What an astonishing book! Completed in 1973 and packed away for almost forty years, the manuscript of The Wandering Falcon found a publisher only when the world’s attention suddenly focused on the virtually unknown tribal cultures living along the bloody border between Pakistan and Afghanistan. With great sensitivity, respect, and sympathy for his characters, seventy-nine-year-old author Jamil Ahmad has created a collection of unique, often interconnected, stories about vibrant individuals from the various tribes living in and near the Federally Administered Tribal Area (FATA) of Pakistan. These nomads have followed the seasons and the needs of their animals and families for thousands of years, and they have no concept of national boundaries. The author, a powerful Pakistani official who lived and worked in the tribal lands from the early 1960s through the mid-1970s, believes that the people he came to know in the Swat Valley possessed a kind of honesty, openness, and lack of pretense which is absent from much of “civilized” society. He is the only person to have recorded details of their lives, making this an extremely important work.
Read Full Post »
This tiny book, closer to a short story than to a novella, was the last piece of fiction by author Joseph Roth (1894 – 1939), and was published posthumously in 1940. As such, it becomes a particularly poignant study of Roth’s last days as he waited for the death he knew was coming. The Leviathan his allegorical last story, features an observant but illiterate Jew living in Progrody in the Ukraine who has become the premier dealer of coral jewelry for the farmers’ wives in the community and surrounding area. Nissen Piczenik respects his customers, entertains them when they come to town to see his wares, and offers good corals at good prices. Nissen has never left Progrody and has always yearned to see the ocean where his corals live, and when a young sailor comes home on leave from Odessa, he persuades the sailor to take him with him when returns to port. At home, he learns that a new coral seller has set up shop in the next town, and when he meets this seller, he discovers why this merchant has been able to undercut him in prices and lead his former customers to believe that Nissen has been cheating them. Nissen’s world dramatically changes as he comes to know the new coral seller, and one day he makes a fateful decision which changes the world as he knows it. Allegorical, with clear parallels to the author’s own life.
Read Full Post »
In this collection of stories about life’s uncertainties, Robert Boswell picks up his characters like mechanical toys and winds them up tight, and just when they are at maximum tension, he twists the key one more turn, guaranteeing that they will unwind noisily, out of control. Virtually all his characters are losers. A woman, having lost her disabled husband, now finds that she has also lost her best friend. A housecleaner has been abandoned by her husband. An attention-seeking motel manager demands that a patron strip search her. A needy young man goes broke while in the thrall of a fortune teller. A priest tries to help a pathetic family by offering a “story to have faith in, even if he cannot entirely believe it.” The stories are sometimes bleak, but they are always haunting. The characters are just one twist away from the normal, the safe, and the real, feeling instead to be “different,” irrational, sometimes dangerous, and even frightening. Ultimately, these unforgettable characters with their haunted and damaged lives, leave the reader uncomfortable with their ironies. Damaged as many characters are, they are close enough to ourselves and those we know to feel familiar to us.
Read Full Post »
In the forty-two stories included in A Night in the Cemetery and Other Stories of Crime and Suspense by Anton Chekhov, the author expresses both his ironic humor and his dark assessment of humanity. Though he is better known now for his playwriting skills, Chekhov was a prodigious writer of stories from 1880, when he was a twenty-year-old medical student, until 1890, and it was these stories that kept his family fed and clothed for most of that decade. By 1884, Chekhov, still writing stories, was a practicing physician traveling the countryside and not charging the poor for his services, and much of the social breadth we see in his stories came about directly as a result of this close contact with all levels of society. The conflicts in his stories, sharply realized, show the chasm between rich and poor, and educated and uneducated, and Chekhov, almost without exception, depicts the poor and uneducated as having more integrity, and less tempted by “the devil.” It is the reader’s recognition that Chekhov believes what s/he believes that makes Chekhov’s work so memorable and significant—and which makes his irony work.
Read Full Post »
Set in various countries in West Africa, with one sojourn to Ethiopia, Susi Wyss’s debut “novel in stories” takes advantage of the more than twenty years that she lived in Africa—three years as a child in the Ivory Coast, two years as a Peace Corps volunteer in the Central African Republic, and fifteen years managing health care programs throughout different countries in West Africa. Her sensitivity to place, culture, and people, particularly those who have left their homes for lives elsewhere, and her sense of honesty and forthrightness give a particular poignancy to the lives of the five women who are the subjects of the stories here. Three of these overlapping stories are set in Ghana, two in the United States, and one each in Malawi, the Central African Republic, and Ethiopia. The novel has much charm, less plot, with characters who feel real and with whom the reader will identify. The places Wyss “visits” are both intriguing and realistic, even including the unexpected violence that appears at some points. The novel is full of easy and obvious cultural conflicts and contrasts, with themes that often appear as moralizing at the conclusions to the stories.
Read Full Post »
