Throw Me to the Wolves is a book which inevitably will be called a “murder mystery,” though that so underestimates McGuinness’s literary performance that it is almost an insult to limit it that way. Here the author uses the real murder of a young woman and its aftermath in the small British community in which she and the suspect both live as the starting point for a comprehensive study of the town’s various social groups, their values, their history, and the extent to which the citizens will force their wills on others to protect their own vision of what a community is and should be. What begins as a “detective story” quickly becomes an enthralling story of social interaction and reaction, a story of deep conflicts and divides, one which, ultimately, treads that narrow line between protecting social values and protecting one’s own sense of self. The novel, set in the 1980s, is based on a real murder and the teacher who becomes a suspect. A brilliant and lively study of the power of rumor and the press, and the state of the news media today. A big favorite for the year so far.
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In the years between 1973 and 1981, Uruguay was ruled by the rich and powerful – autocrats who used the power of the military to secure their rule and their continuing wealth – while the needs of the rest of the country were ignored. Uruguayan author Mario Orlando Benedetti, widely regarded as one of the most influential writers in South America, was himself arrested and exiled during this time, and he knew many people who were imprisoned, if not executed. Using his firsthand knowledge, he published this extraordinary and revelatory book in 1982, in the days immediately following the end of military rule, giving his audience and the rest of the world a vibrant, literary study of the effects of imprisonment on the hearts, minds, and psyches of people like himself, and of those at home who loved them. On the Favorites List for 2019.
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In OPTIC NERVE, Argentinian author Maria Gainza’s narrator invites the reader into her life and her love of art, celebrating the glorious feelings which come to her, often suddenly, when she sees an artwork and suddenly connects with it emotionally. These unexpected moments provide thrills in her life, forever joining her spiritually with the people and places associated with the work. As she muses on these moments in this collection of stories which epitomize her life, she allows her mind and its associations free rein, celebrating not just the original artwork but the long-term effects it often has on her life. Some of the artists featured include Gustave Courbet, Henri Toulouse Lautrec, Mark Rothko, Henri Rousseau, and Candido Lopez, each of whom is connected thematically with some aspect of the speaker’s life, while the author also features literary references. Writers as different from each other as A. S. Byatt, Giuseppe di Lampedusa, Truman Capote, Guy de Maupassant, Victor Hugo, and Carson McCullers are also quoted here, and other writers, like Katherine Mansfield, Somerset Maugham, Nikolai Gogol, and J. D. Salinger are referenced. A treat for readers who enjoy literary fiction especially when paired with paintings.
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In what is the most excitingly creative and unusual group of ten stories I have read in many years, Bosnian author Asja Bakic captured my attention totally, and kept it through several readings. In Bakić’s first story, “Day Trip to Durmitor,” for example, a young woman is surprised, after her own death, to discover that the afterlife is completely different from what she expected. When she wants to know where God is, she is rebuked, told that she “can’t champion atheism and then play cards with the Lord when you die.” In other words, “God slipped in the tub.” In another story, the speaker is magically sucked out of the celestial place where she has been writing, lands on earth, and sees her own reflection – as a non-human. Hidden treasure, a grandfather’s collection of pornography, a well-digger who is a forest monster, a robot who comes to life, a character with the same name as the author, who has been cloned four times, and people who live with a green spirit add further interest. Literary references add depth and interest.
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In this assured and evocative debut novel set in rural Kentucky, author C. E. Morgan comes closer to conveying the essence of life, as she sees it, than do most other novelists with generations more experience. Writing about an area in which she lived, Morgan recreates the bare bones lives of subsistence farmers who are irrevocably tied to the land, a land which is sometimes fickle in its ability to sustain those who so lovingly tend it. Interminably long days and aching physical labor are not always rewarded here, and despair is often the prevailing mood of whole communities when droughts or floods play havoc with man’s efforts. Yet each spring offers new opportunities and hope as the resilient farmers renew their back-breaking connection to the land once again. Orren Fenton is just out of college when his mother and brother are killed in an accident, leaving him the sole survivor of the family and the inheritor of the family’s Kentucky tobacco farm. He invites his girlfriend Aloma to join him in restoring the farm that had belonged to his grandparents. The work is brutal, their love is tested severely, and both learn, as does the local pastor. Insightful, philosophical, and mature, this portrait of three characters trying to understand themselves and their roles in the world as they face the hardships of everyday life in rural Kentucky is accomplished, moving, and insightful.
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