SEEING THE WORLD THROUGH BOOKS

One of the best debut novels I have read in a long time, Falling to Earth focuses on the aftermath of the largest and most powerful tornado ever to hit the United States, one known as the Tri-State Tornado of March 18, 1925, which traveled two hundred nineteen miles through northeast Missouri, across southern Illinois, and into southwest Indiana over the course of three hours eighteen minutes. Destroying everything in its path, it killed almost seven hundred people. Author Kate Southwood describes the aftermath of this storm in the town of Marah, Illinois, a rural composite of all the communities hit by this horrific storm. What elevates this novel above a journalistic report of buildings destroyed and communities devastated is Southwood’s focus on the effects of the tornado on one family – not the inspiring survival story of a family that has lost everything, as one might expect, but the story of a family that has lost nothing, their children safe, their home intact, and their lumber business safe. The novel’s fast pace, a direct result of the author’s ability to present details with which the reader will identify, combined with her careful building of the resentment against the Graves family, make this a novel which few will forget.

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Zachary Karabashliev creates a darkly humorous, entertaining, and compulsively readable novel so full of life that it bursts its way through several different genres. First, it is a love story, though in this case, it is a love story gone awry: the main character, also named Zack Karabashliev, has been living alone, miserably, at his home in San Diego for the past nine days, his wife having left him. It is also a story of the immigrant experience, in that Zack and his wife Stella met as students in Varna, Bulgaria, in 1988, and came to the United States as graduate students, working at several different kinds of jobs until they finally found financial, if not personal, success. The novel also becomes a quest, when Zack, in despair over the absence of Stella, decides to drive to New York to meet friends, traveling from California through the southwest and across the Mississippi and Midwest, stopping at small towns and bars along the way and observing how others live their lives. What makes this novel most unusual, however, is that it is also a well-developed metaphysical exploration of what it means to be alive, how we see our lives in the continuum of time, and where and whether happiness and an appreciation of beauty fit into the picture at all. Funny, poignant, and chock full of twists, turns, and surprises.

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Simon Howe, editor of the weekly newspaper in rural Maine, has just hired a new employee, previously an employee of a Portland newspaper and a former farm team player for the Red Sox, now an ex-con who served six years for assault on a woman. Amy, Simon’s wife, takes the side of the woman victim, wondering aloud if the victim, too, has a new job, and if she’s gotten over the trauma of being sexually assaulted. The new employee has told Simon that there are two sides for everything, but Amy feels such crimes are too damaging to women to be forgiven and she does not want to meet him. Soon after, Simon receives the first of what will eventually number six postcards from around the country, none of them signed, gradually hinting at some terrible deed that Simon unknowingly committed in the past. As the cards are mailed from closer and closer destinations, first from the Great Salt Lake, and then from Chicago, Philadelphia, Boston, and Portland, Simon and Amy become more stressed and more impatient with each other. The final card is hand-delivered to the family’s mailbox, and the message demands that Simon meet with the sender during his 25th reunion celebration. Author George Harrar ratchets up the tension to the breaking point, and few readers will be able to resist seeing this book as a classic Alfred Hitchcock film. Ironies abound here in this tension-filled study of universal themes as seen through the seemingly simple life of a respected man in Red Paint Bay.

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Using different genres for each of his three novels which available in English, Horacio Castellanos Moya creates dramatically different tones, despite their common settings in Central America, and translator Katherine Silver’s own versatility is obvious as she recreates the different moods. Senselessness (2008), Castellanos Moya’s most powerful and most dramatic novel, conveys the horrors of Mayan genocide in an unnamed country which resembles Guatemala. By contrast, Tyrant Memory (2011) often verges on farce in its satirical depiction of the popular rebellion against a pro-Nazi dictator in El Salvador in 1944, an otherwise serious subject. The She-Devil in the Mirror (2009), also set in El Salvador and the least political of the three novels, is a murder mystery, told as a long monologue by Laura Rivera, a privileged, upperclass woman whose best friend has just been murdered. Castellanos Moya’s pacing is flawless as he suggests but does not always confirm the reader’s conclusions about these characters as described by Laura, and the novel’s finale is memorable, perfectly in keeping with tone and character. The details and subject matter are universal, rather than specific to El Salvador, and readers from around the world will be entertained and often amused by Castellanos Moya’s foray into noir fiction.

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Australian Patrick White’s genius for story-telling is on full display in this big,old-fashioned saga filled with intriguing characters exploring the difficult terrain of their inner lives. For a number of characters, all male, that personal inner journey is also part of a daring adventure they make into the interior of Australia in the mid-nineteenth century, an area previously unexplored by the white people who have recently discovered this continent. The female characters in Sydney during this same period have a far more difficult time exploring their inner natures, even in the unlikely event that they might be interested in doing so. Here, the women are very much a product of their upbringing in the early years of Queen Victoria’s reign. As the daughters and wives of successful merchants or entrepreneurs, their educations have been in the social graces far more than in academic learning as they ready themselves for their perceived roles in society as the wives of successful men and mothers of a new generation of Australian gentry. The novel is satisfying on every level, thematically, historically, and emotionally, and the characters are memorable. His descriptions are unparalleled, especially in the clever, often satiric presentations of some of the more unpleasant characters, introduced only briefly.

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