Belgian author Georges Simenon (1903 – 1989), a prolific author, published two hundred novels and over one hundred fifty novellas during his long career, most of them involving mysteries of some sort. Though he is the author of the Inspector Maigret series, hugely successful in the film versions and TV series in addition to the novels, he was particularly proud of his much more serious novels, his “roman durs,” psychological novels in which he reveals his interest in how ordinary people deal with the many shocks and betrayals of their personal lives. Act of Passion, published in 1947, is one of these romans durs, a novel about which critic Roger Ebert has asked, “Why is there no sense at the end [of the novel] that justice has been done, or any faith that it can be done?…There are questions for which there are no answers. Act of Passion is essentially a question posing as an answer.” Ebert is not being coy. The main character here, a physician named Charles Alavoine, admits from the outset that he is guilty of premeditated murder, but he has had a good relationship with this magistrate, who investigated his story and interviewed the crime’s witnesses over the course of six weeks, and he feels that this magistrate, who is assigned only to investigate the case and not to try it, will understand him if he can only know about his life. If he can understand him, then Alavoine believes he will understand why he committed murder. A NYReviewClassic from 1947.
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Posted in 8-2013 Reviews, Biography, Book Club Suggestions, England, Historical, Humor, Satire, Absurdity, Jamaica, Literary on Oct 3rd, 2013
A professional dancer from the age of eleven, Noel Coward (1899 – 1973) spent the rest of his life in “show business” as a playwright (of thirty-nine plays), composer (of over three hundred songs and sixteen musicals and operettas), film maker (of fifteen adaptations of his plays), and actor-director-producer connected with two dozen additional productions. Now, however, it is 1971, as this novel about his life opens, and he is seventy-two and dealing with an endless series of heart and lung problems, no doubt exacerbated, if not caused, by his persistent smoking. As the narrative evolves, impressionistically, Coward’s mind is seen wandering, and he frequently dozes off. He dreams of the Jazz Age and Gertrude Lawrence, and he sometimes relaxes by reading one of several children’s books by E. Nesbit which he loved as a child and still enjoys reading. He drinks too much, eats too little, refuses to see many people, and becomes annoyed if his life partner Graham Payn is not at his immediate beck and call. Often Payn is with Cole Lesley, “Coley” (formerly known as Leonard Cole), who began his association with Coward as a British valet, then became his secretary, manager, and occasional cook. At a time in which rap music is popular and raves are ubiquitous, the witty and clever lyrics for which Noel Coward was so famous, and which depend so much on word play and the rhythm of educated (British) speech, may be completely unfamiliar to readers of this book. Indeed, Noel Coward himself, once a household name, may also be an unfamiliar name to many readers of this book. Fame is fleeting, and never more obviously so than with an author/writer/composer/screenwriter like Noel Coward, who was also brilliant, articulate, and gifted beyond measure.
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IMPAC Dublin Award winner Kevin Barry shows his complete mastery of the short story form here, presenting startling, eye-opening stories of love and loss, hope and despair, and acceptance and resistance. Many of the characters reflect an almost religious belief that misery, for whatever reason, need be only temporary if one has the strength and will to search within. As they confront their challenges, Barry draws in the reader, inspiring hope that these individuals will prevail, either alone or with the help of friends. The characters spring from the page, face a demon or two, and then retire to small lives lived between the cracks of a larger society which does not notice them. The “unremarkable” people whose stories are told here often overcome challenges of universal significance, giving a resonance and a sense of thematic unity which is often lacking in other collections. This is not to say that these are “easy” or “comfortable” stories for the reader. Most of the characters are at least a little bit “off-kilter,” their problems at least a little bit beyond those of most readers, and their lives at least a little bit more bizarre than most of us who are reading about them. Unfortunately, some of these characters are too weak to see hope; some do not have the energy or desire to change; and some are so dependent on others for their emotional stability that they are not equipped to face the present, much less the future. Barry shows them all as they face turning points in their lives, for better or worse.
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In this unusual metafictional novel of the Spanish Civil War, author Javier Cercas experiments with the voice of his main character and with the form of this novel, which he describes as “a compressed tale except with real characters and situations, like a true tale.” The unnamed speaker, a contemporary journalist in his forties, is investigating the story of Rafael Sanchez Mazas, a “good, not great” writer of the 1930s, who, in the final days of the Civil War (1936 – 1939) escaped a firing squad and lived to play a role in Franco’s Nationalist government. The complex history of the Spanish Civil War in the first part of the novel is slow, full of unfamiliar names, places, and political alliances, but as the story of Sanchez Mazas and the people involved with him unfolds, the reader gradually becomes involved with the action and warms to the speaker’s quest to learn everything he can about the incident in the forest. The scenes near the end of the book, set in a nursing home, are full of touching and emotional realizations, conveying powerful, universal messages about war and heroes from one generation to another (and to the reader) without being didactic.
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He’s done it again! With over twenty million copies sold, and over a dozen Nordic prizes and nominations for crime writing under his belt, Norwegian author Jo Nesbo is certainly at the top of his game, and this novel, which fans will almost certainly agree is the best one yet, is sure to win him even greater recognition and even more readers. The dramatic and terrifying teasers at the end of this novel also guarantee that devoted readers will be waiting in line for the next novel in this Oslo based series, which centers on the troubled and alcoholic Inspector Harry Hole and those he has worked with in the Oslo Police Department. In Phantom, the preceding novel, Harry Hole suffers grievous injuries, and this novel begins where that one left off. Both Kripos and the Crime Squad are collaborating here on a series of cases in which a serial killer is murdering policemen who are have been unsuccessful in solving a sensational murder case at some time in the past. Each policeman or investigator is murdered on the anniversary of that unsolved murder, and usually in the same location as that murder. The first policeman dies a grisly death at a ski slope at night, and the similarities between this death and one that has remained unsolved from the past is immediately obvious to the investigators. Subsequent murders of police involve “sex, sadism, and the use of knives,” and frequently violence to the face with a blunt object. Author Nesbo plays a cat-and-mouse game with the reader in this one.
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