Feed on
Posts
Comments

Monthly Archive for April, 2012

Much admired by both Roberto Bolano and by Carlos Fuentes, Mexican author Daniel Sada has now been published in English for the first time by Graywolf Press. Almost Never, “a Rabelaisian tale of lust and longing,” provides a bawdy and mildly satiric look at the whole concept of machismo as it exists in the mid-1940s in Mexico. Sada’s main character, Demetrio Sordo, almost thirty when the novel opens in 1945, grew up in northern Mexico, but he has recently been living near Oaxaca in southern Mexico, working as an agronomist in charge of a large ranch. Bored by the usual nightly “entertainments,” he finally concludes that “Sex was the most obvious option.” Taking a taxi to a local brothel, he meets the beautiful brunette Mireya. His eye-opening relationship with her, graphically described, comes to a temporary stop, however, when he receives a letter from his mother in Parras, asking him to come home at Christmas to accompany her to a wedding in Sacramento, even farther away to the north. There he meet and falls in love with a strictly virginal local girl, Renata. The story with all its complications and bawdy language mocks the pretensions of its characters at the same time that it explains and even, in some cases, tries to justify them in terms of the social context of the period. A new Mexican author of great esteem, now translated into English for the first time.

Read Full Post »

“On Wednesday 23rd March 1983 there appeared in the Guardian the following report: ‘An inquest is to be held on the two elderly women whose bodies were found on Monday in the dilapidated North London house they shared with a man who was the brother of one of them and the brother-in-law of the other. Postmortem examinations yesterday revealed that they had both died from natural causes – but that the older woman had been dead for up to a year.’ ” No one incorporates black ironic humor into novels about earnest, often batty, elderly people better than the British, and Benatar is one of the best of the best. Paying special attention to characters who are dealing with significant emotional stresses, he fills his novels with psychological insights and feelings the reader understands, even as his mordant wit draws the characters to the edge, allowing the reader to watch them cross the line into darker and darker worlds of their own. Focusing primarily on Daisy and the havoc she wreaks, the novel starts at the end and works its way back to the beginning, jumping back and forth among time frames as the backgrounds and the entire histories of each character are laid bare. Brilliant dialogue reveals attitudes and interactions in this ironic and darkly funny novel of dysfunction. If this were a Hitchcock film, Betty Davis would have been perfect as the scheming Daisy.

Read Full Post »

« Newer Posts