Teddy Todd, age eleven in the opening quotation from the early pages of the novel, has a poet’s nature, and at times he dreams of becoming a poet and writer. Sensitive to the sights, sounds, and smells of nature, he seems to be on his way to a life of beauty, which may be attainable during his life of privilege within his large multigenerational family. This single moment in 1925, in which he feels his “exaltation of heart,” however, turns out to be the only moment of complete euphoria he is ever likely to experience. The “darkness” which his older sister Ursula says hides the “light” is already being felt by the adults in his life. By 1939, when he is twenty-five, he himself is on his way to war as a Halifax pilot, part of the Bomber Command in Yorkshire, on the first of seventy sorties for his country in which he and his crew kill hundreds of enemy fighters and civilians – and a few of his own men. This novel, author Kate Atkinson’s “companion novel” to her earlier Life After Life, reintroduces the Todd family, and Ursula, Teddy’s sister, who is the main character of that earlier book. The styles of the books are very different, however.
Read Full Post »
Antonio Munoz Molina, one of Spain’s premier writers, shows his intense psychological and atmospheric style in this short novel, a perfect introduction to this author for anyone who has not already read A Manuscript of Ashes, or any of Munoz Molina’s other works. In the latter important novel, the author’s scope is that of Spanish Civil War, the people it absorbed, and the subsequent dictatorship of Generalissimo Francisco Franco. The present novel (which some will consider a novella), is of a much more limited scope – the life and love of Mario Lopez, an undistinguished worker in the city of Jaen, halfway between Madrid and the south coast of Spain. Mario, almost anonymous in his profession – a draftsman, rather than the architect he would like to be – is someone his wife Blanca considers a bureaucrat. She has, in the past, accused him of “settling for too little, of lacking the slightest ambition,” to which Mario has replied that “she, Blanca, was his greatest ambition, and that when he was with her he wouldn’t and couldn’t feel the slightest ambition for anything more.” How he and Blanca ended up married is one of the mysteries of the novel that develops as the action proceeds in its roundabout way through time and flashbacks, and as Mario reveals his feelings for Blanca, the only woman who has ever fully captured his heart but one he can no longer recognize as the novel opens
Read Full Post »
Kenneth Brill, the main character, is in a military prison in an unidentified location as the novel opens, feigning sleep as Davies, his interrogator from the Air Ministry, arrives to interview him in preparation for his trial for espionage. Brill emphasizes that he has served with honor during the war and has been almost single-handedly responsible for the camouflaging of a British airbase at El Alamein in order to protect it from Nazi bombs. His background as a former art student from the Slade, one of the best art schools in the world, helped him create a “stage set” of a base in the desert, drawing attention away from the real base in Egypt, near Libya, and attracting the attention of Nazi bombers away from the real base. As the novel opens, however, Brill has been caught painting a large number of landscapes of the farm area where he grew up, a few miles outside of London. While a reader might find this a seemingly innocent activity for someone who is been recovering from a gunshot wound for months, Davies quickly disabuses him. The farm area in the Heath, which Brill’s family has farmed for generations, is “shortly to become one of the biggest military air bases in Europe. That land has all been requisitioned by the Air Ministry” for a new aerodrome at “Heathrow.” Evidence from Brill’s past suggests he may be using the paintings to send coded messages to the Nazis.
Read Full Post »
For those who have read the recent prizewinner H is for Hawk by Helen MacDonald, the powerful, genre-bending memoir of the author’s decision to tame and train a fierce goshawk as a way to deal with her grief following her father’s death, this novel by Glenway Wescott (1901 – 1987) may feel more civilized and stylistically much tamer. This is by no means a criticism. The [marvelous] Pilgrim Hawk, a thoughtful, often symbolic novel, deals with much more than a woman’s relationship with a wild hawk and her agonizing search for herself, which we saw with the Helen MacDonald book. The pilgrim hawk here serves as the impetus to the action, but she is only one of several “characters” who participate in a broad examination of love and passion, and love’s closely related effects involving pain, pettiness, anger, self-doubt, and, in an ideal world, forgiveness. Ultimately The Pilgrim Hawk considers the grandest theme of all – the relationship of love to personal freedom and whether it is possible to have one without the other, a theme for which the hawk becomes a foil. Regarded by critics as one of the best short novels of the twentieth century, The Pilgrim Hawk has been compared to William Faulkner’s The Bear in its importance, though the foreign setting, the well-to-do American characters, and the visiting Irish gentry mitigate the raw realities of Faulkner’s masterpiece in favor of a more mannered, more continental approach.
Read Full Post »
Petterson begins the novel in 2006, as Jim, a man in his fifties who never knew his father, almost runs over an old man while driving through a snowstorm in the early morning hours. He wonders if the old man, who is uninjured, could have been his unknown father, a motif which echoes throughout. Jim is on his way to the suspension bridge that connects the island of Ulvoya to the mainland, a few miles south of Oslo. He fishes from the bridge a few times a week in the semi-darkness just before dawn, a peaceful activity for a man who must remember to “take his pills.” He resents the “classy cars” which have just begun crossing the bridge as dawn breaks, and he is shocked when someone in a new Mercedes stops and says, unexpectedly, “It’s Jim, isn’t it?” The speaker is Tommy Berggren, his dearest friend from childhood, with whom he has had virtually no contact for almost thirty years, a man who now looks “like Jon Voight in Enemy of the State,” but who miraculously recognizes him from the crowd. I Refuse is, I believe, Norwegian author Per Petterson’s most overwhelming and powerful novel yet, a novel which, even now, three days after I finished reading it, still has hold of my heart and still echoes in my memories throughout the day. I have read and reread passages just to be sure that they really do happen the way I thought they did, hoping that if I could just reread them one more time with a new vision that maybe I could keep the sad inevitabilities from happening in quite the same way, this time around. I don’t think I am the only one who will feel this way
Read Full Post »
