotel owner. It gives nothing away (and the book cover itself includes this summary) to say that when the Czech government falls to communism, Ditie ends up working the roads in a mountain village. The picaresque plot is the least important aspect of the book, since it is merely the framework for a series of often hilarious stories about the people he works with, the lives they have led, the values they maintain, their hopes for the future, and the sometimes large chasm between their dreams and reality.
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Posted in 9c-2009 Reviews, Coming-of-age, Croatia, Experimental, Historical, Humor, Satire, Absurdity, Literary, Mystery, Thriller, Noir, Yugoslavia on Jan 17th, 2011
Croatian author Josip Novakovich crafts a novel here which bursts the bounds of genre. Both naturalistic in its depiction of the Yugoslavian war and its atrocities, and fantastic and darkly absurd in its depiction of the life of main character Ivan Dolinar, the novel seesaws between the horrific and the hilarious. Surprising in his ability to wrest unique images from universal experiences, Novakovich writes with such clarity and directness that the reader immediately identifies with Ivan in his predicaments and empathizes with him as uncontrollable forces buffet him throughout his life. The novel follows him from childhood to his fifties, and the conclusion is a blockbuster, sixty pages of the most absurd, farcical, and hilariously ironic writing in recent memory, a section which comes close to slapstick at the same time that it is indescribably bleak.
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