In this autobiographical novel of his early life and family in Gjirokastra, Albania, author Ismail Kadare focuses primarily on his mother, “the center of his universe” for his early years. Though she was not a warm, demonstrative person, her son stresses that she did have a caring nature and that it was “her self-restraint, her inability to cross a certain barrier,” that gave her a “doll-like mystery, but without the terror.” Her tears, he says, sometimes “flowed like those in cartoon films,” but when he asked her once about the reason for them, her answer “[made] my skin creep to recall it: ‘The house is eating me up!’ ” she claimed. Totally different from the newer, warmer house in which his mother had lived with her own family before her marriage, the Kadare residence was a grim, three-hundred-year-old building almost devoid of people, and for Kadare, it is as much of a character here as the family itself. Kadare’s early interest in writing eventually causes him to leave his home for later schooling in Tirana and Moscow, exposing him to many philosophies alien to his Russian teachers. These ideas further develop for him as he continues his work into the future and in exile in Europe. Trips back to his old house bring back last memories and the perplexity of his early life and family.
Read Full Post »
If Jeremy Olson’s arresting cover art does not inspire new readers to investigate this book, the descriptions in the novel’s epigraph certainly will. Here July, the sister of September, describes her sister as, among other things, a black hole, a falling tree, the last packet of crisps, and a bricked up window. It takes little imagination to appreciate that this book is about to become a dark, perhaps horrific, psychological novel involving two sisters and, at a distance, their mother. Quickly involving her readers in the narrative, author Daisy Johnson depicts the disturbed family arriving at a decrepit house in the North York Moors. The sisters and their mother have moved there from Oxford, where the girls have lived all their lives to date, and none of them have any real expectation that they will be leaving this remote location anytime soon. Sheela, the mother, promptly disappears into a neglected but unoccupied room which will be hers for the expected duration, while the girls will be on their own in their own area of the house. Hints about the past and references to something the girls have done in Oxford may have been responsible for the mother’s silence and isolation, and July suspects that their real crime is having been born at all. A suspenseful can’t-put-it-downer.
Read Full Post »
Posted in 1-2020 Reviews, Book Club Suggestions, Classic Novel, England, Humor, Satire, Absurdity, Literary, Mystery, Thriller, Noir, Psychological study on Nov 1st, 2020
Ten pages into this novella, which Muriel Spark claimed was her favorite among all her novels, the fate of main character Lise is not in doubt. From the outset the reader observes surreal, alarming, and clinically insane behavior from Lise, the victim. At the same time the person who seems to be her murderer appears to be a just bit wacky. With much of the action taking place on a plane, the unexpected ironies throughout turn the novel on its head, creating a mood in which dark humor and bizarre surprises keep a smile on the face of the reader almost all the way through the novel. Then the reader discovers the truth, that the person in “the driver’s seat” throughout the novel’s action is actually a surprise, turning the “whydunnit” into an unparalleled tour de force.
Read Full Post »
Australian author Christian White uses two separate narratives to create a murder mystery which goes way beyond the usual thin characters forced to deal with bizarre and unexpected experiences. By alternating chapters between two families, he focuses instead on creating real people who find themselves suddenly dealing with events for which they have never prepared, many of which are now crises that have evolved from experiences buried deep in their past. The two narratives have few connections until late in the novel, as “The Wife” and “The Widow” share their lives with the reader but do not know each other and have virtually no contact. It is not until the ferry arrives on tiny Belport Island with Kate Keddie and her father-in-law, Fisher Keddie, about a third of the way into the novel, that the mystery takes off. Arriving at their summer house, they discover that there is food in the microwave, a shopping bag on the counter, and a note to himself written by John Keddie. Fresh sheets on a bed, items in the bar fridge, and a room service menu prove to Kate and Fisher that John has, in fact, been at the island during his “missing” weeks. Unfortunately, however, a body is soon found inside a car that has been located in deep water off the harbor docks, and, not surprisingly, the body inside is John’s. He has been murdered. Written in clear, precise prose, and filled with drama and excitement, the novel raises questions about sacrifice and guilt which will linger long.
Read Full Post »
Author Eshkol Nevo, a highly skilled and very popular Israeli author, takes a unique approach to this novel, simply answering typical interview questions without connecting them thematically – “What motivates you to write?” “What is your earliest memory?” “Do you have a recurring dream?” In the course of almost five hundred pages, his true purpose and his underlying themes emerge, especially regarding a writer’s connections with friends, family, and his own memories. The author soon discovers, however, that answering the interview questions unexpectedly raises additional questions within the author himself. Determined to be completely honest, while also creating “fiction,” Nevo obviously feels the inherent conflict between those two approaches to describing life, and as he slowly edges into some serious self-examination, his skills as a writer get a real workout. Ultimately, his scenes from a writer’s life, including, almost certainly, episodes from his own life, challenge him to maintain the true honesty he has promised himself and the reader, while also recognizing the hurt that such honesty can sometimes bring to those he loves and admires. Filled with insights into life in Israel, life within his family, and life within himself, the author has created a unique look at the writing life and what it means to at least one author, what he has given up for it, and what he hopes to regain from taking it back. Truly unique.
Read Full Post »
