The Spanish Civil War (1936 – 1939), with its terrible effects on residents of the Basque country, was a complex and brutal war in which soldiers, sometimes neighbors, often found themselves fighting for different sides. Author Manuel de Lope, who grew up in Burgos, not far from the Basque Country, obviously knows the landscape and the culture well, describing the overwhelming beauty of the land and mountains with an obvious love of nature, and the characters in his story with understanding and affection. Not a traditional war story, the author focuses instead on three characters who, though affected by the war in terrible ways, are peripheral to that bloody action—Maria Antonia Etxarri, the daughter of a former innkeeper from a nearby town; Dr. Felix Castro, a young, crippled doctor; and Isabel Cruces Herraiz, the bride (and soon widow) of a young officer, all living in the village of Hondarribia. Miguel Goitia, a young law student studying for his exams, arrives at Las Cruces sixty-five years after the Civil War, and stays in the inn which was once the home of his grandmother, Isabel Herraiz, becoming the catalyst for the novel.
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Those who are already familiar with the five earlier novels in this Icelandic mystery series featuring Erlendur Sveinsson know that Erlendur is a dark, gloomy, introspective, but caring man who does not share much about his life. As the series has developed, however, so has the main character, Erlendur. It is almost as if he has become less shy—as if he has decided to reveal himself to his readers in ways that were not possible in the first novel, Jar City. The hanging death of a young woman at a remote vacation cottage on Lake Thingvellir piques the curiosity of Erlendur when it is discovered that the victim, Maria, is from the Reykjavic area, a married history scholar who has had difficulties coping with the death of her mother two years earlier. Though local police have declared the death a suicide, a good friend suggests to Erlendur that she does not believe the woman, Maria, killed herself.
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An unusually strong war novel which ranks with the very best, To Hell with Cronje by Ingrid Winterbach shows characters whose lives have been permanently changed by the Second Boer War (1899 – 1902), and raises the question of whether any of them—men, women, and children–will ever be able return to a peaceful life after the brutality which has created a new “normal” within their nation. How, she asks, can one cope with the horrors of war on any level? What resources can men develop that might allow them to survive personally? Four Boer soldiers who have served in a variety of fortified camps (laagers), with an assortment of career officers–mostly incompetent, in their opinion–have set out on a mission to return young Abraham Fourche to his mother in Ladybrand. Not quite twenty, Abraham has witnessed the horrifying death of his brother during the devastating Battle of Droogleegte, and he is now shell-shocked, mute, and unresponsive. (On my Favorites List for 2010)
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Described as a “prodigy,” thirty-five-year-old Daniel Kehlmann, with German and Austrian citizenship, has already published four novels and a short story collection, winning the 2005 Candide Award, the 2006 Kleist Award, and the 2008 Thomas Mann Award. Kehlmann’s nine stories all deal with the ironies of people caught between reality and fiction. In “Voices” Kehlman tells the story of Ebling, who is mistakenly assigned the private number of famous actor Ralf Tanner when he buys a new cellphone. When he begins to answer as the actor, “It was as if he had a doppelganger, his representative in a parallel universe.” In “The Way Out,” Ralf Tanner the actor illustrates what has happened to his life since Ebling started answering his phone calls, his professional career and personal life in ruins. He participates in a disco contest which awards prizes to the person who most resembles someone famous, but is criticized because his body language is “not correct” for the actor Ralf Tanner. His use of a false name ironically gives him a chance at a real life.
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David Mitchell’s past work, full of literary excitement, has been almost universally lauded for its originality and experimentation, and two of his novels, number9dream (2001), and Cloud Atlas (2004) have been shortlisted for the Man Booker Prize. Ghostwritten (1999) won the John Llewellyn Rhys Prize, and in 2007, Mitchell was named one of Time magazine’s 100 Most Influential People in the World. This novel will come as a surprise to many of his long-time fans. Here, Mitchell writes a historical novel—a HUGE historical novel—set in Nagasaki at the turn of the 19th century, when the Dutch East India Company was Nagasaki’s only trading partner. In an unusual change, Mitchell writes in the 3rd person here, taking an omniscient point of view which allows him to unfurl fascinating tales and re-imagine historical events in dense prose packed full of energy and local color.
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