Author “James Church,” a career diplomat with years of experience in Asia, including, one assumes, North Korea, sets his second mystery starring Inspector O of the Ministry of People’s Security, in the country’s capital of Pyongyang. Though O is an Inspector, he, like those he works with, has no idea who is really in charge of the investigations to which he is assigned. For Inspector O, the best approach has always been to keep his head down, do what he is told, try to laugh at the absurdities, and close his eyes to the atrocities. Hidden Moon continues the story of O’s life after The Corpse in the Koryo, and readers who have read that novel will have a decided advantage as they read this one. A shocking robbery at the Gold Star Bank, the first ever in Pyongyang, challenges the Ministry and Inspector O, especially since O is not called to deal with it until a week after it has happened.
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French Grand Prix de Litterature Policier (2008) but also winner of the People’s Literature Award and the Author of the Year Award in Sweden. She is second only to Stieg Larsson in sales in Sweden and is the sixth most popular author in Europe. Her unique style and sense of plot have made her an international standout, and this book, the first of her seven novels to released in the United States, has already been translated into twenty five languages. The Ice Princess begins ominously with an unnamed person finding the body of a woman in a filled bathtub in a house so cold that ice has formed around her. Her wrists are slashed in an apparent suicide, but despite the gory scene and the rivers of frozen blood, a mysterious visitor believes that “his love for her had never been stronger.” This is a sophisticated and carefully conceived mystery which will delight those whose interests lean toward the inner worlds of the characters rather than their willingness to take up the sword.
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When the obnoxious Sean Rafferty, a twenty-six-year-old “pasty-face” with a link to drug gangs, is murdered, his aunt Gina, a young businesswoman, is shocked, and hastens to console her much older sister Catherine, Sean’s mother. Within twenty-four hours, her uncle, also named Sean Rafferty and someone to whom she has always felt close, dies in what is assumed to be a driving accident. The younger Sean worked for Terry “the Electrician” Stack, a man linked to drug suppliers operating out of the Netherlands, but there were no gang wars going on. The elder Sean Rafferty was a partner in BCM, a structural engineering firm involved in the Richmond Plaza development. BCM was hired to work with Paddy Norton, chairman of Winterland Properties, the developers of Richmond Plaza, and with Martin “Fitz” Fitzpatrick, his security expert. Before long, the reader, like Gina, suspects that there was an error, and that the wrong Sean Rafferty may have been killed first. (On my Favorites List for 2010)
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The second film from the Millenium Trilogy of novels by Stieg Larsson, The Girl Who Played with Fire, like its predecessor, The Girl with the Dragon Tattoo, hews closely to the plot line of the novel. Without any introduction, the life story of Lisbeth Salander continues where it left off, as she tries to navigate a world which damaged her to the point that she has difficulty relating to all humans. This film features the same cast in the lead roles as The Girl with the Dragon Tattoo though both the director and the cinematographers have changed. Lisbeth Salander (Noomi Rapace), a computer hacker extraordinaire, has returned from a year of traveling the world, during which time Mikael Blomqvist (Michael Nyqvist), publisher of Millenium magazine, moved on with his life. Like the book, this film is Lisbeth’s story, and as her background unfolds, the reader comes to know how and why she was institutionalized and why she is so damaged.
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In deciding to explore the complex and agonizing story of her brother’s life, Cuban author Cristina Garcia abandons her usual prose and writes in poetry, a form more appropriate for the intense feelings she bears toward her brother, a sick and broken man who was routinely victimized by his family as a child. Tracing her brother’s life from his birth in 1960, when the family became one of the first families to escape to New York from Castro’s Cuba, she recreates his life through poetry, up to 2007, when this book was first published. The short poems in free verse require the reader to fill in some blanks, and as one does, the growing horrors of this child’s life; the author’s own feelings of guilt for being unable (for whatever reason) to stop the torments her brother endured; her intense resentments against her parents, especially her mother; and her abiding sadness for the shell of a man her brother has become threaten to overwhelm the reader in the same degree that they must have overwhelmed the author.
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